Posts Tagged ‘published’

Writing Advice From The Experts Part #3

March 31, 2009 - 7:35 pm

You must be prepared to work always without applause. - Ernest Hemingway

Much of the wisdom available from established authors may be surprising in it’s honesty and straightforward nature. The reason this is likely true is the authors in question have had enough success that there is no need to candy coat the truths they have discovered in their experience. This is the final article in this series.

On Learning the Art of Writing

I learned to write by listening to people talk. I still feel that the best of my writing comes from having heard rather than having read. - Gayl Jones

You have to protect your writing time. You have to protect it to the death. - William Goldman

By writing much, one learns to write well. - Robert Southey

To produce a mighty work, you must choose a mighty theme. - Herman Melville

No tears in the writer, no tears in the reader. No surprise for the writer, no surprise for the reader. - Robert Frost

A writer’s job is to imagine everything so personally that the fiction is as vivid as memories. - John Irving

Plot springs from character…. I’ve always sort of believed that these people inside me — these characters — know who they are and what they’re about and what happens, and they need me to help get it down on paper because they don’t type. - Anne Lamott

In your writing, be strong, defiant, forbearing. Have a point to make and write to it. Dare to say what you want most to say, and say it as plainly as you can. Whether or not you write well, write bravely. - Bill Stout

Whenever you write, whatever you write, never make the mistake of assuming the audience is any less intelligent than you are. - Rod Serling

If the stories come to you, care for them. And learn to give them away where they are needed. - Barry Lopez

Write about it by day, and dream about it by night. - E. B. White

Any writer overwhelmingly honest about pleasing himself is almost sure to please others. - Marianne Moore

On Humor

When in doubt have a man come through a door with a gun in his hand. - Raymond Chandler

The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it. - Mark Twain

On Naming Your Work

A good title should be like a good metaphor. It should intrigue without being too baffling or too obvious. - Walker Percy

The title to a work of writing is like a house’s front porch…. It should invite you to come on in. - Angela Giles Klocke

I hope you catch the sense that successful authors draw from the real stuff of life, keep things simple and well told. If you look closely, these authors keep a sense of humor about them and remain personable. These are admirable lessons to consider in your writing journey.

I

March 9, 2009 - 10:30 pm

If you are going to follow any formula on how to get a book published you’d better make sure it comes from an established bestselling author.

My proven formula does…

During the last ten years I’ve had over 30 fiction and non-fiction books published; published in hard copy format; published and selling in bookstores world wide &ndash and selling in huge numbers online at Amazon.com.

The secret to my success hinges on two essential factors:

1. Quality of output

2. My own proven formula for getting published

So why am I now giving away the formula?

As I approach my 75th birthday I doubt I will have many more books published - although I have 3 more coming out this year bringing my total output up to 33 ?

Writing has been good to me and publishing even better and so I would like to give something back in the shape of my formula to writers following in my footsteps; writers aspiring to publication.

What My Proven Formula Contains…

? How to locate an appropriate publisher for your work

? Matching your writing output to publisher profiles

? Researching the marketplace

? Where to find 1000s of publishers online

? Guidelines for submitting a book proposal for fiction

? Guidelines for submitting a book proposal for non-fiction

? How to prepare your proposal acceptance

? When to submit your proposal

? What to ensure before you sign a contract

? Addressing the author questionnaire

? Employing the services of a literary agent

? What to do when you cannot place your book with a traditional publisher

? Self publishing without incurring substantial costs

How You Can Get the Formula Right Now for Free

I have set up a temporary page on one of my websites for your convenience (the URL is in the resource box below). Complete the brief form and the download link for the formula will be sent to you by return.

Enjoy…

JIM GREEN is a bestselling author with a string of fiction and niche non-fiction titles. formula.howtoproducts-xl.com

Who’s Speaking: Choosing A Narrator’s Voice

November 26, 2008 - 7:23 am

Have you given much thought to the voice of your narrator? Perhaps you assumed the narrator in your novel should remain neutral. Many writers believe that the narrator should have little in the way of identity and the use of a narrator is essentially a necessary means of moving the story from one scene to the next.

It may come as a surprise to learn that your narrator can, and SHOULD, have a distinctive voice. The narrator should be used to do more than simply take the reader on a guided tour of your story.

The technique used to add life to your narrator is called ‘Voice’. How you ultimately choose to define the character of your narrator can add a new dimension to your work. By adding a unique personality to your narrator the reader has a chance to visualize the story through the eyes of someone that intrigues them. They may not particularly like the narrator, but the voice you choose help the reader find a new facet of interest in your story.

Your narrator could have a strained relationship with the main character and might make occasionally negative comments as they unfold the story. The reason for the animosity could be explained and resolved as the story unfolds.

The Disney movie “Emperor’s New Groove” was narrated by the main character who interjected humor, sarcasm and arrogance that allowed the viewer to gain a clearer picture of the primary character, the conflict his actions created, and the ultimate need for him to lose some of his pride. What is interesting is the narrator’s voice also allowed the viewer to actually enjoy the Emperor’s character even more.

In western fiction the narrator often provides range-hardened wisdom during the course of the narrative that leaves you feeling as if you’ve saddled up a horse and are paired up an agreeable partner that has much to teach you.

Some writing intentionally portrays the narrator as distant and rather formal in their story telling. In this case the writer does not wish to have the narrator play a significant role in the storyline and only wishes them to fill in the blanks with no commentary or personality showing through.

