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Almost everyone thinks they know how to write a screenplay. We’ve all heard someone watching TV saying “I could write a better script than that”!

The truth is that just about everyone does have a story worth telling. Unfortunately most do NOT know how to write a screenplay.

Most professional artists are very particular about their tools. The screenplay writer is no different. The key to writing is being organized. Before even writing a single word, you must have an inner road map that your characters are going to follow.

If you are writing a novel, you CAN take the time to ramble and develop your descriptive talents. A screenwriter cannot!

Just like any muscle, the writing ‘muscle’ has to be exercised on a regular basis. The simple process of sitting in front of a computer for set periods of time is critical in training the subconscious that THIS time is when you are going to call on your creativity. In order to learn how to write a screenplay you have to understand STRUCTURE. Unlike a novelist, you do not have the luxury of allowing your script to develop into 300 plus pages. It will not get read if it does not conform to an industry standard of around 110 pages.

The structure of most contemporary screenplays: 1) Establish the character and general situation, 2) force them up a tree and throw rocks at him and 3) get the hero down again.

Firstly: you get the audience to know something about the character and his situation.

Secondly: a situation must be created that goes against your characters comfort zone. He must have a nemesis trying to destroy everything he stands for. This ‘bad’ guy takes pleasure putting your hero up that tree and making it as uncomfortable as possible.

Thirdly: our hero needs to overcome all odds and ‘payoff’ the bad guy.

If it really is that simple, then why isn’t everyone a screenwriter? The answer is they do not know how to write a screenplay.

So let us say that you have a clear idea of what your three acts are going to be. Well now you begin to develop the characters. They have to play off each other and either support or destroy our main character. Any time the characters are neutral, the screenplay is dead. Just remember: conflict equals drama. No conflict, no drama.

So what does it take to become a screenwriter, besides learning how to write a screenplay? It takes discipline &ndash to sit at your workplace, even when you are not sure what you are going to write. It takes having a thick skin, so that when the inevitable rejections come, you do not BELIEVE in their judgment as to your potential. It takes major BELIEF in yourself. But MOST of all it takes LUCK!

The film industry is littered with great scripts that never got made. - Directors fall out with producers. A great idea yesterday turns into a pariah today. The studio that WAS going to make your picture has changed hands and the new studio head wants to stamp his own directorial policy on his new position &ndash and you were chosen by the previous head! There are a million legitimate reasons why Hollywood should not immediately fall at your feet &ndash but YOU are going to overcome this. If you do not believe this, then do not even attempt to learn how to write a screenplay! If you DO believe in yourself, then hey &ndash why shouldn’t you be the one that gets lucky?!

So yes, learning how to write a screenplay isn’t so difficult. The difficult part comes AFTER you have written the screenplay.

In an editorial several years ago, I described a tree house in the backyard of a local restaurant. I wrote, “The entire structure has been pieced together from recycled lumber, much of which still bears the paint, logos or posters of the original walls from whence it came. The generous platform is ringed by a sturdy fence that includes branches of the tree itself, random two-by-fours, wooden signs, and even a pair of moose antlers. The ‘house’ is more of a lean-to, tall enough for kids (but not adults) to stand up inside, with a screened door and two screened windows positioned so occupants can easily spy on the diners below or out over the adjacent parking lot. A green padded bench that looks like it had once belonged in a diner adequately furnishes the space. Underneath the tree house hangs a rope swing, from which kids can fling themselves into a thick layer of hay on the grass.”

Fast forward to this summer. The restaurant revamped their backyard, including the tree house. The railing now consists of uniform boards about three inches apart. The house is reached not by a ladder and trapdoor, but via a bona fide staircase. The screen door is gone, the windows are covered in glass, and several of the tree’s branches have been pruned back to discourage climbing. But the worst part, according to my 10-year-old, is that the rope swing has disappeared. Matthew declared the whole structure “boring.” In today’s world, kids have far less freedom than in previous generations. Their lives are more controlled&ndashsometimes because of parents’ fears of an increasingly dangerous society, but often because we’ve somehow come to believe that to grow into successful adults, children’s activities must be channeled, scheduled and programmed from infancy.

