Essay Online

Eager to see your byline in magazines like Smithsonian, National Geographic, Parade or Outside? Here are 10 tips on getting past the threshold of “Maybe” to “Yes” at top magazines.

1. Put timing on your side. You can change a perennial story, where there’s no special reason to do it now rather than next year, to one that prompts an immediate assignment by adding a connection to some upcoming season or event. For instance, “the disposable versus cloth diaper debate” lacks any time element. But you can peg it to Earth Day, coming up in April, or specific future environmental powwows. You can get the same effect by tying a perennial topic to recent front-page news. If devastating floods are lingering in North Carolina, use that to make a piece on adequately insuring a business sound timely.

2. Freshen up perennial topics. Some magazines revisit the same topics again and again because relationships, or toilet training, or camping in national parks lie at the core of the magazine’s mission. Hunt back about four or five years in the magazine’s archives for these central topics and update them.

3. Create cover-worthy article titles. Editors sweat over the blurbs that go on the magazine cover. If you study the kinds of blurbs they favor, and give a similar title to your proposed article, you may score an assignment from a title that is exactly on target.

4. Be brief and detailed. This combination of skills has great value in the magazine world, and a query offers a perfect setting to demonstrate your mastery of rich compression. Let every sentence sparkle with detail, but say just enough to get the idea across.

5. Stay ahead of the pack. I once heard someone say that if you’ve read about an issue in Time or Newsweek, you’re too late to query other top magazines on it. Spend energy pursuing stories that seem both trendy and unexplored.

6. Get your details right. Nothing kills confidence faster than factual errors! Recheck all information in your query before sending it.

7. Be truthful. Don’t exaggerate the facts of a story, don’t present fiction as real and don’t inflate your credentials. This should go without saying, but not long ago a freelance writer sold an article in which she had presented a story she heard from a fellow airline passenger as something that had happened to her. She claimed she didn’t realize that that was unethical.

8. Don’t have a hidden agenda. Forget about any kind of revenge story, or about hyping a company in which you have some sort of covert financial interest.

9. Show enthusiasm. Make sure your writing feels alive and flavorful, not parched and pinched. I’ve heard a number of editors say they like to work with writers who show enthusiasm for their work.

10. Flatter an editor. A good number of editors write on the side for other publications, and if you happen to spot his or her freelance work and mention it in your query, you win points. Mentioning that you liked a particular issue of the magazine, or a certain cover story, helps build rapport, too. Make sure that any praise is specific and sincerely enthusiastic.

The task of getting published is one of the daunting aspects of writing. This can be difficult, if you want to get published by a traditional publishing house. It’s not as difficult if you want to self-publish. In this article I will share with you the steps involved in getting your work published either traditionally or through self-publishing.

Mainstream publishers are often reluctant to accept work from young writers as anyone under 18 cannot sign a contract on their own and will require parental involvement. That is not to say you cannot submit to them but make sure your work is of high quality as you will be competing with adult writers. There are also several publishers that cater specifically to young writers, for a list of these, check out the book THE YOUNG WRITER’S GUIDE TO GETTING PUBLISHED. There are also several sites on the web that accept work from young writers such as stonesoup.com and Merlyn’s pen. Make sure you edit your work thoroughly and follow the submission guidelines for publishers carefully. Some publishers prefer that you send a query letter only at first describing your project. The query letter should be only one page long. If it is longer than that a busy editor will likely just throw it to one side. Think of the back cover summary you see on most books you buy, try to summarize what your book is about in a few words. This can be difficult but it must be done and done in a way that grabs an editor’s attention. Some publishers will allow you to submit a query letter and a few chapters of your work or your entire book. It is important that you use the correct font, you can’t go wrong with courier new 12 pt and a double spaced manuscript. The query letter can use the same font but there is no need to double space it.

Let’s now take a look at self publishing. Self publishing has become quite easy with the advent of self publishers like Lulu. At lulu.com you can publish your work for free. However lulu does take a small commission of anything you sell. Lulu also sells ISBN’s for around $100 U.S. dollars. An ISBN will make your book available for international sale. It will become available to places like Amazon.com, Barnes and Noble and hundreds of other distributors worldwide. When you self publish you set your own price and your age never becomes a factor as it will be with some traditional publishers. If you decide to self publish everything falls into your hands, from editing to formatting. Lulu provides several services for these publishing details, however the costs can add up for young writers. The good news is that with patience and determination you can do it yourself. Lulu provides templates for formatting your book. If you can find a teacher, friend or parent to help you with editing you are well on your way without breaking the bank. Lulu makes making your book cover as easy as possible although you are responsible for finding your own image if you do not wish to use their images.

Finally, there is nothing like seeing your work in print and the opportunities for young writers are greater than ever.

Over the years, many people have asked me to look at their writing. “I need to know, do I have talent or not,” they say. “Then I’ll know if I should pursue writing or stick to accounting.”

Their request is seriously flawed, I’d reply. Anyone can become a better writer. When I taught English Composition at various colleges, I saw irrefutable proof of this. Students who submitted hackneyed, half-dead writing to start with turned in lively, well-written essays by the end of the semester. Likewise, I’ve seen plenty of writers whose work seems plain and unimaginative get assignment upon assignment from magazines while others with dazzling wordcraft skills can’t get published anywhere.

According to Stanford psychology professor Carol Dweck, I was right to question the query about talent. Dweck’s book, Mind-set: The New Psychology of Success, reports research showing that in education, the arts and business, people who believe talent is fixed and inborn do not fully develop their potential and do not recover easily from setbacks.

Those who believe talent can be developed, regardless of apparent starting point, not only achieve more but also prompt greater achievement in their children and staff.

Her best news: You can change your mind-set about talent or intelligence. In only two months, kids who were taught that the brain, like a muscle, improves with exercise saw

their math scores rocket from F’s to B’s.

Toss out the belief that you either have writing talent or you don’t. Instead, approach getting published as requiring a set of skills that you can deliberately learn. These skills include:

1. Being sensitive to the differences between words. A good dictionary can help with this, if you consult it to learn, for example, whether a “cauldron” is the same as a “kettle” or when a gang member would be said to have “bravery” and when “bravado.”

2. Recognizing that getting your message across has less to do with what you meant and more to do with how readers understand the words you put together. If no one “gets it,” you must write it differently. Often this lesson is harder for those who feel desperately called to write than for those with a more matter-of-fact attitude toward writing.

3. Being willing to put a piece of writing aside, look at again in the cold light of the morning and rearrange, replace and revise the elements of the piece to tell the story more clearly and more artfully.

4. Having the discipline to learn and apply the rules of spelling, grammar and usage. Yes, when your work is accepted for publication you’ll usually have an editor who’ll save you from major mistakes. But editors prefer working with those who know and follow the standards of professional writing.

5. Being able to bounce back from disappointment. In the writing business, the possibility of rejection never goes away. Successful writers learn not to take it personally for more than an hour or so, then they simply go on to the next publication outlet or the next writing project.

From what I’ve observed, these five skills and attitudes matter much more for success as a writer than anything we’d generally label as talent. Resolve to develop yourself along those lines and you’re certain to get somewhere as a writer. Really!