Essay Online

The hardest thing you’ll ever have to do is to ‘start’. When you want to travel, the hardest part is to just ‘go ahead and go’. But once you start, everything follows. The same goes with writing. I don’t know about you, but when I write, the first sentence in the article gets erased five times before one becomes permanent. But once you get through the first sentence, writing the whole article will be a breeze.

There are actually a lot of ways by which you could begin your article. You could start it with a quotation, a question, an anecdote, or you could go straight to the point. There is no exact formula for starting. You can start your article with any sentence, as long as it suits your purpose.

What’s the Purpose of the Article?

So think about why you’re writing that article. What is your purpose? Is it to entertain, to inspire, to persuade, or simply to inform? If you want to entertain, then a funny anecdote might do well. If you want to inspire, then a famous quote may do. If you want to persuade, then maybe you could start with a question. If you want to inform, then you could go straight to the point.

Let me give you a concrete example. Let’s say that your aim is to persuade people to buy your product. I mentioned that if you want to persuade, starting the article with a question might do the trick. Let’s say that your product is a water bed. Maybe you could start your article with a question like, “Have you ever had a night when you couldn’t sleep because of your lumpy mattress?” or “When was the last time you had a good night’s sleep?” This is a good strategy because you’re automatically creating a bond with your reader. If your reader answers “yes” to your question, he will be able to relate, and if he is able to relate, then he will be interested.

The First Line

But asking a question isn’t the only way to start an article. If you can make it work, then an anecdote might be perfect for your article. Maybe you could tell a story about a friend of yours who didn’t want to buy the bed at first but was persuaded to do so after a bit of prodding. And then give them a punch line. It has to be funny, or at the very least, unexpected. Maybe you could end your anecdote by saying that your friend went to your office, fuming. He kept on glaring at you so you asked him what was wrong. And then he answered, “I got into trouble at work because of your bed”. And so you ask him why and he answers that he woke up late because the bed was so comfortable. You’ll have showcased how comfortable your bed is and entertained your readers at the same time.

Again, there’s no exact formula for starting to write an article, just let your imagination run wild.

Publishing a book is one of the best ways to build credibility and gain exposure. Not only can it position you as an expert in your field but it could also open the door to entirely new opportunities just because you are now an author. Indeed, almost any author will tell you the best thing they ever did was publish their first book.

There are three primary options for getting your book published. The easiest way is to self-publish the book yourself, meaning you complete the work and send it to a printer. Done. The second option is to use an independent publisher. These are legitimate publishers but they’re smaller than the big boys and tend to specialize in one area or another. The last option is the most ambitious and it involves the industry majors like Penguin and Random House.

Any aspiring author would prefer to get their book published by a major publishing house. It gives you far more credibility and enhances your chances of selling the book once it’s on retail shelves. But getting one of the big publishers to publish your book is no easy task. There are a number of things you need to keep in mind before you even get started.

Most importantly, the big publishing houses only work with proven authors. That means it’s extremely difficult to get them to work with you on your first book. They want to know you’ve successfully sold books before. And if it’s your first book, you better have an impressive platform and an audience you can easily tap into to promote sales. Bottom line; they don’t really care what your book is about. Their top priority is your ability to sell it.

The big publishers generally don’t deal directly with the author anyway. They prefer to deal through Literary Agents. These are basically screeners who receive hundreds of book proposals each month and sift through them looking for those with real potential. Getting a Literary Agent is step one if you hope to get your book published by one of the big publishing houses.

A great way to find Literary Agents is to go to a book store and find books similar to the one you’d like to write. Then look at the acknowledgments. In most cases, the authors will thank their agents in that section and you can simply make note of their names and then look them up on Google. Then contact them and see if they’re accepting new proposals.

Book proposals for the big publishing houses are generally quite large. It’s not unusual for the proposal to be 100 pages long. In fact, you’re almost better off writing the entire book ahead of time and then putting the proposal together afterwards. You’ll end up including a sample chapter in the proposal anyway and there are plenty of other things it should include. You can find more information about what needs to be included by doing a Google search for book proposal.