Danger comes in many forms, from a stranger encountered on the way to school (who may be a neighbor out walking his dog, but you never know), to free time not filled with “enriching” activities. But, in my opinion, kids need a little danger in their lives. They need to test their boundaries, to learn how to climb a ladder and squeeze through a trapdoor. They need to hurl themselves into a pile of hay and learn it’s best not to land on your face. If grown-ups clean up their world too much, kids will never learn how to push themselves. They’ll never have the satisfaction of trying things that are a little scary, a little off their parents’ radar, and accomplishing something that belongs just to them.

One of the few places kids can still push their limits is with books. It’s possible to step outside your safe life with a story, or try new ideas on for size. But many adults want to clean up their kids’ reading choices as well. I know parents who abhor Barbara Park’s perennially popular Junie B. Jones chapter books because the spirited Junie isn’t a good role model, or won’t read Winnie the Pooh because Christopher Robin can’t spell very well. I also know a lot of authors who are afraid to write books that are slightly subversive because they worry editors won’t publish them. But for every parent who insists on only “safe” reading for their child (and it’s every parent’s right to do so), there are at least two parents who believe it’s okay for kids to wade into the danger zone through fiction. I’m not advocating murder mysteries for preschoolers here, just books that might be considered slightly uncivilized, or more entertaining than educational. Let’s look at some popular examples:

When I first saw Walter, the Farting Dog by William Kozwinkle and Glenn Murray, illustrated by Audrey Colman (a picture book whose plot needs no explanation), I was worried that children’s publishing might be sinking a little too low. But as it started winning awards and spawning sequels, I changed my opinion. Let’s face it: farting makes kids laugh. And if your child finds this book hysterical, you should be glad. In order to get the joke, kids need to know that noisy bodily functions are considered impolite. Laughing about them is one of the perks of childhood. Don’t worry, they’ll outgrow it.

A picture book coming out this December that’s already creating a buzz is 17 Things I’m Not Allowed to Do Anymore by Jenny Offill, illustrated by Nancy Carpenter. The heroine utters such statements as “I had an idea to staple my brother’s hair to his pillow. I am not allowed to use the stapler anymore.” She also glues her brother’s bunny slippers to the floor, and shows Joey Whipple her underpants. Both big No’s. This ingenious story should satisfy two camps of parents; those who want kids to see consequences for inappropriate behavior, and those who don’t mind letting their kids live vicariously through a curious, mischievous character. A pop-up book due out later this month from three publishing powerhouses&ndashMaurice Sendak, Arthur Yorinks and Matthew Reinhart&ndashlets young children face the monsters hiding in their closets and come out on top. In Mommy?, a young boy wanders into a haunted house looking for his mother and encounters creatures like a goblin, a mummy, and Frankenstein. Instead of running scared, the boy pulls pranks on each monster, deflating their power and showing how humor conquers fear every time.

Speaking of scary, if you haven’t read any of the enormously popular Series of Unfortunate Events middle grade novels by Lemony Snicket, do so. With titles like The Bad Beginning, The Miserable Mill, and The Penultimate Peril, and cautions from the author such as, “If you are interested in stories with happy endings, you would be better off reading some other book,” these are clearly stories where adults dare not tread. But children brave enough to venture between the covers will find hilarious plots full of nail-biting twists. The intelligent Baudelaire orphans have unusual skills (Violet for inventing, Klaus for reading and researching, and baby Sunny for biting) that make them admirable heroes.

Lauren Myracle enters the private world of teen girl talk in her young adult novels TTYL and TTFN. The titles alone might raise some parents’ suspicions because unless they’re well-versed at IM (instant messaging), they won’t know what the abbreviations stand for. In fact, the entire novels consist of conversations between three high school girls written in emails, text-messaging and IM’s, using the standard computer shorthand that includes abbreviated spelling and quirky syntax. If you’re not an IMer yourself, you’ll find the books somewhat difficult to read. But you and I aren’t the target audience here. And though the format might keep adults from examining the books too closely, the plots are standard upper young adult fare&ndashrelationships, family trauma, peer pressure, even drugs and alcohol&ndashhandled in a believable manner that conveys growth of character by the end of each story.

