Posts Tagged ‘writing’

The Banned Narrator-Are You An Epistolary Novelist?

December 29, 2009 - 9:57 am

Do you like to write letters to those who have meant something to you? Do people like receiving your letters? Have others said they always look forward to your letters?

If you answered yes to any of the above questions you could be an Epistolary Novelist.

This novel approach to fiction writing is unique in that the entire novel is composed with letters written between main characters or a solitary writer.

One of the classic Epistolary Novels in Christian fiction is the Screwtape Letters by C.S. Lewis. In this work two demons are conversing by letter to learn ways to frustrate Christians. These letters provided unique insight into the lives of Christians and how we respond to the world around us and the frustration we sometimes feel when dealing with other Christians.

One element that is totally removed from an Epistolary Novel is the narrator. Each chapter is composes specifically of a letter from of the novel’s main characters and presents a perspective unique to that author. There is no tool to lead the reader in any particular direction; they are influenced only by the words of your fictional character.

Another benefit of an Epistolary Novel is that you can present many unique points of view because each letter contains a prospective unique to the fictional author.

It may be difficult to think about how to manage a series of letters, you must learn how to take your plot and direction through the use of one or more voices. You have to work at keeping the characters and voices separated so each letter (chapter) bears the unique stamp of the character you have developed.

It is possible to develop an Epistolary Novel using only one character. In this scenario the novel may read much like a journal with an entire series of events being passed along in a time stamped dateline.

You will find there are several issues in the story that may not be resolved in subsequent letters. It may be several letters before an issue addressed in one letter is finally clarified. The intent is to present a realistic representation of the manner in which letter writing takes place.

A few authors have used the Epistolary Novel approach using email correspondence instead of standard form letters, but the truth is you can set your work of fiction in virtually any time period you choose.

5 Reasons Every Writer Needs a Web Site

December 28, 2009 - 10:29 pm

If you are serious about your writing, in fact even if you aren’t, you need a web site. Let me repeat that — every writer needs a web site!

If you don’t believe me then here are five very good reasons why:

1. Your web site can serve as your showcase and portfolio. It can include your biography, experience, and writing credits as well as copies of your work or better yet–links to your published work. So many queries today are done electronically and it much easier to simply include an url for editors or prospective clients to visit than to try to attach copies and/or a long list of urls on various locations.

2. Your web site can be your creative outlet. Perhaps your bread-and-butter writing is in the financial field but you really enjoy writing poetry or about fly fishing. Then you can publish those pieces on your web site to receive exposure or simply to reward yourself for a job well done. Who knows, you might even find yourself with some new paying assignments in these fields!

3. You can demonstrate your expertise in your particular field or fields by demonstrating the number of articles you have written in that area as well as any experience and/or education you may offer in this field. Listing your articles or putting a selection on your site will get your name linked with various key words surrounding that topic in the search engines.

4. For writers, your name is your brand and you need to continually have your name out there and furthermore you need to have it connected with your areas of expertise. The more articles and essays you have published on the web then the more times your name gets out there for readers, clients, and editors. Owning your own web site (deannamascle.com for example) is like owning your own billboard on the internet superhighway.

5. You can earn money with your own web site and your writing even without getting paid by publications. Place Pay-Per-Click ads on your site or sign up for some affiliate programs to advertise on your site. Depending on the size of your site and the traffic you attract this may become a major new source of income for you!

I hope I’ve convinced you that a web site can be an asset to your writing career, but I must warn you that web mastering can be very addictive to us creative types. Don’t let it overtake your writing time. Start out simple and build over time so you can work out a good balance between your writing and your webmaster chores.

What Not To Do When Submitting Your Manuscript To A Publisher

December 26, 2009 - 3:59 pm

Once your manuscript is complete you are ready to begin your search for the publisher that will best meet your needs. Research your genre to find publishers who accept what you have written. Look at books that they have already published and determine where your story will fit in.

Once you have found a publisher who catches your eye, make sure that you take the time to carefully read their submission guidelines. You may have written the most wonderful story in the world, but if you do not follow the publishers specifications, you may find that your manuscript will lie untouched at the bottom of a pile of submissions from authors who did follow the rules.

