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The task of getting published is one of the daunting aspects of writing. This can be difficult, if you want to get published by a traditional publishing house. It’s not as difficult if you want to self-publish. In this article I will share with you the steps involved in getting your work published either traditionally or through self-publishing.

Mainstream publishers are often reluctant to accept work from young writers as anyone under 18 cannot sign a contract on their own and will require parental involvement. That is not to say you cannot submit to them but make sure your work is of high quality as you will be competing with adult writers. There are also several publishers that cater specifically to young writers, for a list of these, check out the book THE YOUNG WRITER’S GUIDE TO GETTING PUBLISHED. There are also several sites on the web that accept work from young writers such as stonesoup.com and Merlyn’s pen. Make sure you edit your work thoroughly and follow the submission guidelines for publishers carefully. Some publishers prefer that you send a query letter only at first describing your project. The query letter should be only one page long. If it is longer than that a busy editor will likely just throw it to one side. Think of the back cover summary you see on most books you buy, try to summarize what your book is about in a few words. This can be difficult but it must be done and done in a way that grabs an editor’s attention. Some publishers will allow you to submit a query letter and a few chapters of your work or your entire book. It is important that you use the correct font, you can’t go wrong with courier new 12 pt and a double spaced manuscript. The query letter can use the same font but there is no need to double space it.

Let’s now take a look at self publishing. Self publishing has become quite easy with the advent of self publishers like Lulu. At lulu.com you can publish your work for free. However lulu does take a small commission of anything you sell. Lulu also sells ISBN’s for around $100 U.S. dollars. An ISBN will make your book available for international sale. It will become available to places like Amazon.com, Barnes and Noble and hundreds of other distributors worldwide. When you self publish you set your own price and your age never becomes a factor as it will be with some traditional publishers. If you decide to self publish everything falls into your hands, from editing to formatting. Lulu provides several services for these publishing details, however the costs can add up for young writers. The good news is that with patience and determination you can do it yourself. Lulu provides templates for formatting your book. If you can find a teacher, friend or parent to help you with editing you are well on your way without breaking the bank. Lulu makes making your book cover as easy as possible although you are responsible for finding your own image if you do not wish to use their images.

Finally, there is nothing like seeing your work in print and the opportunities for young writers are greater than ever.

Self publishing your own book is one of the publishing industry’s dirty little secrets. Mainstream publishers, editors, and authors easily dismiss self publishing and print on demand publishing as a rip-off for both the writer and reader. After all, if the writer was a real writer then they could find a real publisher, right? That has been the conventional wisdom for a long time but in today’s modern, technological society that conventional wisdom does not always hold true. So who should consider self publishing?

Real writers should consider self publishing. Published authors often find themselves placed in a prison of their own making. Once they have achieved even modest success in a specific niche it is often hard to break out of that niche and publish something different. However self publishing gives authors control over their own writing so they can change direction or genre if they choose. Published authors who have taken some time off from their writing often find it just as hard to return as it was to break in initially. They can often easily parlay their experience and audience into a successful self publishing career. Finally, writers who have an idea that does not fit neatly into one of the major publishing houses slots may find self publishing their only alternative. Just because it doesn’t fit into a neat slot doesn’t mean your book doesn’t have great potential — think about Diana Gabaldon and J.K. Rowling.

Control freaks should also consider self publishing. Once you sign your baby over to a major publisher then you lose control of your book. The publisher can slap a horrible or inappropriate cover on it, change its name, or even alter the main characters. Your name will go on the book but what is published may be drastically changed from your original creation–and not always for the better. Think it won’t happen to you, or that you won’t care as long as you get the royalty check, then think again. I can tell you that I still cringe whenever I have to claim a book I published in 1998. It’s not the book that makes me want to crawl under a rock–but the cover and title the publisher slapped on it.