Getting your first book published by one of the industry majors is difficult but it’s not impossible. Do your research on the front end and learn how the system works. That will be your greatest asset when starting the process. You can find a lot more tips and tricks for getting books published on my website and I hope you take advantage of the free information available there.

Publishing a book is one of the best ways to position yourself as an expert in your field. Not only that but the book demonstrates your expertise in its best and most organized format. And perhaps the biggest advantage of all is that your book allows people to be introduced to your expertise without you doing a thing. Yes, you have to write it and get it published. And you also have to market it. But after that, you can sit back and let people read it on their own time.

So let’s talk about some of the realities behind publishing your own book. The biggest misconception people have about the process is that the publishing company does the marketing. Untrue. Regardless of the publishing company you use, the responsibility falls squarely on the author. And that’s a rude awakening for most aspiring authors.

Marketing is no easy task and the biggest priority of publishers considering your book proposal is NOT the quality of your writing or the brilliance of your idea but your ability to market you own book. Yes, it’s true. The biggest thing publishers look for when they evaluate book proposals is your audience and your following. They call it your platform and it refers to the activities you do everyday that put you in front of potential buyers.

The best thing you can do to increase the odds of your book proposal getting accepted by a publisher is to build your platform. Whether that includes workshops and seminars, press releases and media publicity, interviews and special events, blogging and podcasting or internet marketing, publishers need to know you have a strategy to promote your book and the tools necessary to pull it off. Indeed, they’re looking for a certain amount of star power.

If you don’t have a platform when you submit your book proposal, it won’t even get a second glance. That’s why it’s absolutely imperative to get the process started early. Offer workshops and seminars. Develop a website and build awareness and traffic. Use press releases to announce events or special milestones. Write articles, both online and off. Look for speaking engagements to build credibility and gain exposure. These are the things publishers will favor when evaluating your proposal.

Another misconception about getting a book published is that you’ll make money in the process. Unfortunately, this is rarely true on the first book. As an unproven author, you won’t be able to negotiate a big percentage in the book deal and the marketing campaign will devour most of the profits. The primary objective behind your first book should be to build credibility, gain exposure and validate your abilities as an author, including marketing. If you succeed, you’ll get a much better deal on your second book and that’s where you can start making money.

Publishing a book can be one of the best steps a person can take when developing a business. It sets you apart from the vast majority of others in your field and people will forever more treat you differently. But you also have to be realistic with the process and that’s what this article is all about. There is lots of information that can support the development of a platform and the marketing requirements on the Tactical Execution website and I encourage you to take advantage of those resources.

There are basically three options for getting your book published. You can try to get your book proposal accepted by one of the industry giants like Penguin or Random House but that’s a tough road. Those companies only work with proven authors or those who already have huge platforms and salivating audiences. Having said that, if you manage to get accepted, you’ll end up with a huge implied endorsement and a ton of indisputable credibility.

On the other end of the spectrum, you could self-publish your own book. The nice thing about this approach is that the only person who has to approve your book is you! If you want to publish your own book, go right ahead. In fact, given the advancements in technology, you can do exactly that and order as little as one book at a time. The downside is that the credibility is far lower than with a major publisher.

These two options seem to be on opposite ends of the continuum and indeed have plenty of differences between them. Luckily, there’s a third category that sits comfortably in the middle. It’s the category of smaller independent publishers and there are thousands of them. They range from very small mom and pop operations to well-established significant publishers. They tend to specialize in one genre or another and often become leaders in their area of expertise.

Soliciting the independent publishers is a great way for a new author to break into the market. Find one that specializes in your particular area and visit their website. They will tell you exactly how they want to be solicited and you’re well advised to follow their guidance. Find out exactly what they’re looking for and then cater your proposal to their specific requirements.

It’s not necessary to have a Literary Agent when soliciting independent publishers. Don’t get me wrong. Having an agent is always a good idea. But you do have some additional options when dealing with the niche players and many will accept proposals directly. Most want you to send it to their Acquisitions Editor but I recommend checking with their website before addressing the envelope.

