Essay Online

Before you should decide whether or not taking part in a writing workshop is right for you and your writing you should first understand just what a writing workshop is.

A workshop is an educational format where an expert shares information on a focused topic over a short period of time. Some workshops are intended to be simply informative while others involve more hands-on activities. Today there are many options for enjoying a workshop: you can attend workshops in person, view them on television or tape, or participate in an online workshop.

So now that you know what a workshop is you can see how this format can readily be adapted for writers. Writing workshops can cover the basics of writing, writing challenges, topics related to publication and careers in writing, or specific research subjects. Some of these programs are featured as part of larger events, such as conferences, while some groups or individuals offer them as one-time events. Some organizations, institutes and educational programs offer workshops to their students or members while others open those workshops to the community at large.

Why would a writer want to attend a workshop? What benefit could it be?

Join the writing community. One of the strongest benefits you can receive from attending such a gathering is getting to know other writers. Writing is a solitary profession and can be very lonely. Enjoying the company of other writers and talking about writing with people who really understand your joys and worries can be wonderfully energizing to you personally as well as your writing. You can also make contacts that may lead to support and growth of your writing or perhaps even professional advancement. You never know when the friend you make today might be in a position to recommend you to an editor or publisher down the road.

Learn something new. No matter what level your writing career there are always lessons to be learned from other writers. Sometimes there are research strategies and shortcuts or perhaps it is a method for dealing with writer’s block. You can learn market news and contacts as well as important information about reviewing contracts. Workshops are generally geared toward a specific genre or market niche and offer a wealth of specialized information depending on whether you write about crime or food.

Improve your craft. Generating new work or revising existing pieces is often a large part of attending a workshop. Sometimes you must bring something with you, create a project as part of the workshop or are inspired by the gathering itself. Sometimes talking with others or listening to the presenters causes you to suddenly rethink a stalled project or inspires a new one. Whatever the impetus there is definitely an increase in production after attending a workshop and that is the surest way to improve your word craft.

If you have not taken part in a writing workshop in the past then perhaps you might consider doing so in the near future so you can join the writing community, learn something new, and improve your craft.

If you are going to follow any formula on how to get a book published you’d better make sure it comes from an established bestselling author.

My proven formula does…

During the last ten years I’ve had over 30 fiction and non-fiction books published; published in hard copy format; published and selling in bookstores world wide &ndash and selling in huge numbers online at Amazon.com.

The secret to my success hinges on two essential factors:

1. Quality of output

2. My own proven formula for getting published

So why am I now giving away the formula?

As I approach my 75th birthday I doubt I will have many more books published - although I have 3 more coming out this year bringing my total output up to 33 ?

Writing has been good to me and publishing even better and so I would like to give something back in the shape of my formula to writers following in my footsteps; writers aspiring to publication.

What My Proven Formula Contains…

? How to locate an appropriate publisher for your work

? Matching your writing output to publisher profiles

? Researching the marketplace

? Where to find 1000s of publishers online

? Guidelines for submitting a book proposal for fiction

? Guidelines for submitting a book proposal for non-fiction

? How to prepare your proposal acceptance

? When to submit your proposal

? What to ensure before you sign a contract

? Addressing the author questionnaire

? Employing the services of a literary agent

? What to do when you cannot place your book with a traditional publisher

? Self publishing without incurring substantial costs

How You Can Get the Formula Right Now for Free

I have set up a temporary page on one of my websites for your convenience (the URL is in the resource box below). Complete the brief form and the download link for the formula will be sent to you by return.

Enjoy…

JIM GREEN is a bestselling author with a string of fiction and niche non-fiction titles. formula.howtoproducts-xl.com

Are you a freelance writer or interested in freelance writing? Then you should consider starting a blog to publish your writing. While it is difficult for many freelance writers to think about publishing their writing for free, consider the three different methods you can utilize to profit from with a blog.