Money grubbers should also consider self publishing. While the independently wealthy may consider their art reward enough the rest of us need to eat and pay the mortgage (not to mention buy paper and pens) so money does matter. And of course, we want all our hard work to be rewarded. In our capitalist society that reward should be monetary. While self publishing may require you to put up some of your own money and traditional publishing will instead offer you an upfront payment, the final balance sheet will tell you a much different story. The initial advance from a traditional publisher will be small (unless you are Stephen King) and may be the only money you receive for your book for a long time — and perhaps ever depending how your book sells. Any book royalties you receive will be for a small percentage and will be spread out over years to come as well as held ransom for book returns. The final indignity is that your book’s sales depend greatly on the promotional effort your publisher puts into it. The ugly truth is that the publisher does not much care about your baby and will rarely put any extra money, manpower, or thought into how to promote your book. Most midlist and lowlist authors conduct (and foot the bill for) their own promotion. At least when you self publish you know you will be on your own and you can factor that into your budget.

If you are a real writer, a control freak, or a money grubber (or perhaps some combination) then you should consider self publishing your own book.

A debate is taking place on the worldwide web in connection with the use or overuse of content. Everyone seems to agree that the use of quality content is important, but how much is too much and what ways are best for the distribution of your content?

Please note that this issue is not related to write-for-hire or contract content writing.

Close to the Vest

Some writers in this camp indicate they feel there is an integrity issue at stake when a writer makes their work widely available and used on multiple sites.

In this line of thinking the author should only use the article on their own personal site without the ability of other sites to use the work.

Many authors feel that the use of the article in a singular location provides more weight to the article when viewed by online guests.

Free For All

In this camp the mantra is “Everyone can use it!” The motivations for allowing the use might be different for each author, but there are many that use this strategy.

For some writers, the allowance of article use is tied to their interest in making a certain point of view widely available. This may be tied to religious or political thought. For other writers, the use of free-to-use articles has more to do with a wealth of online marketing potential.

In either case, these articles do tend to be widely used.

Which is the right perspective?

I suppose the answer to that question lie in what it is you are most interested in accomplishing with your article. It could be that the tie to the article is so intimate that it would be a violation of conscience to allow it to be used elsewhere. However, it could be a message of such importance that it makes sense to make it available to a wider audience.

There are obvious benefits to making at least some of your work available at no cost through an online article submission service. In many cases the body of free articles represents a voice of authority for those interested in using the articles. It is also safe to say that there are numerous publishers with limited budgets for the purchase of material. These individuals rely heavily on free-to-reprint articles to meet their content goals. In turn, you have another publishing credit to add to your portfolio.

So, check your motivation and career objectives and see which direction best suits your specific writing objectives.

You’ve spent hours researching, writing and self-publishing your book. Now, you want to reap the benefits of selling it yourself, but where do you begin?

Here are five simple tips to help you get started.

1. Figure out your market.

“Bookstores are lousy places to sell books,” says self-publishing guru Dan Poynter in USA Weekend . “Find the places where your audience gathers and sell directly to them. If your book is about cats, go to pet stores.”

To start selling your book, take the time to research your target audience. Who will be interested in purchasing your book and sharing it with their friends?

Once you know your target market, look at the places they shop and spend their leisure time. What media venues do they watch, read and listen to on a regular basis?

Create a list of all potential organizations, business and groups. This will give you a good understanding of the online sites and brick-and-mortar locations where you need to focus your marketing efforts.

2. Spread the word.

When you are ready to start selling, don’t be shy. Talk about your book, carry a copy around with you and look for every opportunity to mention it. Also be ready to give copies away to influential people who will build buzz about your business.

If you are a good speaker, try to give presentations to groups catering to your target audience. You can partner with various organizations to promote your appearance and build word-of-mouth. This may include issuing a press release, giving books away during radio or television interviews or getting involved with charitable activities.

“Speaking to local, target audiences is a great way to start building buzz about your products and services,” says Melanie Rembrandt, small business PR expert and owner of Rembrandt Communications, .rembrandtwrites.com. “But in order to build credibility, you need to offer valuable information pertinent to your book’s subject without being sales-oriented. You can always have a book-signing after your presentation to sell your books and meet potential customers.”

Another trick is to leave a copy of your book at your local bookstore or library. If visitors pick up the book and read it, they will ask for a copy of it. Then, the person at the counter may contact you to purchase additional copies.