Once you have read the guidelines, you are ready to work on preparing your submission. You might need to go back and fix your spacing and indentations to the specifications of whatever publisher you are submitting to. You need to now write a query letter that introduces you as an author, your novel and your level of experience in writing. This should include a brief biography and a list of publishing credits. In the query letter, let the publisher know why your story is different, who will be your target audience and how do you plan to market your novel.

The synopsis should be a 2-4 page summary of the story including the ending. It should be well thought out and follow your plot line from beginning to end. Often this is the first sample of writing that a publisher looks at. A publisher knows if it was thrown together at the last minute. You should take as much time and care with your synopsis as you would with any scene of your novel.

Having a plan of action should your novel get published is an important tool of preparation for you. Let your potential publisher know how you plan to get your name out there. Will you do book signings, contests, chats, online signings, book club readings or placement into independent bookstores. Do you have a website? Do you have any special groups that you know would be interested in this type of novel. This is called a promotional plan and some publisher require it. Whether it is required or not, this is a good tool to develop prior to submission.

There are also a number of things that you should not do when submitting a manuscript. First is to send a manuscript with no query letter or synopsis. Publishers like to get an idea of what the story is about before plunging into a novel.

Second, make sure that the guidelines are followed. If the publisher specifies that all submissions should be double spaced in times new roman font, saved as an RTF file. Do not send something that is single spaced in a gothic font saved as a PDF.

Third, do not tell the publisher how wonderful your work is, or how much you think he or she will enjoy it. Stick strictly to the facts.

Fourth, do not write the publisher over and over again asking if they have yet read your manuscript. Most publishers will list an average response time. Only after that time has passed should you contact the publisher for an update.

Finally, when your Manuscript, make sure that your document is appropriately labeled with your name, pen name, title of the book, word count and email address. When manuscripts are sent by email, your document is often saved in another location. This manuscript could quite possibly be passed to various staff within the company in order to find the line that best fits your title. If there is not identifying information on the Manuscript itself, a publisher can not respond to you.

Overall, when you are submitting your work, remember be professional, be kind, be respectful and be patient. The publisher is working hard to review works and put out the best quality pieces to our public. As an author, it is your job to follow some simple guidelines when submitting a manuscript in order to allow the process to go smoothly and your work to be accepted.

Article Writing and Clients: When Things Do Not Do one’s daily dozen Out

December 25, 2009 - 11:13 am

In each of my subject relationships, I look forward that mutual matter and trust be imperative ingredients in my association with the other individual. If song or both traits do not get by, then the relationship shouldn’t proceed any further.

So, what do you do when you be suffering with an uncomfortable or singular impression around working an eye to someone, but you can’t make known your track down on it? Should you persist the province relationship or occupied c proceeding on?

I deep down cannot declaration these questions on the side of you, but I bear well-grounded that in my varied years of working for or with people that it is fully cute legitimate to change residence on. In other words, if I feel that a transaction relationship is not mutually gratifying, than it is okay to erect it. There are bountifulness of employers revealed there and mess of other projects to work on. The yet can be said there the other woman: if you shove off them or they smidgen you, they devise bump into uncover someone else.

In my idea, you need not have a proper to or physical logically either. Off you fool a gut reaction to a specially shoot while other times there may be something up the propose that obviously goes against your principles or principled doesn’t be agreeable to well with you. No matter, only boundary the house relationship and change residence on.

How you point the relationship is up to you. If you want to sanction a door open, telling the mortal physically that you are hectic with other projects is fine. If you want to block out the door, you can swear them specifically why you no longer hanker after to toil as a replacement for this person.

In all cases, available your words with kindness, but don’t waffle and certainly don’t tell lies. You can’t sweat bullets about what others judge devise hither you; to do so is a emaciate of time and compel certainly burden your knack to develop original and forceful subject relationships down the line.
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Who’s Telling The Story?

December 24, 2009 - 2:52 pm

The point of view in any story is important because it provides a guide to manage the execution of your story. Most works of fiction use one point of view although a second perspective can be brought into the story for a short period of time.