First, you can simply focus primarily on self publishing all your work to a blog (or blogs if you write in more than one area). The numerous pages of fresh, original content will be slurped up by the search engines and drive quality, targeted traffic to your blog. You can profit from this traffic by selling advertising, using third-party advertising services such as pay-per-click or pay-per-lead programs, or promote affiliate programs and products. If you want to focus simply on your writing and your audience then pay-per-click or affiliate programs is probably the easiest method to choose.

You can publish your writing in your own free ezine, newsletter, ebook, or some other informational product and use the blog to promote those products. You can still derive some profit from advertising or affiliate programs if you choose as well, but the additional informational products give you even more venues to profit.

You can publish your own ezine, newsletter, ebook, or some other informational product that is only available for purchase and use your free blog to capture leads and promote those products. Again, you still have the option to earn from advertising and affiliate programs on your blog in addition to your earnings from sales.

You can make a very nice living from giving your writing away but if you do not want to do that then you can choose to only give away a small portion and only share the balance of your work with paying customers. Either way you will have complete power and control over your own published work and you will reap all the financial rewards from your own hard work and talent.

Freelance writers should consider self publishing with a blog using one of these three profit models.

One common element whenever human beings gather is the need to talk and share experiences. Often that need turns into something a little more fun, a little more dangerous — gossip. Gossip is often fun but it can also be dangerous because it spreads quickly (because it is fun) and often distorts or even completely avoids the truth. Gossip creates myths in many fields and professions, and the field of writing is especially prone.

The top five myths about writing are:

Myth 1: Writing is easy for some people. Let me tell you that is just about the biggest myth going. I have been a professional writer for going on three decades now. I also know many other professional writers of various ages, experience, and income. I don’t know a writer that will tell you that writing is easy. Writing is brutal, hard work and there are times when I think it would be easier to simply open a vein as Red Smith said. However experience and practice can make many writing tasks easier. There are some writing tasks that I can almost accomplish on autopilot because I have written that specific format and/or topic a lot.

Myth 2: Writing requires talent. I won’t lie. Talent can certainly help and talent is what separates the great writers from the good writers. But the truth is that talent is not enough to make a writer great or even good and talent is not a necessary requirement to be a good writer. Writing is a skill that can be learned, developed and honed. If you practice your craft, if you read the writing of others to learn more about your craft, and if you seek and accept guidance and suggestions about your writing then you will improve and grow as a writer. Dedication harnessed with talent can create amazing results but if I had to pick just one then I would go with dedication. You can always increase your skill level through dedication.

Myth 3: Writing isn’t an useful skill. I have made my living as a writer for my entire professional life but even if you don’t intend to make your living with words you will need this crucial skill. There simply isn’t a profession that does not involve writing. Perhaps the form will vary, but written communication is the cornerstone in every professional field. Your writing ability will often impact landing a job as well as advancing in your career. Today written communication is even more crucial in professional and personal relationships.

Myth 4: You can’t make a living as a writer. I can remember when I told my father that I wanted to be an English major in college. He was very worried that I wouldn’t be able to support myself. The truth is that I have never had trouble finding a job and today I own my own business because of this flexible and important skill. Not only can you make a living as a writer but writing is an essential tool for many other careers and professions.

Myth 5: Writers block is alive and torturing writers as you read this. I’m not dismissing the difficulties inherent in dealing with writers block but whenever I talk with writers purportedly suffering from it they fall within two general groups. The first group actually creates their own block by insisting on the perfect place, mood, or alignment of planets in order to write. This is beyond ridiculous. One of the many benefits I gained from years of newsroom experience is the ability to write in almost any condition or mood. Deadlines will teach anyone how to give writers block short shrift. The second group I have more sympathy for as their problem really is internal in nature. Usually the problem is that the particular story (whether fiction or nonfiction) they want to tell is not yet finished cooking in their brain. In this case, while the writing may be stalled I don’t agree that it is blocked. The writer must listen to that inner voice and respond appropriately. Sometimes the idea needs more time to percolate and sometimes more research and/or planning is necessary. Once the proper adjustments are made the writing will begin to flow again.