As an author, if you’re inspired to delve into the slightly dangerous, dark or subversive corners of childhood with your books, feel free to do so. Don’t limit yourself to all that’s bright, safe and up to code. Allow kids places where they can wander away from their parents’ watchful eyes and have an adventure. If the adventure’s in a book, they’ll always come home safe and sound. And if you’re still not convinced, consider this: In the backyard of the restaurant, the tree house now sits empty. But the books I’ve described above are flying off the shelves.

This article excerpted from Children’s Book Insider, The Newsletter for Children’s Writers. More information at write4kids.com

You have completed your ms, and now what?

You may ask yourself:

How can I submit it to publishers?

How can I present it?

Here comes the cover letter. It is not difficult to write one, just follow the instructions below.

Submitting the right cover letter to the editors /publishers will increase your chances of getting your work accepted!

What is a cover letter?

It is a letter that goes with your work. You can’t send your work alone. You need to say something about it and about yourself in the cover letter.

This letter is very important as it is this document that will persuade prospective editors/publishers to read your work.

It is not difficult to write a cover letter, but you should be careful not to omit any essential info. If you don’t do it right, you can’t expect success.

I will help you do it right. If I can write a cover letter, you can do it, too. It’s easy.

Let’s get started!

• First write your name, address and contact number/e-mail on the right side of an A4 sheet.

• Next, write the editor/publisher’s name and address on the left side, below your personal info.

• Write the date on the right side.

• Start with : Dear Mr/Ms &ndashname of publisher

It’s better to write the name of the publisher if you know it. If you don’t, start with: Dear Sir/Madam

• Keep in mind that the letter is formal. Don’t use any contractions such as I’m or it’s.

The first paragraph

Now you can add the first paragraph. It goes like this:

‘I enclose the synopsis of my book/article and I wonder if you would be interested in it.’

• Now give the publisher sufficient info about your book/article. Tell him in 1-2 lines the content of your book/article.

e.g. Let us suppose you’ve written a book about Turtles.

You can write:

TURTLES is about keeping and caring for turtle pets indoors.

The main body

You should tell the publisher why the people are going to read such a book, and who is going to buy it.

e.g. TURTLES is a pet book that would interest children from 8-16 years old, and all pet lovers as well. This book is original because it is written with children at that age in mind , and it is practical and easy to read.

• You must convince the publisher that you are qualified to write on the subject.

e.g. ‘ This book is based on my own experience in turtle

breeding. Or ‘ I have worked in a pet shop for two years…’ . You can add any experience you’ve had on this subject. Ask yourself:

Any other experience relevant?

Any studies?

Any research?

More tips

• Be brief and informative. One page of an A4 sheet is enough.

• Now, if you wish, mention in your letter that you also enclose a sample chapter of your book.

e.g ‘I also enclose a list of chapters and a sample

chapter for you to read.’

The cover letter usually goes with a synopsis, a sample

chapter and a list of chapters.

This is the complete proposal package and I always do so myself. However, you can send a cover letter and a synopsis only, but be prepared to have a sample chapter ready whenever you are asked to by a publisher to submit it.

It usually takes a lot of time before you get a reply, so you may as well send the whole package to save time.

• State that you enclose a s.a.e ( a second envelope that is stamped and addressed to yourself). They are not going to reply if you don’t enclose this.

• Close the letter. Be polite.

e.g. ‘ Thank you for your time.

I look forward to hearing from you at your earliest

convenience.

Yours sincerely

Your full name

Your e-mail address

• If you wish to use the internet to submit your work, follow the same procedure-of course there’s no need for a s.a.e.

Last notice

Before you submit any work, read the regulations thoroughly . Some publishers do not accept sample work via e-mail!

Now, you are ready to write your own cover letter.

GOOD LUCK!

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748

If you are going to follow any formula on how to get a book published you’d better make sure it comes from an established bestselling author.

My proven formula does…

During the last ten years I’ve had over 30 fiction and non-fiction books published; published in hard copy format; published and selling in bookstores world wide &ndash and selling in huge numbers online at Amazon.com.

The secret to my success hinges on two essential factors:

1. Quality of output

2. My own proven formula for getting published

So why am I now giving away the formula?