3. Venture outside your target market.

After you’ve pursued all venues focusing on your specific audience, start marketing your book to other groups outside your target market.

Look for secondary sources that may be interested in purchasing your book as a gift for a friend, co-worker or family member. Perhaps you can partner with a business, charitable organization or hobby-group related to your book-topic?

Think “outside of the box” and try to let as many people know about your book as possible. You can issue a press release, offer special discounts and create newsworthy events to draw attention to your book. And these activities don’t need to cost a lot of money. You just need to think of some ways to stress the unique benefits of your book and take the extra time and effort to plan, coordinate and follow-through with your ideas.

4. Take advantage of business relationships.

If you used an online publisher in developing your book, advertise on their site. If you used a local printer, ask if you can leave a couple copies at their front desk.

Visit all of your local establishments and leave some kind of information about your book. If you are a regular customer, most of these businesses will be happy to help you and the local economy.

And when preparing these “leave-behinds,” think about the benefits for the business and customers. Perhaps you can print up small calendars, checklists, quick tips, bookmarks and other items that advertise your book while offering something of value to potential readers.

You may even be able to partner with various businesses to offer special joint coupons and discounts. Use your imagination, but always keep the benefits for the customer in mind.

5. List your book online.

This may be obvious, but you really need to list your book online to reach the broadest possible market and increase “buzz.” Review your target audience and try to get information about your book posted on all of the pertinent sites they visit.

Also create a simple website. And don’t worry. Today, there are many services that offer cost-effective or free websites to self-published authors. You don’t need to be a technical genius or have a lot of money to take advantage of these services and create an online presence.

However, in your online copy, be sure to stress the unique benefits of your book and provide customer testimonials (for credibility). Also include some information about your background to help you stand apart from others in your genre.

Once your site is up and running, research free, press-release posting sites. Also look for online organizations that may be willing to post reciprocal links to your site to help build search-engine optimization.

These are just a few, simple tips. There are many ways to sell your self-published books. But you can start by focusing on your target audience, work the business relationships you already have and be creative. And soon, you’ll be well on your way to being a top-selling author!

For more tips and information, visit .jexbo.com.

Creating a printed book is a bit more complicated than creating a PDF eBook. More steps are involved, just by right of producing a tangible finished product that needs to be handled in the physical world (versus an electronic document that can be distributed by e-mail or online). The basic print publishing process for a print-on-demand publishing cycle for a book that will be sold online through the print-on-demand vendor’s website (and/or other online booksellers like Amazon) breaks down as follows:

1. Complete your manuscript

2. Develop your cover concept (and do a trial run of a cover)

3. Format your manuscript for printing (the final product is called a “galley”)

4. Complete your cover artwork (and proof it with trial runs of a cover)

5. Put your galley and artwork together

6. Create marketing collateral, press releases, etc.

7. Publish!

8. Receive hard copies of your book and send out review copies to press

9. Send out press releases and place advertising and line up interviews

10.Continue the marketing cycle to keep your book in the press

11. Track your sales and order more books for more publicity

I recommend printing out this list and using it as a project plan for your print publishing. And fill in the blanks in the process, where you know there are more steps involved in your own personal experience. Or follow the sample project plan immediately following this section. Having a checklist to follow can simplify what can be a complicated and sometimes confusing process.

Now, one thing you may notice, is that I have listed marketing after the actual publication of your book. I strongly recommend waiting till you have a finished, published book in hand, before you start sending out press releases and generating interest. I’ve had international press people contact me within 24 hours of sending out my press materials, but I had no hard copies in hand to send to them, so that pretty much derailed the opportunity I’d created for myself.

In the traditional publishing world, it’s customary to publicize a printed book at least three months in advance of publication. This gives the press time to review bound galleys and work your publicity into their own production schedules. Now, for traditional publishers who have full staffs and plenty of money and connections and the machinery for publishing, that’s fine. They can pretty much guarantee that a book will come out exactly the way they say it will, exactly when they way it will. But when you’re on your own, it’s a different story. Anything could happen along the way. You could experience delays with the printer. You could experience personal complications. You could find yourself stalled by artwork that didn’t come out the way you wanted… any number of things can go wrong, when you’re on your own.