Don’t let your writing fall victim to these five myths about writing.

The Information Age is dead. We stand at the cusp of a new era. We used to live in the Information Age, but you know how it goes when everyone jumps on the bandwagon. Too much of a good thing became a bad thing. I know you feel it. We both know that everyone is glutted with more information than we know what to do with. You surf the web and there is page after page of information, right? But how do you sort and sift through it all and solve your problems? How do you get what you need&ndashquickly?

We used to want information, but now we want something better. That is why we are at the dawn of a new age. The Recommendation Age. People don’t want information. They want solutions to their problems, and that means they need information filtered through the expertise of someone who has gone before them. And that’s going to be YOU! You will write your book and become a noted expert in your field.

In his book, The Long Tail, Chris Anderson wrote about the dawning of this new age. He said that what people want is not more information, but a trusted guide who can give context to the content.

Your Life Experiences and Passion position you with the natural readiness to make recommendations to others. It’s human nature. You do it all the time in small ways. Think about it. Haven’t you ever told a friend&ndashor even a stranger&ndashto steer clear of a product that doesn’t live up to expectations? Haven’t you ever suggested a tasty dish at a restaurant, or told a friend why she would absolutely love a movie you just saw?

I know you have. We all do this. That’s the power of Recommendation Marketing. It’s time to cash in on a natural human tendency. Since four out of five people want to write a book, chances are excellent that you have always dreamed of telling your own story and leaving your own legacy.

It’s time for YOU to write your book and become an expert millionaire.

Where do people go when they have a problem? The Internet. This is where you should start. Get your book online.

We are drowning in information. The Internet’s greatest advantage is that it level the playing field. Now everybody with a computer and an internet connection has access to the same information. But the greatest asset has also become the greatest annoyance. Today we are drowning in information. We are over-communicated to.

What will you recommend? How will YOU solve other people’s problems. The type of writing that sells the best on the internet is non-fiction. People want help solving their problems.

What problems will YOU solve for people? Look to your own life. What do you do naturally that other people struggle with? What challenges have you overcome?

The information age is dead. We’re drowning in information. What people want now is for an expert to recommend a solution. The Recommendation Age is here. Take your place as an expert and cash in on the Recommendation Age by writing YOUR book&ndashstarting now!

Developing an individual writing process is a key part of becoming a real writer. If you want to learn and grow as a writer then you must work to develop a unique writing process. If you want to be a more productive writer and for your work to improve then you must develop a unique writing process.

While most writing processes contain the same basic elements, each individual writing process is as individual as the writer it serves. Each writing process contains these steps: brainstorming, organizing, writing, revising and editing. Some people condense the essentials into only three parts: brainstorming and organization as one, writing, and then revising and editing as the final step. While you may well end up with some variation of a writing process that is close to the latter I think when you are first individualizing your writing process you should start with the five distinct steps.

How do you begin to develop your own unique writing process? You must write — a lot — and you must experiment with different methods and different styles and different variations within each of the five steps. Even if you find the “idea” of one experiment to be uncomfortable or unwieldy then you must still give it a try because that might be the key to unlocking your own successful style.

This is especially important when it comes to the first step in the process — generating ideas. Experiment with all the variations of brainstorming you hear about from free writing, clustering, questioning, listing and journaling as well as the many other options out there.

After you have spent time brainstorming it is important to begin putting those ideas into some semblance of organization. Sometimes you will need to do this on paper and sometimes it can be done in your head. You may be able to do some rough organization with arrows, numbers or highlighting or perhaps you might need to use note cards or a computer program. Again, experimentation is key to find the method that works best for you.

The actual writing portion of your writing process should be the easiest and least painful. Remember, you will take care of revision and editing later on so you only need to worry about filling your required allotment of pages. Do not slow down your creative process by self editing as you write. Just let it flow and sort it out later.