Getting a book advance is less common when dealing with independent publishers. It’s not impossible but I wouldn’t bank on it. The upside is you’ll have more access to the people reviewing your proposal and that’s half the battle. Don’t pester them. They probably get a few hundred proposals each month. But a polite and well placed phone call rarely hurts and it gives the editor a chance to hear your speaking voice at the same time.

Becoming an author is something you only do once. Once you’ve published your first book, you will forever more be an author. And it can change your life, not to mention your career. Don’t waste your time approaching one of the industry giants when your odds of being accepted are significantly less than 1%. Instead, find an independent publisher that specializes in the subject you’re considering and target your efforts accordingly.

Tactical Execution has made a business of helping others achieve their goals. We provide implementation solutions for a wide variety of marketing objectives and all our programs are designed to maximize immediate results. Please visit the website to take advantage of all the free resources available there.

Whenever you gather writers together they talk about writing. There are many different types of writers. Those who prefer to compose in long-hand or can only write on an old-fashioned manual typewriter. Those who write to music, demand complete silence, or create best surrounded by noise. You have the writers who must plan and outline before they can begin and those who find even talking about a project before it is drafted can stifle their creativity. But one of the most controversial divisions among writers is about whether writing is a skill, craft, or gift.

I admit that I like to stir the fire a bit because I can argue all three points and depending on how my own writing is going at the moment I may find that one viewpoint carries more weight for me personally.

I know as a teacher of writing that writing is a skill. I have taken people, young and old, who loathed writing and believed they would never be able to write — and provided them with basic tips and tools to become good basic writers. I have taken good basic writers and given them the support and direction they’ve needed to become skilled writers. I’ve watched skilled writers with practice and determination become proficient writers. I have seen this in the classroom, at writing conferences, and in newsrooms. I have witnessed this transformation enough to know that writing is a skill that can be taught and a skill that can be learned.

I know as a writer, editor, and reader that writing is a craft. As the definition reads to craft is “to make or produce with care, skill, or ingenuity”. A skilled writer can capture our interest and convey information, but a writer can also craft a story, poem, or essay that touches our emotions as well as our brains. For those who have gone beyond simply skilled to be craftsmen and craftswomen they can rely on their knowledge, experience, and instinct to create writing that does more than simply delivers — it also sings.

I know as a writer and reader that writing is a gift. Some writers simply possess a special quality that allows them to step beyond and above the huddled masses. For some it is a special ability to shape words into images and ideas and for some it is a unique vision of this world (or another) that speaks to our souls in a way others cannot.

Are writers born or made? Many people argue that some gifted writers are born, but I am not convinced. Perhaps you could have some predisposition but I believe that writers are made. They are made in the rocking chair when Mother reads “Goodnight, Moon”; they are made under the cover with a flashlight when you simply must finish “The Hobbit” for the first time; they are made when you proudly pocket your first library card; they are made when you fill your first notebook; they are made when you submit your first poem, article or story for publication; they are made when you receive your first rejection; and they are made when you turn the computer on every day to write.

I believe some writers are supremely gifted but even so does that mean it was a gift given to them whole or was it a gift developed through years of reading, writing, talking, and thinking about words?

So, I believe, writing is all three — a skill, a craft, and a gift. Some writers find their ability spans all three while others never progress past the level of skill.

Raising your level of writing needs you to focus on bigger things, like having your work published for example. This is a surefire way to encourage yourself to go beyond your current limitations and weaknesses as a writer. Taking the step from writing as a hobby towards writing professionally and having an article or a piece published is indeed a big leap for anyone. It needs a long-term commitment, discipline and an almost endless source of inspiration to be able to write constantly and creatively. Not only does it entail having to do intensive research, but it also pushes the writer to find a certain niche from which he can excel.

Moreover, you have to be able to gauge your own work and consciously maintain a higher level of quality as compared to when you were just writing on a journal or your own blog. This leaves the question of how one learns how to write well. How can you raise your level so that it is up to par with what is asked and required of you as a professional writer?

There are different ways to find your way towards fulfilling your worth as a writer. Some of these are the following:

1. Find your niche. You have to be able to know what you are capable of writing about. You have to know where to focus your attention to, what topics to write about, and what genre of writing you are going to start with. Some may find poetry as your strongest area, while you may feel that writing feature articles are where you are at your best. The important thing is that you are able to decide where to concentrate. For a writer who is just starting, you have to be the master of your specialized craft before branching out to other areas and other genres.