So, it’s prudent to be a bit more conservative about marketing a book you’re working on. Even if you’re 100% absolutely positively unwaveringly convinced that your book will come out in three weeks, anything can happen in that time, that can hold you up or wreck your carefully laid plans. So, don’t make any promises you can’t keep to the press. It will only work against you.

All this might sound a little daunting, but if you’re reading this, you’re probably an independent type of person, so the inherent risks and dangers will trouble you a lot less than someone who’s never published before and is nervous entering uncharted waters. Certainly, going it alone as an independent print publisher can take a lot more preparation and organization, than operating solely in digital formats. But it’s also very satisfying, to have a book in hand that you can give to friends, families, reviewers, and others who say, “So, you’re a writer?”

And if you format your book well, your work can be indistinguishable from the work of other writers published by mainstream publishing houses. You can get your own ISBN, your own professional-looking cover, a great looking interior, and all the marketing collateral you could ask for… without spending a small fortune. All it takes is determination, the right information, some creative inventiveness, a keen eye for detail, and a willingness to keep going, no matter what.

With a little extra care, some advanced planning, and an eye for detail, you can turn your eBooks or white papers or other digital information products into printed books — and not drive yourself crazy in the process.

Whether you’re an author publishing through traditional means or delving into self-publishing, you are going to want the feedback of a good editor or perhaps more than one. The difficulty for authors, especially those choosing self-publishing is when do you take an editor’s advice and make changes and when do you determine you’ve gotten enough feedback? This can be a tough call, and it often comes down to the author finding a happy medium.

The first thing writers need to consider is how many editors are too many? In writing and researching Shades of Darkness, Shades of Grace, over the duration of the project seven editors reviewed the manuscript. Some of them were extremely helpful, taking an objective approach and offering suggestions that made for a better book. Others seemed to check objectivity at the door, letting their personal likes and dislikes influence how they felt the story should develop. By the time the book was completed, I felt as though I had let too many cooks into the kitchen, all fussing over the same pot, either adding spices or removing them.

What I learned from the editors I consulted were two simple things. One, you cannot make everyone happy. It’s just not possible, so you write the best work you can, one that as many reader’s as possible can relate to. Number two, as an author you ultimately have to decide if the suggestions editors make are enhancing your work, or turning it into the work of someone else. Again, it goes back to the idea of authors finding a happy medium that improves the work, but is still your own.

The first editor I contacted was probably the most beneficial. Prudy loved the book, but thought it should begin with the wedding because she believed this was where the story truly started. She also suggested plotting the story on a calendar over the specific number of years the novel took place. In this way, real life events could be woven throughout the narrative, giving the reader not only a sense of place and time, but information that might arouse their interest in other areas related to the story.

Another editor’s feedback was more helpful regarding ways to improve my writing, rather than this particular story. She pointed out little tics in my style &ndash for example using the same word too often, advice which I didn’t just apply to the novel, but every other piece I’ve written. Her observation helped me expand my vocabulary and fine-tune my work. Two suggestions I took issue with was the fact that in the novel Kay and Tim don’t have any children, and that as a minister’s wife, this editor felt Kay should be shown in church more. I thought both points had nothing to do with the story and verged on stereotyping. I made this decision from my own experience of knowing childless couples where a spouse works in ministry.

One positive aspect of consulting multiple editors is that enough voices may convince an author to make a significant change. Out of seven editors, six wanted to see the ending beefed up providing the reader with an enhanced sense of satisfaction and closure. The one holdout was a good friend and her argument was that by expanding the ending, the author was taking the reader by the hand, when she felt their imagination could do the rest. Of all the decisions I made regarding Shades of Darkness, this was by far the toughest. Eventually I relented and significantly revised the ending.

Authors may also find themselves confronted with one editor who changes something, only to encounter another who changed it back. This was particularly true when dealing with the grammatical aspects of the book. The second editor was an old-school English major, so her placement of commas was more extensive. The fifth editor removed what she believed were too many commas and thus we had a full-scale “Comma War.” When the last editor reviewed the manuscript, edited commas were being replaced. What I strongly recommend is authors select a specific grammatical style (such as the Chicago Manual of Style or Modern Language Association) and stick to it.