Some writers combine revision and editing but I like to separate these steps. In my mind, revision is the heavy lifting where you continue to write and rewrite as well as refine and reorganize. Most of my writing involves multiple drafts in the revision stage.

I personally consider editing to deal with those fine, picky details such as spelling, grammar, and punctuation. It might to some extent involve word choice but usually those details are dealt with during revision. Do not forget to read your work out loud at this point to catch awkward sentence and paragraph structure.

And that is how you can develop your own personal writing process. Do not forget: Developing an individual writing process is key to your development and success as a writer.

We all know that the way you say things is often just as important as what things you say. Expert authors know that they must be careful with the words that they choose. Everything that you put before your readers must not just be engaging, but it has to keep their eyes glued to the page and their hearts pounding with every idea. You are giving them the secrets to make their dreams come true! Who could stop reading that?? Who would WANT to stop reading that??

The format for gluing your readers to your book starts with the title of the book. It should be like the headline of an ad that is pulling in millions of dollars every day.

Next, you need to build great chapter titles. If you see the book title as a headline, consider the chapter titles as the sub-heads. To put it a different way, the headline is the bait that gets the fish to snap, the sub-head is what makes the fish keep chomping so the hook sinks deeper and deeper!

It is imperative that you are able to write titles that pull. A more technical way of looking at it is that your book title and your chapter titles are a series of descriptors that clearly describe your Unique Selling Proposition (Your USP). Your USP is essentially that which separates you from your competition in the market place. It is what provides you your competitive advantage.

Let me assure you that the way you word something can mean the difference between success and failure or in our case, between being read and being ignored!

Here is an interesting study:

One marketer discovered the value of words by trying 4 different headlines, marketing a diet product, over a 3-month period. The sales material remained identical.

Only the headline was different in each case (In other words, only the words changed. Look at the huge difference in results.)

The headlines were as follows:

1. Breakthrough New Diet Product!

2. A New Diet Revolution!

3. How A Texas Housewife Lost 23.5 Pounds In 32 Days!

4. Dieting Secrets Of A Desperate Housewife!

The Big Question!!!!

Which one do you predict would outsell all the others and by a wide margin?

I pick # ____ and Why did you pick that one?

The Study Results

Every individual response was carefully tracked and recorded. The actual

documented results may surprise you. Total sales were 165 units over this testing period.

Let me repeat myself.

The ONLY thing that changed in this whole sales process was the headline. Everything else stayed exactly the same!

Here’s a breakdown of the results each specific headline produced:

1. Breakthrough New Diet Product! 13 Sales (8% of total sales)

2. A New Diet Revolution! 8 Sales (5% of total sales)

3. How A Texas Housewife Lost 23.5 Pounds In 32 Days! 98 Sales (59% of total sales)

4. Dieting Secrets Of A Desperate Housewife! 46 Sales (28% of total sales)

Why do you think that number three out-pulled every other headline by a lot? I’ll tell you. Number three alluded to a REAL STORY. A REAL person who lost REAL WEIGHT in a REAL AMOUNT OF TIME. It combined in a sense the UPP with the USP. The target market that this ad was aimed at could identify with that, and thus they bought the product.

What if the advertiser just crafted headline #1 and wouldn’t change it? He would have lost 92% of his sales!!

What a lesson! You need to make sure that you craft a book title and chapter titles that will continually sell your readers on why they need to keep reading AND why they need to buy what you are selling!

As a successful author interested in building a business off your book, you must understand the difference between features and benefits. Features are tangible and benefits are intangible.

Features describe what a product is or has based on physical/tangible characteristics. On the other hand, benefits are feeling oriented.

Remember that the reason that people come to the Internet is because they have wants and desires and want to be satisfied. This is the *sole* reason that people come to the Internet. The key for you is to market to people’s problems and present yourself as the only credible solution.