As I approach my 75th birthday I doubt I will have many more books published - although I have 3 more coming out this year bringing my total output up to 33 ?

Writing has been good to me and publishing even better and so I would like to give something back in the shape of my formula to writers following in my footsteps; writers aspiring to publication.

What My Proven Formula Contains…

? How to locate an appropriate publisher for your work

? Matching your writing output to publisher profiles

? Researching the marketplace

? Where to find 1000s of publishers online

? Guidelines for submitting a book proposal for fiction

? Guidelines for submitting a book proposal for non-fiction

? How to prepare your proposal acceptance

? When to submit your proposal

? What to ensure before you sign a contract

? Addressing the author questionnaire

? Employing the services of a literary agent

? What to do when you cannot place your book with a traditional publisher

? Self publishing without incurring substantial costs

How You Can Get the Formula Right Now for Free

I have set up a temporary page on one of my websites for your convenience (the URL is in the resource box below). Complete the brief form and the download link for the formula will be sent to you by return.

Enjoy…

JIM GREEN is a bestselling author with a string of fiction and niche non-fiction titles. formula.howtoproducts-xl.com

Think it’s hard to get a novel published? For most writers, it is - but it’s certainly not impossible. I’ve had two hit the shelves-in 10 countries, and with book club and movie rights picked up. People often ask me how I did it, and the truth is simple. All it takes is, 1) talent, and 2) actually writing the thing.

As much as I hate to admit it, the second is the more important factor.

Fact is, plenty of great novels go unfinished. The statistics are staggering: of those who start writing a novel, only about 3% will finish. And unless you’re the child of a rock star or Shakespeare’s long-lost descendent, no agent or publisher will look at your novel unless it’s complete. Only in rare instances will a publisher make an offer to a newbie novelist based on a partial manuscript.

On my first novel, Flip-Flopped, I actually did have interest from an editor at a major publishing house before I was finished. I’d been taking a writing class, and the teacher passed along a short description of my book to an editor acquaintance of hers, who professed interest. I’d written about 100 pages at the time and was elated - that is, until my teacher added, “Of course, she doesn’t want to see it until it’s done.”

It may seem unfair. If your novel starts with a bang, why can’t you just give a few chapters and an outline? Surely that’s enough to prove your mettle. But publishers want evidence of more than writing skills. They need to see you can go the distance. In the world of writing, a novel is the marathon. A finished manuscript is the only way to show you can cross the finish line in the same sort of shape you started.

It took me two years to write my first novel. Even with an editor waiting - and knowing she wouldn’t wait forever - I nearly gave up many times along the way. A single mom with a full-time job, my only writing time was in the early hours before work and during my son’s naptime on weekends. I not only had to learn novel basics like how to plot and create strong characters, I had to learn how to stick with it.

If you’re struggling with finishing your novel, these tips may help:

1. Tell yourself a little white lie: that you have a real deadline. One of the main reasons writers give up is because they begin to question whether anyone really cares. Pretend there’s an editor or agent waiting, drumming his or her fingers, eager for that completed manuscript to arrive.

2. Set a daily goal. I set a minimum of two hours a day, every day. You may prefer to designate a certain number of pages, such as three to five. Writing is a lot like dieting: people who approach it reasonably on a daily basis are more likely to meet with success than those who try a crash program.

3. Don’t write a novel - write a first draft. A first draft can be imperfect - and in fact, it will be. That’s okay. Just get the pages down. You can fix it on the second draft.

4. Be careful whom you show it to. It can be helpful to get feedback as you go, but choose your readers carefully. Giving your precious pages to someone who is frustrated at their own inability to write a novel is like handing them a gun … pointed right at you.

5. Spend more time writing than you spend planning. It can be helpful to have an outline and some basic research, but typically writers who mire themselves in creating lengthy drafts of what they’re going to write rarely get around to actually writing.

6. Feel the joy. Remind yourself why you’re writing a novel. Few people if any set out to write a first novel because they have to. They do it because they have something to say…a passion for the written word…a dream of seeing their name on a shelf next to writers they admire. Hard work may be the backbone of a writing career, but it’s the joy of creating something amazing that keeps us going.

So keep going!