Third Person Perspective is the most common method of conveying a work of fiction. This method allows the narrator to have at least limited omniscience. The narrator has limited access to the knowledge and feelings of the characters in the story and can take the reader from one character setting to another easily. There is no questioning of how the narrator knows so much about each individual; it is a premise that is simply accepted by most readers.

Unlike first person perspective that conveys the story from the perspective of a cast member, third person perspective narration does not allow the narrator to actually participate in the action. They are simply the mechanism that operates outside the story to bring the various story threads together.

If a writer were to give the narrator full access to all feelings and thoughts of the cast of characters the story would be a little flat because nothing would be left to the imagination.

Third person narratives can be spotted by the predominate us of words such as they, he, she and it. The narrator talks about others - never about himself.

The least common perspective is Second Person Perspective. Very few novels can utilize this approach throughout an entire work.

This type of fiction relies on words like you and you’re. The use of this type of perspective either assumes you will connect with the story as if it is written to you or that you will understand you are reading a private story written to and about someone else. It is rare to find a full manuscript that uses this perspective although an Epistolary Novel such the C.S. Lewis masterpiece “Screwtape Letters” may likely be considered second person perspective in its entirety.

The trouble many writers get into is an unintentional shift in perspective. This can be used effectively under certain circumstances, however the shift in perspective needs a breaking point to allow the reader to gain some understanding that a shift has taken place. Without a break to qualify the shift in point of view the story becomes confusing because the reader has to work hard at discovering who is actually telling the story.

How To Write A Better Memo

December 19, 2009 - 2:01 pm

Size doesn’t matter. Such is the case with the memo. Isn’t it amazing how one relatively short document can be such a huge pain? Memos are an overlooked office document. We assume the least amount of words on a sheet of paper makes it least important. How wrong we are. Memos are as important as a ten-page business letter autographed by Brad Pitt. A poorly written memo can be irritating to readers (who really just want to get back to work) and damaging to the sender (who has no idea how he or she managed to come off sounding so careless). Learning to write concise and effective memos is a skill vital to any business person. The following tips show you how to construct a formidable, readable memo.

BE SHORT, BUT SWEET

The most common problem with memos is their length. Regardless of the topic, a memo should never be more than two pages; any longer and the memo begins to ramble on like a report. Unless you’re reprimanding every person in the department, there’s no reason to be aggressive or rude. Keep it short, be polite and get to the point as quickly as possible.

STAY AWAY FROM THE CLICH

How To Write And Publish A Better Newsletter

December 15, 2009 - 3:28 pm

Writing and publishing a newsletter is one of the most satisfying ways to promote your business, get involved in your community, or exercise those creative muscles. Imagine it: you at the helm of your very own publication, organizing the content, calling all the shots. Sounds great, right?

It is great, but be forewarned: writing and publishing a newsletter takes a lot of work. You need to coordinate many things. Producing a newsletter can overwhelm even the most seasoned writers and business professionals. The following tips will help you organize and get your first issue out without problems.

PLAN THE FORMAT

You need to decide the format of your newsletter. How many pages will it be? How often will you publish it? Will you use spiral binding, perfect binding or simple staples? Will you accept ads; if so, how many? Will you publish your newsletter in full-color or black ink on white paper?

Typically, smaller newsletters run less than 20 pages with the text divided into four columns per page (except for headlines, pictures and ads, of course); they’re usually one or four color, printed on both sides, and stapled. This is the most cost-effective way to produce a newsletter, but don’t be afraid to get creative! There are no set rules for newsletter formatting; as long as it’s readable, you’ve got little limitation.

PLAN THE CONTENT

Ah, the good part. Written content is the meat of your newsletter, so take time to plan it carefully. Will you report mainly news or include feature articles as well? Will the content be thematic or will you divide content into departments? What about advice columns or other regular material? There are no steadfast rules here, so get as creative as you want. Always make sure to include timely, interesting pieces. This will keep your readers engaged; the term “newsletter,” after all, does indicate some devotion to news.