Once you know your market’s problems, you will create a list of benefits that they will experience from dealing with you. You want to distill this list of benefits down to their very essence, which gives you your key benefit. You do this by playing the Which Means What? game with yourself (choose a benefit and ask yourself Which means what? to get down to the base benefit)

Your assignment is to record all the features and benefits that your product will provide to your target audience.

What is the difference between Features and Benefits? Here are some Definitions to help!

Definitions

Feature = What a product IS or HAS

Advantage = What your product DOES

Benefit = How your product HELPS you

Example

Let’s look at the example of a pen. Let’s say you design a new fangled pen using a proprietary ink formula that you have developed.

Feature: Has non-blotching ink

Advantage: Won’t leave blotches of ink and hence smudge marks on a page

Benefit: Saves you the frustration of making a mess by smudging blotches of ink. Saves you the frustration of trying to get your ink to flow properly. (Which means what?) Saves you money since you don’t have to purchase pens as often.

You are now going to create a Benefits vs. Features comparison for your book.

An Exercise:

List every possible feature and benefit that your product offers your target group. Make sure that includes everyone. The key with successful marketing is to focus on the benefits, especially those that make you different in the market place, while meeting your market’s needs.

Remember, the most successful marketers in the world sell feelings. This is because they know the secret to making money from other people: People buy based on the emotional experience it creates for them and then justify their purchase rationally.

Position all the benefits of what your book, product or service does for someone. Then distill the key benefits that you offer the market place.

When you discuss your benefits use lots of subheads and bullets in the copy that you use in order to position them powerfully.

In fact, if you can get testimonials from people you have helped, have them list all of the problems you have helped them resolve and them look at the benefits of solving each of those. Have those writing testimonials for you key on the problems and the corollary benefits.

This is the best way of selling feelings. Focus on the benefits of your book, product and service and let others tell stories about how you solved their specific problems.

Every writer needs some help with their writing. Every writer can improve their writing. One simple technique you can use to improve your writing and better develop your writing process is to spend less time writing and more time thinking about your writing.

Many writers struggle with their early drafts simply because they have not allowed an idea enough time to simmer. Giving yourself time to brainstorm, sift and sort through ideas, and to both have and build upon creative inspirations is one of the keys to becoming a successful and productive writer.

It is best to work on this when you are away from your desk, your computer and any writing equipment (even something as simple as a paper and pencil) however that is the only rule about location. You can sit yourself on a park bench or in your car, you can take a walk or a jog, or you can perform some mindless household task such as vacuuming, folding clothes or washing dishes. There really are not rules as long as you can focus the majority of your brain power on your writing without the distractions of friends, family, or co-workers.

Even with today’s hectic, busy days there are moments when we are alone with our thoughts and if you want to improve your writing then you should set aside at least a portion of those moments to focus on your writing. In fact, you might find that not only does this improve your work but it also allows you to multi-task by completing some other mundane task (or simply getting in your exercise for the day). I promise you that once you have focused your brain on your writing that you will see an increase in your productivity. You will actually spend less time in front of the computer (or notebook) but will deliver more quality writing in that shorter time.

It is important once you are set on a specific project that you focus your thoughts on that goal. If you are writing something short then focus first on the introduction, for example. If you are writing a novel or book then focus on one scene or section of a chapter. Create a movie in your head, and because it is your movie, do not overlook the sounds, smells, and textures that go along with it. Put yourself in the shoes of the characters of your movie so you can identify with them and feel their emotions. Play with words and sentences in your head. Get a feel for the rhythm of the language. Does it match the “movie” you created?

The more you work these elements over in your head then the easier it will be when you sit back down to write. Use your head to make writing easier for you and more effective as well.

The more time you spend thinking and planning your writing before you set out to work on your latest project the better.