2. Educate yourself. You were not born with all the information already lodged in your brain. Read and refresh your mind by going through printed materials about the topics close to your heart and the areas where your interest is more attuned. Learn from the best in the business; study their style and their delivery. From those lessons, you can create your own unique style.

3. Write from the heart. The next important step is to start writing. Pour out your soul and write from an intelligent yet emotional perspective. Show your strengths as a writer and highlight these in all the lines that you write.

4. Edit and correct your article. Check if the facts add up, review your references, and see to it that you don’t contradict yourself. Give others a chance to critic your work, and be open to suggestions without sacrificing the content of your work.

The above-mentioned ways are just rudiments of how to write a good article. These will help you get started towards your goal of being a good writer and being able to write well. Mastering all these things however does not necessarily mean producing a best seller or getting all the accolades you dream of. Perhaps the true measure of how good a writer you are is the patience and dedication you give towards writing a well written article or book, for even the great ones did not receive praise immediately. So hone your craft and be patient in doing so, as even the longest journeys start on a single step.

There I was on a restful weekend by the sea; enjoying coffee and croissant in a quaint little caf

In an editorial several years ago, I described a tree house in the backyard of a local restaurant. I wrote, “The entire structure has been pieced together from recycled lumber, much of which still bears the paint, logos or posters of the original walls from whence it came. The generous platform is ringed by a sturdy fence that includes branches of the tree itself, random two-by-fours, wooden signs, and even a pair of moose antlers. The ‘house’ is more of a lean-to, tall enough for kids (but not adults) to stand up inside, with a screened door and two screened windows positioned so occupants can easily spy on the diners below or out over the adjacent parking lot. A green padded bench that looks like it had once belonged in a diner adequately furnishes the space. Underneath the tree house hangs a rope swing, from which kids can fling themselves into a thick layer of hay on the grass.”

Fast forward to this summer. The restaurant revamped their backyard, including the tree house. The railing now consists of uniform boards about three inches apart. The house is reached not by a ladder and trapdoor, but via a bona fide staircase. The screen door is gone, the windows are covered in glass, and several of the tree’s branches have been pruned back to discourage climbing. But the worst part, according to my 10-year-old, is that the rope swing has disappeared. Matthew declared the whole structure “boring.” In today’s world, kids have far less freedom than in previous generations. Their lives are more controlled&ndashsometimes because of parents’ fears of an increasingly dangerous society, but often because we’ve somehow come to believe that to grow into successful adults, children’s activities must be channeled, scheduled and programmed from infancy.

Danger comes in many forms, from a stranger encountered on the way to school (who may be a neighbor out walking his dog, but you never know), to free time not filled with “enriching” activities. But, in my opinion, kids need a little danger in their lives. They need to test their boundaries, to learn how to climb a ladder and squeeze through a trapdoor. They need to hurl themselves into a pile of hay and learn it’s best not to land on your face. If grown-ups clean up their world too much, kids will never learn how to push themselves. They’ll never have the satisfaction of trying things that are a little scary, a little off their parents’ radar, and accomplishing something that belongs just to them.

One of the few places kids can still push their limits is with books. It’s possible to step outside your safe life with a story, or try new ideas on for size. But many adults want to clean up their kids’ reading choices as well. I know parents who abhor Barbara Park’s perennially popular Junie B. Jones chapter books because the spirited Junie isn’t a good role model, or won’t read Winnie the Pooh because Christopher Robin can’t spell very well. I also know a lot of authors who are afraid to write books that are slightly subversive because they worry editors won’t publish them. But for every parent who insists on only “safe” reading for their child (and it’s every parent’s right to do so), there are at least two parents who believe it’s okay for kids to wade into the danger zone through fiction. I’m not advocating murder mysteries for preschoolers here, just books that might be considered slightly uncivilized, or more entertaining than educational. Let’s look at some popular examples:

When I first saw Walter, the Farting Dog by William Kozwinkle and Glenn Murray, illustrated by Audrey Colman (a picture book whose plot needs no explanation), I was worried that children’s publishing might be sinking a little too low. But as it started winning awards and spawning sequels, I changed my opinion. Let’s face it: farting makes kids laugh. And if your child finds this book hysterical, you should be glad. In order to get the joke, kids need to know that noisy bodily functions are considered impolite. Laughing about them is one of the perks of childhood. Don’t worry, they’ll outgrow it.