UNDERSTAND YOUR AUDIENCE

Your core readership and their interests will dictate your content and writing style. Take some time to think about your target demographic. How old are they? What is their income level? Where do they live? Do they have kids? What are their main interests? Then, glance at some publications with the same general demographic. Take a cue from their content and writing style. Really consider what your readers want to read, what you’d want to read if you were them. If you’re not catering to your audience, you’ll have no audience at all.

SEEK HELP

Sure, you may harbor grand dreams of producing every part of your newsletter all by yourself, but let’s face it: that’s a whole lot of work for just one person. Strongly consider getting others involved. Many writers, editors and designers are willing to help in exchange for, say, ad space or a byline. You can even ask for submissions in your first issue; just be sure that every piece you approve fits your newsletter’s style.

Writing Press Releases - Getting it right

December 14, 2009 - 10:50 pm

A good news release consists of a short introduction. Journalists call this an ‘intro’. This should total perhaps no more than 25 words. Bear in mind that your text needs to answer the ‘six salient questions’: Who, What, Where, When, Why and How? Your intro will cover most but not necessarily all of them. Keep your article short and simple (Kiss). Remember, news is something new and unusual (see Galtung and Ruge, ‘News Values’ in Wikipedia).

The second sentence or ‘lock-in’ builds on the news in the intro. By paragraph three you will probably use the best or ‘killer’ quote from the main source for your story. Always attribute a quote to somebody.

1. A news item should be in a readable font size, usually 12 point Arial or Times Roman and double-spaced.

2. The article should be given a unique keyword to identify it. This is called a ‘catchline’. For example, an article about a poisonous snake sent, undetected in the post, might be catchlined “snake” and each page of the news release then numbered Snake…1, Snake…2 etc. This information is placed in the top right-hand corner of every page.

Do not use: 1. A subject’s name, i.e. Blair, because, if they are famous, there could be lots of stories about them in one day, or the name could be confused for that of a fellow journalist. Or, a word so general, like health, that there might be many stories on the subject similarly catchlined. A good catchline will ensure that every page of your news release can be easily identified in a busy media office.

3. The by-line, the journalist’s first name and surname, should appear at the top left of the page.

4. Between the byline and catchline should be placed the date on which the article was written. This information helps the editor to judge whether an update will be necessary, especially if the article is a time-sensitive news story.

5. Your text should have a simple headine of perhaps no more than three words above the intro, telling the reader what the article is about. Try not to attempt a catchy tabloid-style headline. Sub-editors jealously guard their job as the headline writer.

6. At the bottom of each page, to tell the reader that there is more copy to come, put MORE FOLLOWS, More or just MF (centred).

7. To tell the editor that the article is complete put the word End or ENDS on the last page.

8. Don’t forget to include your full contact details on the first or last page.

Importance of Presentation

Proofread, proofread and proofread. Check the spelling; don’t rely solely on spell check. There are some words that are spelled correctly that are not the word you meant to put in the sentence.

Check the grammar. Again, the word processor’s grammar checker is good to a point, Use the word processing software as your helper but remember that you are the final judge of accuracy. For each news release draft, no matter how small, create a word processing document, name and save it on a disk, memory stick or on the hard drive so you can easily get back to it later. Keep a printed ‘hard copy’ in a safe place.

Writing style and completeness

You are expected to write clearly and concisely - using complete sentences that flow logically from thought to thought.

Assume that your reader has not read the materials on which you are reporting. Explain the issue to your reader as if she or he knows absolutely nothing about the subject. Don’t assume that your reader has an understanding of jargon or terminology or that he or she knows about the products, services or personnel of the organisation for which you work.

Sources

Since you are not necessarily an expert on the subject about which you are writing, it is essential that you source the information provided. Even if you are just using facts from a document or webs site, cite the paper, book or internet source. This will give your writing credibility and authority. If you don’t source, it will look like you’re trying to claim the information as your own creation. You don’t want to be accused of plagiarism.

Be objective.

Try not to use “the first person” (I or we). Carefully put together an outline before you begin writing.

Bullets and short paragraphs

Break the material into short paragraphs; using bullet points if necessary. Even with bullet points, use complete sentences and be meticulous with grammar and punctuation. Don’t rely on the computer to correct all your errors. If you use bullet statements, be consistent.

