Essay Online

Nine Characteristics That May Surprise You.

In writing “The Making of a Bestseller: Success Stories From Authors and the Editors, Agents and Behind Them,” (Dearborn Trade, 2005), we wanted to find out what separates the publishing industry elite, the bestselling authors, from all the thousands and thousands of writers who aspire to someday make the bestseller lists. We interviewed 24 of today’s most popular authors, some of whom have endured on the bestseller lists for decades. As a group, these authors have sold more than half a billion books. It turns out that writing talent is not the only separating factor; in fact it may not even be the most important factor.

Find out what you as a writer may have in common with bestselling authors like Nicholas Sparks, Catherine Coulter and Susan Elizabeth Phillips and what you can learn from them.

1. Perseverance Is Key

Nearly all bestselling authors faced the same struggles early in their careers that less successful, even unpublished authors, face. Immediate success is rare. One distinction of bestselling authors is that they do not get as discouraged by lack of early success. They persevere. Their desire to succeed is enormous. Bestselling authors often have to demonstrate the patience and stamina to write a number of books before achieving notable success.

2. They Write, And Write And Write

The productivity, the writing output, of bestselling authors is much greater than the average writer’s. They have the discipline to get up each day and produce high quality work. They don’t wait for the muse to tap them on the shoulder. Some authors’ literary production is phenomenal, such as Catherine Coulter, who wrote “Point Blank,” she has produced over fifty bestsellers so far in her career.

3. They Like To Write And Write And Write

They would rather write than do anything else. It’s not just that successful authors are more disciplined, though that is part of it; they simply enjoy writing more than other writers do. Many aspiring authors enjoy the idea of writing, not the hard work itself. Bestselling authors seem to thrive on the hard work, and they work much harder than we might suppose. Iris Johansen, author of “Countdown,” writes two books a year, not because she has to but because she couldn’t not do it. Writing is her passion.

4. Promotion Is Constant

Bestselling authors never stop promoting their books, no matter how successful they get. Many still market at the grass roots level, not just through national TV or radio interviews. They take the time to visit and meet individual bookstore managers at both chain stores and independents. They never relax and believe they have “made it.” After ten bestsellers, including “The Notebook,” Nicholas Sparks still tours with every new book.

5. Marketing Is Critical

Even if they have never taken a business course in college, they have an innate sense of marketing concepts such as brand building and product differentiation. They closely watch trends in the literary marketplace. They understand what it is about their books that readers respond favorably to. They take a strategic approach to their careers and they realize that much more goes into being a successful author than the writing itself. Carly Phillips big break came when Kelly Ripa recommended “The Bachelor” on The Kelly & Regis show. It wasn’t just luck that landed her the recommendation, but a concerted effort on her part and her publicist’s part.

6. Fans Are An Important Asset

Bestselling authors listen closely to what their readers say, and try very hard to meet or exceed their fans’ expectations, but they do not necessarily pay close attention to what reviewers or book critics say. They don’t even necessarily expect good reviews. Word of mouth support from readers and booksellers is more important to them than reviews. Linda Fairstein, the author of “Entombed” and the Alexandra Cooper series, loves book signings. At her level of success she doesn’t have to do them but she loves talking to her readers.

7. The More Success The More Pressure

Bestselling authors face more pressure as they get more successful. As they rise to the top, there are increasing demands on their time. Top authors lead three very different lives. First, the quiet, solitary scholarly life of being a writer. Then participating in the team effort within the publishing house to make the book the best book it can be. This involves learning how to take advice from and collaborate with the professionals within the publishing house. Finally, the author must participate in the very public life of trying to sell books to the mass audience. They have to master all three lives if they intend to continue to achieve bestseller status. Susan Elizabeth Phillips worked for a month without a day off when “Ain’t She Sweet” was released.

8. They’re Grateful

Bestselling authors are keenly aware how fortunate they are to have arrived at the top of their profession. They sincerely appreciate their loyal readers. They recognize that they have been chosen to receive a strikingly rare, special distinction by a bustling, competitive marketplace. The success, fame and financial rewards that have come to them are often beyond the most extravagant dreams they had when they first sat down to write a book. Christopher Paolini credits the support of the teachers, librarians, booksellers and fans, for the success of his first book, “Eragon”.

9. There Is No Single Profile For A Bestselling Author

Bestselling authors are seldom the top graduates from prestigious university writing programs. Writing may have been a second or third career for them, and the publishing industry values authors who bring life experience to their work, in fiction or nonfiction. Bestselling authors span all age groups, many different professions and varied educational backgrounds. There is no single profile for what a bestselling author looks like.