Creating characters that are believable takes time and discipline. Creating dynamically real individuals and not imposing your own thoughts and impressions upon them is not easy to do, and is often the difference between a novel or screenplay that sits in a closet and one that finds its way around town and into the hands of audiences. Spending your time building your characters before they enter the world of your story makes the process of writing an easier and more enjoyable ride, and creates a finished product that agents, publishers, producers and readers can truly be excited by.

You must first agree to operate from the understanding that the three-dimensionality of your characters is not created magically. Talent equals discipline multiplied by time and you must practice (daily) the art of developing your characters. As a development executive with LA Film Lab Entertainment (a literary development and production company), I have developed a framework to assist you in creating rich and complex characters. The complexity that you desire comes through 1) labeling their desire essences, 2) labeling their fear essences, 3) getting specific about their past, 4) labeling their behavior, 5) raising their stakes, 6) not meddling in their lives, and 7) letting them play. Asking provoking questions in line with these steps, answering them thoroughly, and then repeating the process, provides constant individual growth in your characters that mirrors life. Now let’s take each step in turn:

1. Label the Desire Essences of each of your main characters: The first key to deepening your work is finding the major motivators in the lives of your characters that drive their actions. We all have deep aspirations that drive our choices, our thoughts, our actions and reactions. These needs are what differentiate us from one another and we will refer to them as “Desire Essences.” Some examples of DESIRE ESSENCES are: the desire to be intellectually brilliant; the desire to be socially famous; the desire to hide from the world; the desire to belong to a group; the desire to be loved; the desire to party; the desire to die.

2. Label the Fear Essences of each of your main characters: What is at the root of each of your characters’ darker sides? For every desire they have they should also exhibit the antithetical fear of failing at that desire. These fears will battle their aspirations for control over their behavior. Labeling and understanding the darker sides of your characters is imperative to creating the dimensional and imperfect characters you are after. Some examples of FEAR ESSENCES are: the fear of being stupid; the fear of being ordinary; the fear of being socially exposed; the fear of being rejected by a group; the fear of being loathed; the fear of being boring; the fear of having to face life.

3. Get specific with your Backstory: Human behavior is made up of a string of moments and reactions to those moments. A character’s current behavior is a battle between fear and desire and their immediate choices are made based on very specific (yet unconscious) experiences from their past &ndash experiences that leave imprints much like DNA. Though your characters should be unconscious of these past experiences that are influencing them, you the writer must create these in your preparation of their backstory be fully aware of them. Here is an example of what won’t benefit you vs. what will when getting specific with backstory:

Bad example of getting specific: Rachel is a pretty girl who thinks she is unattractive. She prefers to live in her books as opposed to being with friends or family. Her father has abused her sexually throughout her youth. She hates attention.

Better example of getting specific: On her graduation day, at a party her Mother is throwing for her, Rachel’s sexually abusive father shows up drunk and congratulates her, hugging her too closely, grabbing her rear end with both hands, and calling her pretty in front of a room full of her friends and family. She runs away humiliated and hides in her room, escaping into one of her fantasy books. That night she moves out to stay with a friend and doesn’t tell her friends where she is going. Two weeks later she finds out through another friend that her father died in a car accident. He had been drunk.

In the better example of getting specific, the reader can have a visceral reaction to the words. This is caused by the detail. The generality of the bad reaction is logical, but lifeless. In the better example it is easy to determine what the essences of our leading lady might be: desire to hide, maybe even desire to die, desire to live in her books, desire to be valued for her intellect instead of her body, fear of loneliness, fear of her appearance, fear of the opposite sex, fear of losing a loved one, fear of being abandoned.

4. Describe their Current Behavior: Take the essences and the specific examples you have now created and determine what kind of behavior your characters might exhibit as a result. Don’t limit yourself with these, but rather excite yourself with the possibilities.

Simple examples from our leading lady - a woman who: hides her body; avoids friends from her past; mistrusts anyone who comments favorably on her appearance; desires to control her education and her intellect; avoids alcohol.