Ultimately, regardless of what an editor suggests, as the author you need to remember this is a subjective process. The final editor made a suggestion that would have entailed rewriting the entire manuscript in a way that I felt was not beneficial to the story. But because I thought the suggestion had some merit, I compromised and trimmed the scene to a point where I felt comfortable, thereby finding a happy medium.

Why would anyone want to create a printed book, when then can create eBooks a lot more easily — and cheaply? Why would anyone want to get mired in the process of printing and shipping physical books that take time to deliver to customers, when they can deliver a digital information product immediately, with no additional production or shipping costs? What’s the point of having a tree-killing artifact of yesteryear in your creative portfolio?

Well, like it or not, a lot of people still prefer printed books to eBooks. They like — no, they love — the feel of a printed copy in their hands. It gives them a sense of well-being and solidity, to have a physical work they can carry with them and put on their bookshelves. They’re “old school” and they like it that way. Or, they just never warmed up to eBooks or digital media.

I had a conversation with an international television reporter about one of my books that was coming out soon — I didn’t yet have the printed version in my hands, but I had a PDF eBook I could send him. He said many times over that he hated to read eBooks, but that was all I had at the time, and so I sent it to him. It would have been a whole lot better if I could have sent him a printed copy, instead. Of course, I made do with what I had, but if only…

Now, there’s a very good reason some people like printed books better than eBooks — they can read them anywhere, anytime, without needing a computer to do it. For all the talk about “portable media,” these days, a book is really the ultimate in portable media! It fits in your hand, it doesn’t require batteries, and there are no complicated instructions to figure out! As advanced as our technology may be, there’s nothing like a book to truly “transport information” quickly and efficiently, across the bounds of time and space.

Ironic, isn’t it, that the ultimate medium for portable, instantaneous information sharing is just the thing that a lot of us thought was on its way out, with the advent of the internet!

Books are not “reserved” for the technologically gifted. They’re not available only to people with a computer and a broadband connection. They’re easy to use, easy to transport, and — unlike some of the cutting-edge entertainment technology available today — everybody understands what they’re all about.

When you publish a printed book, you level the playing field for potential customers, and you make it possible for a wider variety of people to access and enjoy your work.

Another reason to create a printed book, is for credibility. With a printed book in hand — especially one with an ISBN — you can approach magazines and newspapers and radio and television hosts and have something in hand to talk about with them. You can mail your book to reviewers and reporters, and you can hold up your creation for the camera, when it comes time to tell the audience what all the excitement is about. And when members of your audience go to their local bookstore to see if they carry your book (depending on what service you use to publish your book), they can put in a request for the book from the bookstore, and potentially help you get it stocked on the bookshelf stores. (Though you may already be convinced, like many other infopreneurs, that bookstores are not the place to sell books, still, it doesn’t hurt to see your book on the shelves of a brick-and-mortar store.)

Probably my favorite reason to publish in print, is how it can take your ideas to a whole new level and get you the kind of exposure once reserved only for the connected elite. Having a book in print has a way of instantly establishing you as an expert, in ways that producing (even getting rich from) digital information products can’t, in the “real world” offline. When people hear you’ve written a book, and they see that book in your hands, a connection kicks in, somewhere inside their heads, that says you must be pretty smart. Chances are, it’s true — you are! But the perception of others that you must be one smart cookie, since you’ve written this book, usually doesn’t get so far as to delve into the nature of your book, if it’s any “good,” or if your work is widely accepted and respected in academic or commercial circles.

Everyday folks have an innate respect for people who can write down enough coherent thought, and organize it completely enough, to produce a book. An awful lot of people never get that far. Some may think about it, but never do it. As a published author, as far as a lot of folks are concerned, you’re in a league of your own. And that’s a pretty good feeling!