Every writer can benefit from a study of the effectiveness of their individual writing process. You can write more and you can write better by making some adjustments in your writing strategy.

Recently one of my writer friends complained about their declining word output.

“I spend more time at the computer than I ever did before and I’m just not producing like I used to,” she griped.

After spending a day in writing conferences coaching my struggling novice writers, my response came without conscious thought on my part: “Tell me about your writing process.”

“My what?” She asked.

Ah-ha!

I regularly coach my beginning writers about how to develop their own personal writing strategy or process and as a teacher of writing I think about mine quite often, but the more I thought about it the more I realized that experienced, professional writers rarely spend time talking about this critical element.

What a mistake!

It is easy to understand why. Many of us are simply too busy writing to think too much about the actual process. We have deadlines to meet, assignments to pursue, and pitches to create. When we do spend time with other writers our interactions typically fall into three categories–seeking admiration for our success, input for our end product, or escape from writing.

Many writers also take their writing process for granted and simply follow the old adage–if it ain’t broke, don’t fix it. But what happens when it does break down as it did with my friend? If you don’t understand your own writing process then you can’t fix it. And just like many of the machines in your life, regular maintenance checks just might prevent a major breakdown in the future.

My friend’s problem was easily identified and solved once we actually studied her writing process and writing life. Yes she was spending more time in front of the computer but she had lost a big chunk of her prewriting time due to changes in her home life. Once she understood that problem she was able to make adjustments to her schedule and she is seeing her daily word count rising back to her old levels.

So how is your writing process?

Many writers shy away from the term as it brings back fearful memories of a rigid structure forced on them in school. That is not what I want to talk about at all. Frankly, I always teach my students that there is no such as thing as the writing process.

Don’t get me wrong. I believe we each have our own individual writing process, I just don’t believe in the one-size-fits-all type strategy that many writers were force-fed. Just think about it. How could there be just one writing process–every writer I know is an individual with various strengths and weaknesses and personality traits. Every writer is wired differently from every other writer. That is one of the things that makes reading such a pleasure. It follows very logically then that every writing process should differ just as every writer differs.

Having said that I should point out that although the actual shape and form of each writing process is individual to the unique writer there are certain constants:

~ Generating ideas and choosing a focus

~ Organizing those ideas

~ Writing

~ Revising

~ Editing

The amount of time you spend on each stage of the writing process varies according to the writer and the task and this is especially true for me. Many writing tasks are so familiar to me that I spend very little time choosing a focus or organizing my ideas so I can leap write into writing. On the other hand I often generate four or more pages of fiction in about an hour at the computer because I spend a lot of time generating and organizing my ideas before I sit down.

I have spent years honing my personal writing process and know that the step I actually spend the least amount of time is writing. I have learned to let my creative juices flow and not to worry about such petty concerns as grammar, sentence structure, and word choice. I rarely waste a moment on organization or paragraphing. I just let the words flow through my fingerstips until I have emptied my budget. Then I hit save and print, tidy up my papers and set them aside.

Revision is usually the lion’s share of my writing process. It may take me two or three drafts to reorganize and shape a piece until I am willing to share it with others. Depending on how difficult and/or complex the subject then I may need to loop back through brainstorming, organizing and writing to improve my project. I may make a few minor adjustments to grammar or spelling or sentence structure, but primarily I concentrate on the larger issues of focus and development and organization.

When I am finally satisfied my article, chapter, or essay is working as a whole then I begin the actual editing process of cleaning up word choice and sentence structure and any other stray problems that have been overlooked. I usually spend only one draft on this actual process.

If you are serious about improving your writing quality and productivity then you need to spend time analyzing your personal writing process. You might be surprised by what you learn–and I know you can put the knowledge to good use.

It was the first time I overheard someone whisper “she’s the author”, as I walked into a book signing, that I suddenly realized that I had achieved something very special. Not only had I managed to get my book published, I now received respect and admiration from total strangers. Being an author even it today’s digitized world, is still an awe-inspiring accomplishment.

In 2005 USA TODAY reported eighty-two percent of Americans say they plan to write a book someday. I think the critical word here is ‘plan’. If you want to be someone who really does write a book, you can begin right now by understanding how being an author will improve your life.