5. Raise the stakes: Emotions are extreme. Play in the realm of this extreme when dealing with the fears and ambitions of your characters. These essences are all encompassing; meaning that we spend our lifetimes with them. Don’t cheat your characters by being afraid to raise the stakes as high as you can. Needing to find a precious stone to sell to an art dealer by midnight to raise the financing to save your character’s mother’s house before the bank takes it away from her tomorrow is exciting! Look back at your own life and think of how seriously you take your essences &ndash when your essences are threatened will you fight to extremes to defend them, just as when they are fulfilled, do you enjoy some of your greatest moments in life? Play in the realm of the extreme. Raise the stakes. Your essences are life and death to you &ndash let them be that way to your characters.

6. Don’t meddle: Of course you might be saying to yourself, “How do I not meddle &ndash I’m the writer!” But a truthful story is going to grow from your willingness to let your characters make their own decisions based on how you have defined them (which after these exercises will be in great depth). As their parent, you have to let your children go; this is the point at which your story truly begins. DO NOT MEDDLE IN THEIR LIVES. Continually remind yourself &ndash it’s not about you. You just serve the story. Let your characters make their own decisions. If you ever find yourself not knowing what decision they might make &ndash question your homework and rework their essences, behaviors and stakes until their choice becomes obvious.

7. Let your characters play: Once you have developed several characters by labeling their essences, getting specific, defining their behavior, and raising the stakes, you are ready to begin to let them interact. It’s like the first day at a new school; ripe with possibility. When properly developed, there is no way to predict how your characters will behave in any given situation, but they are so full of life and their own agendas that they are ready to interact with other characters who have been developed to the same level. If you have done the work to get to this place &ndash this is where your characters will begin to write themselves.

Follow these steps to create the richer characters you want to be writing.

Find the Essences:

To find the essences of your characters, you have to look to their history and their genetics. Just like real people, your characters’ current behavior is defined by their DNA combined with experiences you create in their past. We all have the basic fears and ambitions of survival, shelter, and food, so when working on these essences focus on the ones that really drive each character. Consider ethnicity, religious beliefs, and major life events. Address sex, drugs, music, parents, siblings, education, appearance and intelligence for sure.

Start by writing out twenty DESIRE ESSENCES that feel right for each main character. Then determine one polar opposite of each DESIRE to create your twenty FEAR ESSENCES. Go back and toss the ones that you now feel less attached to. Repeat and refine the process until you have at least ten of each for each character that really excite you.

Get specific about Backstory:

Get specific about how your character’s essences have come to be. Create definitive moments in your characters’ lives that detail when these fears and desires were initiated. Come up with five supporting examples of moments in their lives when each of these essences was tested and eventually vindicated in the name of the fear or in the name of the desire. Failure vindicates the fear and success vindicates the desire. Write at least one half page of text supporting each -Yes that will give you a total of twenty-five pages of essence work. Do the work.

10 Essences (a desire and a fear for each) x 5 samples for each = 50 descriptions (each a half page)

Label the Current Behavior:

Using their essences and their specific past, come up with ten sample behaviors for each character. Simple example: a character who has a desire to hide and a fear of being publicly humiliated, has a specific past incident of continually having their pants pulled down in public by a sibling. The current behavior - they might always wear a belt, or might always look behind themselves in a very specific attempt to never be humiliated again.

Raise the stakes:

After looking over your newly created examples, it should be easy to determine some issues that might be going on in their lives that would increase or decrease their stress. A decrease in stress generally excites people to take greater chances, while an increase in stress tends to shorten people’s fuses.

List five possible increases or decreases in your characters stress level.

Don’t meddle and let them play:

Now put two of your fully developed characters into the same room. Implement two or three increases in stress to one character and two or three decreases in stress to the other character and let them bounce off of one another. Go into this exercise with no preconceived notions of what might happen. If you have done your homework, they should affect one another.*

*If you need a jumpstart &ndash add an element that one needs from the other and give the other a strong reason for not wanting to provide what that character needs. Could be tangible or emotional.