I’ve gotten a bit of practice having that feeling. To my friends and family, I’m “just Kay” and that’s fine with me. All that fame business just kind of gets in the way, when it comes to my personal relationships. But to people who read the international press in the areas I publish in (technology and cross-cultural concerns), I have a somewhat different persona — I’m a published author who has caught the attention of folks from Asia and Europe with a controversial and rabble-rousing work that hit the presses in the fall of 2006. It’s pretty cool, to come across people from far away, who have read reviews of my books in magazines and newspapers I’ve never heard of. And I’ve got some pretty cool clippings of articles that mention me — and my book — exclusively, or in passing. That was all possible, because I published a printed book. It doesn’t matter that I have eBook versions of my works available for instant download. Most of the time, that’s not even on the radar of the mainstream international press. In fact, if anything, they kind of turn up their noses when I mention my eBook. But my printed version of that same book… well, that’s another story.

Publishing a printed book widens the reach of your ideas in ways that digital media can’t quite do. You open up your ideas to a whole different audience, and you get the chance to make even more of an impact with your concepts and your unique “take” on the world… taking a position of true thought leadership in a hurting world that’s sorely in need of fresh, new ideas. In fact, now is really the perfect time to be stepping out as a innovative new author in the print publishing world. The old formulas and the old ways of seeing the world and talking about it and conceptualizing it and relating to it, are pretty tired and worn out. We need fresh new ideas, brilliant new insights, and innovative ways of thinking about our world. You may have distilled everything you know and popped it into an eBook, but the print world offers you yet another medium (or “channel,” if you prefer marketing lingo) for your ideas.

My favorite reason of all for publishing a printed book, is the profound satisfaction that comes from holding a real, honest-to-goodness tangible book in your hands. I’ve been a book reader for over 30 years, and I’ve never lost my love for the sight of words on a printed page. All the better, when those words are mine! Some would call it vanity, but I call it doing my talents justice… and having something to show for all my work, all those live-long years of writing, writing, and writing some more, against all odds, hope against hope. I’m a very tactile person, when it comes to words, too, so I like to have something to hang onto. Digital is great — it’s my medium of choice, these days — but I can’t flip through the pages of a PDF quite the same way I can thumb through a book.

It really is an incredibly exciting time to be a writer and independent publisher! I’m so deeply grateful to have been born at this point in history, with my love of language and books — and the ability to put that love into manifest product. The possibilities really are endless… provided, of course, you know how to explore them. And that’s what this guide is about — getting you, an infopreneur or digital product creator, the tools and the skills and the orientation you need, to turn your digital content into print format, so you can reach a wider audience and more firmly establish yourself in your own niche of thought leadership.

You know? When you publish a book and send it out into the world, it’s like giving birth to a baby. Everyone checks out your baby. Is it breath-taking? Does it have ten toes and ten fingers? Is it pink and sweet or does it look like an extra from “Alien?” We writers are baring our souls, our deepest thoughts, and our feelings lay open like a cavernous wound. We can’t hide anymore. They know us inside and out. Now they see our baby, and they get to pick it to pieces, bit by bit, until the only thing left is a fuzzy blanket.

Oh, hell, we know that and go right on writing, don’t we? It’s in our DNA. We can’t help ourselves, we’re masochists.

When I started this whole book-writing process, I had full intentions of finding an agent and/or a traditional publisher; they’d do all the work while I sat back and listened to “Ca-ching, Ca-ching.” However my journey to that end has been long and stress-filled and I ended up doing just the opposite…I’d kept a daily journal while living in Thailand in the 90s. When I returned to the States, I copied my journal onto a floppy and had it printed, spiral-bound, and mailed it out to friends and family so they could read about all my trials and tribs while abroad. One of the friends who read it insisted that I make a book out of it.

“You know,” she said, “like the book ‘A Year in Provence.’” I immediately ran out and bought the book and was amazed at the problems that the author had endured in a short year. I just knew that if his book sold, then mine would also, however, life got in the way of living and I put it aside.

I joined some creative writing classes a few years later, and with encouragement from my peers I began the long road of putting the journal into book form. In 2003, when I finally thought I’d finished it, I entered it into the Southern California Writers Conference in San Diego. While there, I read chapters from my story in the Read and Critique groups and the attendees laughed in all the right places and even clapped, (I’d hoped it wasn’t because they were happy I’d finished). At the end of the conference I was notified that I’d won the Best Nonfiction award for my story and an agent asked for my manuscript. Wow! That just doesn’t happen unless they love it! I knew I was ready for the Pulitzer.