Here is my top ten list why you should become an author today, especially if you are a spirituality, self help or personal growth expert:

1. Authors are recognized as experts by virtue of having a book with their name on the cover
2. The media loves authors (i.e. experts) and uses them often, on all levels
3. Being an author improves your chances of getting paid speaking engagements
4. While you may not become a millionaire from writing a book, you can certainly improve your chances of increasing your income
5. When you go to your high school reunion, you can finally shove your book under the noses of all who snubbed you in your teenage years
6. If you ever felt that you weren’t ’smart enough’, writing a book will certainly go a long way in curing that.
7. Being an author gives you a stronger sense of self-esteem
8. Your book will open doors and create business opportunities you wouldn’t have received without it
9. Having a book gives you a platform for teaching workshops and seminars
10. Being an author is a great icebreaker at cocktail parties. (Hint: authors are often considered VIPs or celebrities! It’s true!)

When I started writing my first book, it wasn’t because I was sure I wanted Bill O’Reilly’s producer to have my name in his Rolodex to call whenever he needed a ‘mystical’ New Age expert. (In fact I’m not sure I’ve ever wanted that at all!) I didn’t devote hundreds of hours to stories of couples finding one another through magical, mystical ways just to impress strangers at a cocktail party. And I can definitely tell you I didn’t write six books just to tell my old high school classmates about it.

I wrote because I had to. I had a story inside of me that wouldn’t rest until I put it onto the page. The benefits of actually finishing the book and becoming a bona fide author and the other “reasons” were simply an afterthought.

I can do everything short of putting a cattle prod under you to get you started on writing your self help book, but, at the end of the day, writing has to be something you want to do. Sure, it’s hard to sit down day after day and stare at a blank computer screen. I know how hard it is to tell your mom or your husband that you only typed two pages in an entire day. I can tell you hundreds of great things about being an author, but not a single one will really get you to the finish line.

What will get you down the home stretch is the satisfaction of knowing that you’re being true to yourself. You dreamt of becoming an author because you had to. You envisioned title ideas and chapter outlines because they came to you and wouldn’t go away. You told your friends you wanted to write a book because you could and you will.

You are an author, and you always have been. All you need to do now is make it happen. It might not be scintillating cocktail banter that puts a finished manuscript in your hands, but keeping your eyes on the prize can’t hurt.

I recently made an important discovery that I just couldn’t wait to share. You can make money by giving your writing away. Yes, it really is true.

This isn’t some “get rich overnight” scheme or some trick to get you to lay out a bunch of money for a “turn key business”. You have to do the work yourself and it will take some time to set everything in place — but anyone with an elementary grasp of the English language can make this work!

Giving your writing away to web sites, blogs, ezines, and newsletters can really make you some serious cash on the internet and I’m not joking. I have been writing professionally for two decades and I never thought I’d make more by writing for free but I am.

In fact, I make more money giving my writing away than I did selling my articles and columns. That’s right. The truth is that I’m making more money writing part-time for free than I did in any of my full-time paid writing jobs and that includes advances and royalties from the publication of three novels.

There are three ways I profit from giving my writing away. They aren’t secrets and you can use them profitably as well:

~ Traffic for my web sites and blogs (I’ve seen traffic triple within a week from some articles)

~ Reputation building for me and my online enterprises which helps attract clients, customers, and visitors

~ Profit for my advertisers and for me through sales of my own products as well as affiliate income

It really is not a difficult or complicated business model and one any competent writer, or anyone with the ability to string a decent sentence together, could replicate or modify to suit their purpose. I am a writer not a business person, but I know this is working for me and that it could work for you, too.

And let me share one last terrific benefit of this writing business — you can write whatever you want. You aren’t dependent on some editor’s whim or assignment. You don’t need to worry about tightly focusing your work to fit within a publication’s editorial guidelines. You are in total control — you write to suit yourself in terms of topic, approach, and tone. And you’ll make more money doing that then you ever did when you tried to write for someone else. I promise!

Now go out there and give your writing away!

Let’s face it: some kids just don’t like to read. Increasingly, parents, teachers, librarians, and editors are looking for books that will appeal to reluctant readers. When I was writing The Best Books for Kids Who (Think They) Hate to Read (Random House), I read hundreds of children’s books, old and new, that I thought would fit the bill. I discovered that there are eight qualities possessed by great books for reluctant readers, and to my surprise some of my childhood favorites didn’t pass the test. If you can work at least three of the elements listed below into your book, it will have a good chance of being loved by all kids, even those to whom reading is a chore.