A picture book coming out this December that’s already creating a buzz is 17 Things I’m Not Allowed to Do Anymore by Jenny Offill, illustrated by Nancy Carpenter. The heroine utters such statements as “I had an idea to staple my brother’s hair to his pillow. I am not allowed to use the stapler anymore.” She also glues her brother’s bunny slippers to the floor, and shows Joey Whipple her underpants. Both big No’s. This ingenious story should satisfy two camps of parents; those who want kids to see consequences for inappropriate behavior, and those who don’t mind letting their kids live vicariously through a curious, mischievous character. A pop-up book due out later this month from three publishing powerhouses&ndashMaurice Sendak, Arthur Yorinks and Matthew Reinhart&ndashlets young children face the monsters hiding in their closets and come out on top. In Mommy?, a young boy wanders into a haunted house looking for his mother and encounters creatures like a goblin, a mummy, and Frankenstein. Instead of running scared, the boy pulls pranks on each monster, deflating their power and showing how humor conquers fear every time.

Speaking of scary, if you haven’t read any of the enormously popular Series of Unfortunate Events middle grade novels by Lemony Snicket, do so. With titles like The Bad Beginning, The Miserable Mill, and The Penultimate Peril, and cautions from the author such as, “If you are interested in stories with happy endings, you would be better off reading some other book,” these are clearly stories where adults dare not tread. But children brave enough to venture between the covers will find hilarious plots full of nail-biting twists. The intelligent Baudelaire orphans have unusual skills (Violet for inventing, Klaus for reading and researching, and baby Sunny for biting) that make them admirable heroes.

Lauren Myracle enters the private world of teen girl talk in her young adult novels TTYL and TTFN. The titles alone might raise some parents’ suspicions because unless they’re well-versed at IM (instant messaging), they won’t know what the abbreviations stand for. In fact, the entire novels consist of conversations between three high school girls written in emails, text-messaging and IM’s, using the standard computer shorthand that includes abbreviated spelling and quirky syntax. If you’re not an IMer yourself, you’ll find the books somewhat difficult to read. But you and I aren’t the target audience here. And though the format might keep adults from examining the books too closely, the plots are standard upper young adult fare&ndashrelationships, family trauma, peer pressure, even drugs and alcohol&ndashhandled in a believable manner that conveys growth of character by the end of each story.

As an author, if you’re inspired to delve into the slightly dangerous, dark or subversive corners of childhood with your books, feel free to do so. Don’t limit yourself to all that’s bright, safe and up to code. Allow kids places where they can wander away from their parents’ watchful eyes and have an adventure. If the adventure’s in a book, they’ll always come home safe and sound. And if you’re still not convinced, consider this: In the backyard of the restaurant, the tree house now sits empty. But the books I’ve described above are flying off the shelves.

This article excerpted from Children’s Book Insider, The Newsletter for Children’s Writers. More information at write4kids.com

The two central pillars in effective personal marketing are the establishment of credibility and the quest for exposure. You could have a large business or you could be an independent professional. You could be selling a product or a service. Regardless why you’re marketing yourself, writing a non-fiction book is one of the best ways to achieve those two pillars.

Writing a non-fiction book is a daunting exercise. But most people don’t understand the extent to which it will change your life forever. Writing your first book happens only once in your life, if ever. And those who have done so will tell you their lives break down into before the book and after the book. Everything changes once you have written your first book.

The title of this article singles out non-fiction books and there’s a reason for that. Authors of fiction works get tremendous benefits from the effort as well but the finished product validates their writing ability and their creativity, nothing else. For the authors of non-fiction books, the finished product validates their writing ability and their personal knowledgebase. In other words, it positions them as an expert in their field. That feeds directly into effective personal marketing, which is the objective behind this discussion.