Then I began to panic. What if it isn’t perfect? I had talked to a “book doctor” at the conference who advised me that my story “…needed some conflict. Who really cares about a housewife who’s having a good time in Thailand? Give them a reason to turn the page.” Okay, that’s what I’ll do. There certainly was plenty of conflict in my life in Thailand, but I’d left it out; it was painful to relive and I wanted it to be a humorous book. I emailed the agent and told her I wasn’t ready. Take your time, she’d said. It’s not time sensitive.

So began the journey of “weaving” the conflict into my story. It was the hardest thing I’d ever done. It was three years before I felt it was good enough to be a real book. But, those three years were not only spent rewriting. I took online writing classes and signed up at the local college for creative writing classes, I attended a critique group every week, putting my chapters up to their scrutiny as they tore it apart and helped put it back together. The rest of the time I was editing my life away. But as Stephen King says in his book On Writing: edit, edit and edit. And when you think it’s perfect, edit some more. My husband had a name for my constant editing: “Paralysis by analysis.”

When I felt I had everything in place, I looked for professional editing. I first paid the book doctor $500 to tell me that it needed help. He didn’t give me any, just told me it needed it. I found a line-editor in Canada, who did a great job, and then I hired a freelance editor; total for both $600; quite inexpensive in today’s editing market.

During those three years, I also did a lot of reading on the publishing world; agents, print-on-demand (PODs) and off-set printing companies. I attended conferences specifically on “How to get published.” The more I heard and read, the more I thought: From all the conferences I’d attended, the agent panels were the most disillusioning. I learned that agents don’t want you if you’ve not been published, and publishers don’t want you if you’ve not been published, or don’t have an agent, who doesn’t want you either. Who needs ‘em?

Publishers don’t want you if you don’t have a “platform!” A what? To my dismay I learned that I needed to have my own buying public. There was no publisher that was going to run out and sell my book for me, pay for my cross-country book signings and hotel rooms, unless of course I was a King or a Grisham or a Joyce Carol Oates. Then of course, there’s the eighteen month wait for the book to appear on the shelves after the publisher accepts it (if the publisher doesn’t decide to pull the plug at the last minute), and don’t forget the two years that it takes the agent to shop around for a publisher who might decide to pull the plug at the last minute. Who has that long? I don’t even buy green bananas anymore.

Wow! I remember my table mates and I frowning as we listened to the dire answers of this panel of agents and publishers. So how do we get published? Well, we have two options so it seemed: 1) have an agent living next door who loves your home cooked brownies or has a crush on your husband, or 2) know a publisher whose kid mows your lawn or has a crush on you. Not living in New York was going to be a definite drawback. Should I move? Okay, how about a POD? I was fortunate to have a friend who is a small press publisher of railroad books. He offered to put my manuscript into a Quark Express PDF file (which is the format printers prefer). He did an incredible job putting it together for me. He felt that if I had the print setup taken care of, I could approach a POD and save some money.

I signed up for the POD classes at the conferences I attended, where they explained everything I needed to know about their business ─ except how they kept most of the author’s money while they got big and rich and the author got $3.09 per book. Okay, well, $3.09 a book is not that bad. Maybe I could make it. But, wait, I had to pay them to print my book, and then pay them to buy my book back from them; too many “thems” going on here. Something didn’t compute. Maybe I should chuck the book and go into the POD business.

Well, I succumbed. I bought a book called The Fine Print of Self Publishing by Mark Levine, an attorney, then sat down to do some homework. After going over all the PODs he listed with a fine-tooth calculator, I realized that I could pay as much as $30,000 to one such POD group, but hey, my books would be free. How generous of them. Or, I could choose a POD group charging as low as $299, but I’d still have to buy my own books back at about $8.00 each.