* Humor. Making kids laugh is essential to building a pleasant association with reading. But you need to understand what tickles kids’ funny bones at different ages. The humor in picture books is broad and very visual. Easy readers (and some picture books for ages 6 and up) begin to introduce verbal humor: wordplay, puns, double meanings. As kids move into the chapter book arena they can handle jokes that need a setup and a payoff that’s played out over several scenes. Dialogue, how characters react to each other, or the situation in which a character finds himself may be innately humorous.

* Well-Defined Characters. Many kids want to identify strongly with the characters in their books; for reluctant readers, this is essential. It doesn’t matter what the character looks like on the outside (be it space alien, a clown or a talking frog), on the inside this character needs to embody the perspective of the reader. This means the character is dealing with issues the reader might face, or seeing the world in a childlike way. Book characters must have multidimensional personalities with strengths and weaknesses in order for the reader to care about them and want to stick with them for the entire story. In nonfiction such as biographies, authors who find an element of their subject’s life that is relevant to the target audience have a better chance of reaching reluctant readers.

* Fast-Paced Plot. Kids who love to read don’t mind a story that takes a few chapters to unfold, but reluctant readers don’t have that much patience. The action needs to start in the first paragraph, and by the end of the first chapter the reader should know quite a bit about the main character and have a good idea about the conflict or problem that character will face. Subplots are fine for chapter books and up, but too many will get in the way of the forward movement of story. Keep the pages turning.

* Concise chapters. Ideally, each chapter should contain one clear event (or one specific point in nonfiction), and have an arc of its own (a beginning, middle and end). This makes reading even one chapter a satisfying experience. Chapters that end on a high note in the action will make the reader want to see what happens next. Episodic novels (where each chapter stands alone as a short story) are also good bets for reluctant readers. Richard Peck’s A Long Way from Chicago and Louis Sachar’s Sideways Stories from Wayside School are two middle grade examples.

* Kid Relevance. This applies to the themes and ideas that form the basis for plots or how an author approaches a nonfiction topic. These ideas should be relevant, meaningful, and applicable to the reader’s life. Instead of conveying a lesson your adult perspective tells you the reader needs to know, try using the reader’s frame of reference as a starting point. Write to your audience, not at them. And remember, books can be just for fun.

* Suitable Text. Depending on the age and ability of the reader, the text needs to be challenging but not overwhelming. Strive to write your story as clearly as you can, using active sentences and concrete nouns and verbs. When writing for a broad age range of reluctant readers (8-12, for example), make the vocabulary accessible to the younger end, but the interest level appealing to kids on the older end of the spectrum.

* Unique Presentation. Reluctant readers often choose nonfiction over fiction because it speaks to their personal interests. Finding a new or unusual slant to your topic helps keep that interest alive. Humor doesn’t hurt either. It’s Disgusting and We Ate It! True Food Facts from Around the World by James Solheim appeals to middle graders’ love of the gross while sneaking in some history on the side.

* Visual Appeal. Authors generally don’t have much say in a book’s design, but author/ illustrators might. Larger typeface, the generous use of white space, and illustrations that elaborate upon the text all help break up the string of words and make the book less intimidating to read.

As a writing instructor and coach I work with writers every day who are not reaching their full potential. What holds them back?

When you talk with struggling writers they generally mention one of three problems:

~ Lack of writing skills

~ Lack of writing opportunities

~ Lack of knowledge

As a writing professional with more than two decades of experience in both print and internet publishing I regularly assure the writers that I work with that none of these three obstacles is insurmountable.

LACK OF WRITING SKILL

The lack of writing skills does not have to be an obstacle to your writing goals and dreams. It is simply a hurdle that you need to overcome. I have taught students struggling to earn their GED how to write and I have taught many developmental English students how to write. Writing is a skill that can be taught, learned, and mastered just like any other skill.

Obviously there are levels of ability and mastery just as there are with many other skills, but with time and practice almost anyone can achieve competency as a writer. I cannot promise that everyone can be a master craftsman but most can become a good wordsmith.

If you feel that your skills are weak then you might consider taking a course to strengthen your writing however for many writers simply working up a regular schedule of reading and writing will do wonders for improving grammar, vocabularly, and style.

LACK OF WRITING OPPORTUNITIES

There simply isn’t a better time to be a writer seeking an audience. Not only do the standard print mediums still exist in newspapers, magazines, and books there is now a wealth of opportunity available electronically in the form of ezines, blogs, and web sites. There are a plethora of paid opportunities for the experienced pro and there are a myriad of unpaid forums for the beginner looking for experience.