In many cases, the best use of bullet points is to make each statement a complete sentence with a capital letter at the beginning and a full stop at the end.

In some cases, however, you may want to use a “lead-in” sentence opener. Make each bullet statement complete the sentence from the lead-in opener. And be consistent.

When using bullet statements, it is usually best to single space within the bulleted statements and double space before and after the statements begin.

Use Positive Tone

Write in a positive and lay-person’s style. Your objective should be not to unnecessarily offend anyone who might potentially read what you have written on behalf of your organisation. While every issue you write about won’t necessarily be completely upbeat and enthusiastic, each can achieve a proactive note.

Be conversational

Make your writing sound conversational. Take care to avoid sounding stuffy, stiff, or uncomfortable. Don’t use slang or inappropriate language. Connect with the reader in the same conversational style that you would if you were in the same room with him or her having a conversation. So, don’t use jargon.

Take time

To achieve the best, most positive tone for your news release; you must take your time when writing. You can’t be in a big hurry. This is particularly important as you develop your writing skills early on.

Proofread again to spot typographical and formatting errors. Read the text out loud to make sure it sounds right.

Use your own words

Please do not get in the habit of reading printed text and online information and just doing a “copy and paste” into your news release.

The highest form of successful writing is learning from what you’ve read, summarising it in your own words and reporting what you’ve learned. Practice. It is very important that you develop your own style of writing. When you use someone else’s words, it sounds like someone else wrote it.

Put the full name and phone number (including out of hours mobile) in the contact details at the end of the news release. Additional factual information can be provided in a Note to Editors after the contact details.

This might include biographical facts and a short chronology of relevant events. For ideas about news releases, have a look at examples of them on the websites of local councils and the government news network (.gnn.gov.uk)

How To Recognize And Monetize Your Expertise And Passion!

December 6, 2009 - 9:02 am

Most people tend to dismiss what they’re good at. Part of it is that you become so accustomed to having whatever skill you have that you cease to notice it. Sometimes it is out of a sense of false humility. But every single person has innate talents and gifts that enrich people’s lives&ndashAND provide a source of income for you.

How can you discover what your true talents are? Let me give you a hint. Where your passion is, you will find many of your natural abilities that you probably take for granted.

But it’s more than passion. It’s profit. Thousands of people have harnessed the unbelievable power of their natural talents to not only enrich others, but literally enrich themselves financially.

Here are some questions to consider. Answer these and you will have the core for a profitable business.

1. Define your ideal client.

2. Who are the people you have been working with if you are already in business? What have you liked or disliked about them? Are there any common denominators?

3. What kinds of people could ideally benefit from your knowledge?

4. If you had all the money in the world, what would you be doing?

5. Interview three people you most respect (friends and family members) and ask them what they see you doing? What are your strengths from their standpoint?

6. What have you always been good at?

7. What did you dream of doing as a child?

8. What needs/values do you care about most?

9. Whom do you admire most?

10. What makes you most fulfilled?

11. What do you love to do the most? What are you passionately against?

12. What have you felt called to do?

13. What legacy do you want to leave for your children and grandchildren? What do you want to be remembered for most?

14. Analyze your ‘competition’ and find out all about them. This will give you ideas as to your niche and how you can brand yourself.

15. Remember that you want to make sure your target market has money.

Two On-going Exercises

Produce your own personal inventory. This inventory should be focused on the following:

1. What you know…focus on the attitudes, knowledge and skills

2. Experiences you’ve had

3. Training you have had

4. Destinations that you have been to

5. Titles that you have earned

Create a list of several hundred, even thousands, of descriptors. Note: you will have to keep pen and a pad of paper on you at all times as you will realize all the talents you do have!

Now create a list of “What You Are”:

Record a description of yourself. For example, I am a man, father, husband, basketball player, a lover of pizza, wings and Indian food, slightly bald, a resident of Sarnia, have four degrees, play the piano, traveler, speaker, author and creator of the entrepreneurial authoring system etc.

Keep in mind that you want to make sure of two items: 1. the market you are targeting has tremendous wants and desires and 2. the market has money to spend&ndashin other words, it is hungry for your information.