Determining the voice of your narrator can be an important element in the development of your story. Choosing the ‘voice’ of your narrator may be best achieved early in the story-writing process to avoid needless rewriting.

Thesaurus: Word Roulette

August 1, 2008 - 2:50 pm

There is some beautiful literary styles that thrive on the repeated use of words and phrases. The language is poetic and beautiful. This, however, is not an article that encourages the use of repeated words.

Unless you are writing in a style that demands the use of repetition it may be in your best interest to read through your text and determine if a word or phrase is overused.

Example:

Bad

The purpose of this exercise is to find the purpose of the repeated use of a word and then purpose not to use that word so much.

Good

The purpose of this exercise is to discover the objective of the repeated use of a word. After which you resolve not to use that word continually.

Both sentences said the exact same thing, but one was infused with different, but related words that allowed a more readable flow.

Many writers work on a first draft by simply attempting to lay down the ideas in a coherent fashion. It is only after they toil through their first draft that they begin to notice a repetition of phrases or words.

Many writers utilize a tool that provides a benefit in saying something a more unique fashion &ndash that device is a thesaurus.

A thesaurus can be used to take a sentence like the following and transform it into something new.

Original

Taking part in the school play was hard for Tammy because she was so shy and awkward.

Enhanced

Participating in the theatrical production at school was challenging for Tammy since she was so reserved and self-conscious.

Many word processors provide a tool function that allows you to highlight a word and it will provide a list of word choices that you can use to replace an overused or ill-fitting word.

If you have a greater interest in writing longhand you should consider the purchase of a thesaurus that may assist you in your writing. You might be surprised at how a thesaurus can help open up new avenues of creativity and expression in your writing.

Sometimes a word will have more than one meaning and a good thesaurus can help provide words in context of the original meaning giving you flexibility in the application of any given word.

So the next time you stumble across a word that has seen lots of appearances in your writing, break out a thesaurus and expand the possibilities.

Writing Advice From The Experts Part #2

July 16, 2008 - 3:56 pm

The most valuable of talents is never using two words when one will do. - Thomas Jefferson

There are many books that provide tips and guidance for publishing success. This series of articles takes you directly to a trusted source of wisdom &ndash established authors. The hope is the experiences they have encountered will assist you in your writing objectives.

On Editing

There is but one art, to omit! - Robert Louis Stevenson

A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. - William Strunk, Jr., from The Elements of Style

My most important piece of advice to all you would-be writers: when you write, try to leave out all the parts readers skip. - Elmore Leonard

The great art of writing is knowing when to stop. - Josh Billings

As to the adjective, when in doubt, strike it out. — Mark Twain

When rewriting, move quickly. It’s a little like cutting your own hair. - Robert Stone

Put it before them briefly so they will read it, clearly so they will appreciate it, picturesquely so they will remember it and, above all, accurately so they will be guided by its light. - Joseph Pulitzer

On Writer’s Block

If you are in difficulties with a book, try the element of surprise: attack it an hour when it isn’t expecting it. - H. G. Wells

On Motivation

Better to write for yourself and have no public, than to write for the public and have no self. - Cyril Connolly

The most original thing a writer can do is write like himself. It is also the most difficult task. - Robertson Davies

If you wish to be a writer, write. - Epictetus

Talent is helpful in writing, but guts are absolutely essential. - Jessamyn West

You write about the thing that sank its teeth into you and wouldn’t let go. - Paul West

On Humility

Young writers should be encouraged to write, and discouraged from thinking they are writers. - Wallace Stegner

In the third and final part in this series we will look at a few words of wisdom from authors on the naming of your work, learning from the success and failure of other writers and the inner struggles authors often face.

Practically Perfect Proofreading And Other Editing Myths

May 7, 2008 - 2:26 pm

One of the difficulties a writer faces is reviewing their work in an attempt to locate all errors. There are generally two forces that work against a writer who attempts to ensure their work is error-free.

1. Being too close to the work you have difficulty concentrating on the writing.

2. You know what you want to say so it is possible you read over mistakes simply because your mind only sees your impression of the article.

In order to be effective in proofreading your own material you have to work hard at reading every word…

Refuse to speed through simply because you know what the writing says.

Consider each word, then each phrase and then the context of the thought.

Does the article flow or are there phrases that bog it down?

Check punctuation and grammar.

Look at the headline and make sure it is correct.

Do the above all over again.

Most often the best personal proofing requires multiple readings and ongoing edits. The key to the entire process is discipline &ndash personal and professional discipline.

Check and recheck the facts in your story and when possible allow another set of eyes to proofread your writing. They will likely see things that you missed.

There is another myth that is closely linked to proofreading and that is the myth of the perfect story. Anything we write will either have a shelf life because styles and accepted practices change or we have missed something in the arena of consistency, grammar, spelling or word use.

If we keep a piece of writing under lock and key until such time as we think it’s perfect we will likely find that the article will never see publication. You can go over your article with a fine tooth comb and you are likely to see some error when it is finally published.

Writing should be taken seriously, yet not so seriously that the stress of word crafting removes the joy that caused you to become a writer in the first place.

The best advice may be to simply write your story first and worry about fixing any problems afterward. If you stop writing in the midst of your story in order to correct trouble spots you are likely to lose the spontaneity of the storyline. This can ultimately have a detrimental effect on the overall reading satisfaction of the consumer.

If you have to be a perfectionist wait until the story is complete and then get out your red pen and make a few alterations.