Seek out writing communities, both face-to-face and online, and writing publications, both traditional and electronic, and you will quickly learn about new markets and writing opportunities.

In addition, with the many available print and electronic options available sometimes you can simply make your own opportunities — create your own e-book, start a blog or electronic newsletter, or self publish your manuscript. The options are limitless.

If you lack writing opportunities then you simply aren’t looking hard enough.

LACK OF KNOWLEDGE

I cringe when I hear writers whine that they don’t have anything to write about. How can this be? If you are alive then you have something to write about.

Ideas come from a variety of places but the easiest place is to start with what you already know about. Look around the community (or rather communities) that you are a part of every day — including your home, church, work, and school. There are likely many writing topics there. What are your hobbies and interests? What do your friends and family ask you for advice? You have a wealth of knowledge and experience to share without doing any research — start there!

It is OK to also write about a topic that you are just beginning to investigate and understand. I often pick topics that simply interest me or that I need more information about. I’m trying to get my son to stop sucking his thumb so I have been reading up on that topic a lot lately!

Now go out and start writing. Don’t let these three obstacles block you from writing success. View them simply as opportunities to learn and grow and you will succeed.

The content of your site tells a whole lot about your website. They will basically describe what your site is about and also tell people what your site has to offer. Articles and website content makes a whole lot of difference in your site because they can catch the attention of your website visitors and keep them in there.

With good website content you get the benefit of clearly depicting what it is you want to share with people. Also, good content and articles can lead people to your site. With more traffic, you get to earn more from your site making it profitable. A sites success, be it for profit or not, is the number of the flow of traffic in your site.

So how does good content and great articles get you traffic? Well, many search engines rely on the keyword and keyword phrases of a site to put it in their results list. If your content contains a good number of keywords and keywords phrases, it may be chosen to be a part of the top listed sites in the search result pages.

But before you think of just plastering your site with all the keywords and keyword phrases it could hold, search engines also filter out that abuse. You must have good well written articles that incorporate the keywords and keyword phrases properly in their content and articles.

There are many of those who cannot afford the time to write their own website contents and articles. While writing content and articles specifically designed for the internet may take some getting used to and some researching and learning, there are many writers that can be found all over the world who could do it for you.

Many of us do not have the time to learn web content writing and article writing designed for the internet. There are writers who have great experience in doing this and charge only a minimal fee for such work. Writers like this can be regarded as experts in this style of writing and can greatly help your website to get that coveted spot in the search engine rankings.

Other than getting your site in the web results page of search engines, they can also provide your site with meaningful articles and content that can impress your website visitors and entice others to view your site. Every website could use the extra traffic website visitors could invite.

Then there are those who need papers to be done either for their school or office work. Top writers around the world are very knowledgeable and do extreme researching to get a job done right. They are also very adept in many writing styles that are needed to best suit the client’s need.

Many writers around the world charge a minimal fee depending on the type of writing job needed and the number of words needed in the content. Usually, a two hundred fifty worded article would cost from 4 to 8 dollars depending on the writers experience and ability. This is a small price to pay for having a content rich site or for a well researched and written paper.

There are also many sites that can offer you these services with their team of well trained and experienced writers. They offer many writing services to cover any writing needs. A writer can be based anywhere in the world and are guaranteed to offer good contents and articles. Each one are checked, edited and proofread so that you would get your money’s worth.

Finding a good writer or a site that offers these kinds of services is simply done by searching for them in search engines. Type down your keyword or keyword phrase (e.g. Content Writers, Article Writers) and you will see a long list of sites that offer these services.

The top sites would probably be the best since they have done a good job of keeping their content at a high quality to get them high rankings. But you may also want to shop around and read some of their sample work to get an idea of how much it will cost you.

One of the biggest misconceptions about getting a book published is that the publishing company will take care of the marketing. Generally speaking, that’s not true. There are basically three different ways to get your book published. You can self-publish your own book. You can use a small independent publisher or if you’re an established author, you can use one of the big publishing houses like Penguin or Random House. Regardless which of these options you use, you will still be left with the responsibility for the marketing.

There are a lot of different things you can do to promote your book and Tactical Execution has made a business out of helping you see real results out there. But this article will give you a few pointers to help you get started. For more detailed information, visit the website. There’s a ton of free information available there and I hope you take advantage of those resources.

One of the best ways to promote your book is to offer workshops and seminars around the country. It’s not that difficult to do that. You can quickly contact the major Adult Education providers and submit a proposal for a workshop dealing with the same topic as your book. Include the release of your new book in your proposal. The people reviewing workshop proposals love having things like that to include in their marketing.