Once you have written and published your first book, you will forever more be referred to as an author. No longer will you be a regular human being like everybody else. No. From then on, you will be part of an exclusive club. You will be an author. That label will be used in written references to your name. It will be used when introductions are made. And it will be used when people talk about you behind your back.

Being an author comes with an automatic baseline of respect from most of your peers, whether they know you or not. But it comes with more than that. It comes with immediate credibility within the topic. And if you’re in a professional field, the days of justifying your expertise will come to an end. In fact, the days of looking for new clients may come to an end as well.

Books are a tremendous tool to leverage your time. The finished product presents your knowledge in a structured and optimized format. But at the time it is received by the reader, it requires no effort by you. The reader can read your book while you’re on vacation or sleeping. Indeed, you invest the time and energy once but then you reap the rewards over and over again. That allows countless perfect strangers to experience your highest intellect, all at the same time.

Writing a book also opens the door to a variety of other opportunities that might be quite different than your underlying profession. Not only can the book be sold, leaving you with a profit, but it can position you for speaking engagements in your area of expertise. These opportunities can be very profitable and position you as an industry guru rather than an actual practitioner.

Admittedly, some people would prefer not to be such a guru and that’s fine. But writing a book gives you that option. You can choose either path. You can publish the book and remain in the trenches, doing the same work as before except with tremendous new-found credibility, or you can accept the opportunities and redefine your identity around your new position.

Writing a book is a big job to say the least but it will change your life forever. Tactical Execution provides a lot of guidance aspiring authors can use to complete the job and promote the finished product. Please visit the website to take advantage of the resources available there.

Most of us have dreams of writing a book one day but the statistics verify that the vast majority never complete the task. There are lots of reasons for this failure but one of the most important is that would-be authors have heard that publishers accept only a tiny percentage of the book proposals they receive. People have heard how difficult it can be and they give up on the task as a result.

Technology has changed a lot of things in the publishing industry, not to mention just about every other industry you can imagine. Not only is it easier for an entrepreneur to start a book publishing company but the costs of printing a small number of books has come down dramatically, allowing authors to avoid the prohibitive minimums that used to characterize the book printing business.

With these recent developments in mind, we need to re-introduce would-be authors to the new book-publishing landscape so they can re-evaluate the possibility of finally making their dream a reality. This article will review the three primary ways of getting a book published in the modern world. Future articles will cover the opportunities and challenges of each strategy.

The first way of getting a book published is the path that has existed for years and years. There are a number of huge publishing houses including Penguin, Random House and McGraw Hill that can do the job. But these industry elephants only work with proven authors and generally require you have a literary agent before they’ll even review the proposal. Of course, the upside is that these publishing giants are well respected, leaving you with better credibility and preferential shelf space within the major retailers.

The second strategy is to use a smaller independent publisher. There are more and more of these popping up everyday and they tend to specialize in one genre or another. Of course, there’s a wide variety of publishers within this category &ndash some very small and others quite well established &ndash but they all generally have full distribution channels in place, allowing your book to reach the same shelves as the big boys. Proposals are sent directly to the Acquisitions Editor for consideration and literary agents are optional.

The last strategy is by far the most common: self-publishing. Because printing minimum order quantities have come down so much in recent years, authors can quickly and easily print a few copies of their new book and risk less money than ever before. Obviously, this virtually eliminates one of the major barriers to entry and an estimated 90% of all books being published today are self-published.

The clear upside is that nobody can reject your proposal. If you want to write it and print it, go right ahead. And in many cases, the printing houses you would use to get the book put on paper have respectable distribution channels in place as well, meaning your book could theoretically reach the same shelves as those published by larger publishing companies. The downside is a lower degree of credibility but for many, that’s a small price to pay for their dream to get realized.

The important thing to remember is that regardless of the publishing method you choose, the majority of the marketing effort is left to the author. Even with the industry majors, it’s the author’s job to promote and sell his or her book. So if you have ambitions to publish your own book, sit down and think about how you’re going to sell it. If you have an answer to that question, you have a much better chance of getting accepted by the big boys.