I finally settled on a firm I’ll call “Dewey Cheatem & Howe” (name changed to protect the guilty), and thought I’d finally get on with this damn book printing. They sent me a sample of their work that was done beautifully. I signed on the dotted line, waited three more weeks and then my author’s copy was delivered. And there it sat. On my desk. Opened to the first page, which I couldn’t read. I started bawling. Where is my baby? The font was so garbled that it was illegible. There was a space after every capital letter and the other letters were so piled on each other you couldn’t make out the words.

When I’d used all the Kleenex in my desk drawer, I called them. Of course, no one was on the other end, save for the automated voice of their mailboxes. But at least I got rid of my postpartum anger. I cried and said very imperiously, “HOLD THE PRESSES! I will not accept this book. I will call Visa (of course they already had my money) and stop payment and …” I felt like an inner tube impaled on a sharp rock. Then I called my friend, the publisher. “Of course you can do this on your own. You have the file, just find a good printing company.”

I inquired around and found out that I could get my book printed overseas at half the cost of stateside. I began to get phone numbers and surfed websites. There were some good deals to be made overseas; however, the problem was I needed a broker. So after the broker took his cut, and the shipping charges were added, a stateside printer looked better. Plus, the thought of having a problem and not being able to connect at once with your printer was worrisome.

I searched the Internet and found many websites where you could input the details of your book, number of pages, size of book, print run, etc., and within a week I got a bid from ten printing companies. After picking one printer (not the cheapest), I felt we had a fit. I spoke to the owner, who offered to throw in a hundred free books, which might have had something to do with my decision. He checked out my website while we were speaking, loved the site and the look of my book and of course, he had me. He also offered storage and order fulfillment. Now, all I had to do was put our house on the market and clear out our 401K.

I know what you’re thinking. Sure, maybe she has it, but not everyone can come up with that much money. Yes, you can if you want to. We took an equity line on our home and as the money comes rolling in, I’ll be making payments on the equity line. We authors must be optimists. Really! If you don’t believe in your book, who will?

I ran off my own bookmarks and saved a few hundred dollars. I used the cover of the book, wrote a short synopsis on the back, and had 500 printed. I have handed out those bookmarks on airplanes and in airports; Seattle, Palm Desert, San Diego, Portugal, New York, Australia, New England… well maybe not personally, but I’ve given them to people who live in those places and they were happy to have them and said they’d pass them on. I’ve handed them out in restaurants to women sitting around me; two of them bought my book right on the spot. My friends call me “A self-promoting slut.”

I have to leave you now, as that’s where I am in this wonderful world of the written word, where the writing was easy… now comes the hard part ─ marketing!

Freelance job sites are filled with work. If you want to work for pay today, it is possible that you can do so. You might even be able to write as many articles as you want to write.

“$1.00 Per Article - As Much Work As You Want”

Yes, you too could be on the road to a very lucrative career if you could write a few hundred articles a day.

Let’s see, if it takes me 45 minutes to write an article because I know something about the subject already then I could do 32 articles in a day - if I don’t sleep. It just might work if I can be guaranteed no interruption.

And at the end of a marathon day of writing I might have earned $1.33 per hour, which is well below the poverty level.

You many wonder who would possibly agree to work for these wages.

Most of these jobs go to either new freelance writers who don’t know any better or to writers from developing countries who find this wage to be better than what they may be capable of earning in their own country.

Many webmasters are willing to accept this work and either retool it or use it as is.

The problem for many website visitors is that the English often used is not “Americanized” English and is often filled with mistakes.

Reputable websites refuse to cut corners and are anxious to find qualified and dependable writers who can take care of their writing needs. In most cases websites are willing to pay well for a writer who can provide a good fit for their needs.

Some of the most experiences freelance writers can earn $250 or more per hour. However, in these cases it is important to note that they are full-time and have factored what they believe to be the actual number of hours per year they will actually be able to bill clients for their work and set their hourly fee accordingly.

The fee these writers receive from clients help offset those hours when they have no writing work.

Most freelance writers do have a day job and any writing they do for clients provides a supplemental income. In these cases clients find a lower price for the work, but may not find a delivery time that is as quick as a full-time freelancer.

For a client that plans well, this is rarely an issue. Most qualified freelancers find they have plenty of work and at a price that they set and can live with.