These Adult Education programs are a hidden treasure to say the least. These companies send out small catalogs of courses to huge mailing lists, trying to attract students to their courses. Submitting just one proposal can get you on the schedule and they do all the marketing for you, leaving you with great exposure for very little cost.

Your book should definitely be featured on your website along with a way for people to buy a copy. Assuming that’s in place, article marketing presents another great opportunity to generate website traffic resulting in book sales. In fact, you’ve already done all the writing too. Just take your book and break it up into a hundred small segments; a hundred small articles. Then publish them individually on the web, each with a backlink to your website.

Article marketing is the primary website traffic strategy I use to promote the Tactical Execution website and you can see all my published articles right on the site. In addition, the site provides specific implementation guidance to get your article marketing campaign up and running. Any seasoned internet marketer can tell you that article marketing is one of the most powerful tools available to attract not just human visitors but search engines as well.

The last tip I’ll share in this article is a paid public relations service called PR Leads. This is a tremendous opportunity to get a ton of great exposure and credibility for yourself and your business. For just $100 per month, you can be on a database journalists use to get quotes for stories they’re working on. You simply identify the areas where you’re an expert and wait for the emails to come in. If you’re quick to respond, you can find your own quotes in major news media within a single week. Give it a try.

Marketing your own book is no easy task. But if you know something about marketing and have some good implementation guidance, you can stage a successful campaign from your own home. Visit the Tactical Execution website to get specific step-by-step instructions so you can do it too.

As a published author and creative writing teacher I often get asked how writers can get published. One of the simplest ways to answer that question is tell the story of my publishing contracts with two different publishers.

Like many other writers, I have always wanted to write a book and started scribbling stories as a child. I have also always been an avid reader. When I started my first book I did not know what I was doing. It was a learning experience and I was not sure I could even write an entire book, but at last I did have a completed manuscript. I then began my search for a publisher.

As I knew no other authors or writers I started with the only place I knew. The Writers Market book. I came up with a list of publishers and started sending out queries. I had some interest from some of the big houses but as time went on I collected a pretty impressive list of rejections. I worked my way through all the major publishing houses and then started on the smaller houses. Then came the exciting day when I got the call that a small house was willing to publish my novel.

Now in hindsight I’m not so sure I should have leaped at the offer. Small publishing houses can offer opportunities that the bigger houses cannot. They are often more willing to take a risk on an unknown author or a manuscript that does not fit cleanly into a niche. But they are riskier ventures. Many small publishing houses do not have a long life span. My first publisher did print my first book and contracted with me for my second but went out of business before the second book even came out. Smaller publishers also have lower distribution. It was up to me to arrange distribution in my regional book stores as well as arrange my own book signings and promotion. However the biggest drawback for me was the lack of editorial support and guidance. Remember, this was my first book and I wasn’t even working with a critique group. I could have used more editing than I received from that publisher. While getting my first book published was a confidence booster and an education, it was not a financial boon. I received only one royalty check before the publisher went under.

After that experience, I then became even more determined to learn about publishing. I sought out writing groups, attended writers conferences, and joined a critique group. As I gained more confidence in my writing I started entering writing contests and placed in the top three in several writing competitions. One of my first place prizes included being read by a senior editor at Kensington. The editor liked my manuscript and offered me a two-book contract.

This experience was dramatically different from my first. A major publishing house meant a standard contract, a standard advance, and regular royalty payments as well as good distribution. However I also lost a great deal of control over my book. Both covers are bodice rippers and the title of the first book was chosen by the marketing department and I was not even given the right to approve it. Even worse for my writing career though was the fact that the editor who bought me quickly passed me off to another editor and then when that editor left I was handed to yet a third editor. As an orphaned author my second book received little support and I was not offered a new contract.

I would be lax if I did not mention agents during this article. Many unpublished authors ask if agents are important. Obviously as my story points out you can get published without an agent. In fact, I might have gotten published sooner the second time around if I wasn’t working with an agent who did not take advantage of some of my previous contest wins. The problem is that the type of agent who is willing to take on an unproven author is not likely to do you much good. If you can make a contact with an agent through a conference or contest or the like then definitely do so but I would not recommend spending a lot of time trying to get an agent before you are published. After I had my contract with Kensington I did work with a higher quality agent for a time but nothing came of that experience although the fault probably lies with me as well as with the agent.

I wish you luck in your pursuit of book publishing and hope me story is informative and helpful.