Spend some time journaling for a couple of hours. Let it all hang out. Write as quickly as you can and get in touch with the real you.

Narrow business possibilities to two or three. You can do this by playing the devil’s advocate with each of your ideas. Provide as many reasons as you can why you shouldn’t go with an idea. Now check by completing a focused target market key word analysis on your top two or three ideas.

My three best methods of creating a book and building an online business is three fold: 1. analyze the key words that my target market is using to define their problems; 2. analyze my competition to see how they view problems and what solutions they are offering; and 3. talk directly to my target market about their negative perception of people doing similar business to me.

In doing the above, you will gain a much better grasp at the gap(s) that exist in the market place and you will gain a competitive advantage as you seek to fill this gap.

Put these exercises to work for you and enrich your life and your pocketbook.

How To Leverage Your Mindset For Success!

December 3, 2009 - 8:22 pm

Business is about influence, or “leverage.” Your book that you will author is a tool to leverage your credibility. And the first step in preparing your mind for success is to see yourself as an expert. Another way of looking at this is that you must sell yourself first to your dream of the possibility of becoming a best selling author.

So there are really two sales that must take place: the first sale is the one you make to yourself. The second sale is the one that actually produces money for you when members of your target audience complete the transaction with you.

To master the sale to yourself it is imperative that you write your own book. No ghost writer. You want your voice to come out strong and clear. One of the concepts we will discuss is your UPP which stands for your Unique Personal Proposition&ndashwhich means your unique story. There is nobody better to get your message out then you! No one else has your story. Remember that the main reason people come to the Internet is to solve problems.

The purchasers of your book want your guidance. So you are paid to provide solutions to the problems that keep people up at night.

Creating Ideas

Here is how you create ideas: Complete a five minute exercise where you put your core concept in the center of a piece of paper and list as many ideas that are related to what you want to do. The key is to write everything down and do not pre-judge anything. This is the creative phase. You want to write as quickly as you can. Do not reflect at all on your ideas. The personal reflection comes in the next phase.

The key to brainstorming is recording all your ideas. This allows your subconscious to find relationships among them. There are three relationships that your mind will look at when analyzing your ideas. The great philosopher Socrates first espoused this concept 300 years before the time of Christ.

This process involves analyzing a) the similarity of your ideas (What is this concept like?); and b) The contiguity of your ideas (How are the ideas related to each other); and then c) the contrast of your ideas (How the ideas are different).

The ideas you create should all be involved in solving your target market’s problems. To bring this home on how this should guide the writing of your book, the late and great G.K. Chesterton summarized the importance of analyzing problems first when he stated that the focus should not be on your book, but on understanding and magnifying your target market’s problems first.

Your focus is not on you or what you think people need, but on the people&ndashyour target audience&ndashand what they tell you they need.

This begins with understanding the difference between empathy versus sympathy. As an author, you must empathize with your target market. Empathy goes one step further than sympathy. Though the difference is essentially one of focus. Sympathy is the ability of showing how sorry you are that one person is going thru a painful situation. Empathy focuses on providing solutions for your target market. And the solutions that you provide should communicate the desired attitudes (what should I think) and the specific skills that are required to move to the desired end point (How do I get what I want and why should I do it a certain way and how do I implement an overall strategy in my life to make it happen).

Implementation is a key reason why information is the enemy to ultimate success. Information alone is passive as it fails to contextualize content. There is no implementation or ACTION if all you have is information. It is all content and no context.

The Author’s Mindset

The first principle is preparation. Authoring your best seller is no different than preparing to participate in an athletic event. You don’t just show up on game day without putting your body through immense preparations. The key to authoring a best selling book is to prepare before you start writing.

Here are the steps in preparation as we see it: there must be order in your life. Order begins in your mind, and then it must be channeled with a concrete game plan. Your success must acknowledge the need for patience, endurance and the ability to act in the face of fear and failure. Success does not come easily. You pay the price every step of the way.

The first step in preparation is to acknowledge your dream.

But what good is a dream if it stays in your head? You must give your dream legs. Thus, the second step is to take action on your dream of authoring your book. Don’t wait for life to slow down, because you know it won’t. Start making your dream of authoring a book a reality today.