Essay Online

When you think of making money writing, you often think of freelance writing, ghost writing, and writing novels… all of which you can do on the internet. However, I’m wanting to talk about the hidden opportunities for good writers in internet marketing (no, forget blogging).

Information is the key to the internet, whether selling tangible or digital goods. To answer your question, yes, people buy ebooks all the time. They don’t even mind paying for those physical books bound together by a wire. This is because it’s all about information. People are starving for it.

If you can write well, you can make money online. As for internet marketers, the way we run our entire operation is with the written word. We set up our websites with content, we drive traffic to our websites by submitting our articles in mass, and we write sales copy for our products and reviews for other hot products. We even write series of e-mails that are automatically sent via an auto-responder.

The big hype over the past few years has been on blogging. Writers are slaving away at their blogs as we speak, as 1 is created every second according to Technorati. Truth is very few bloggers are making any kind of serious money while many internet marketers who can write are banking. Instead of slaving away at blogs, most of us write articles and submit them massively throughout the web for backlinks.

If you’re not a great writer, however, you should take up blogging while at the same time studying internet marketing, so you can hone your craft. If you have writing skills, immediately begin IM. I suggest diving in at the forum that’s been online since 1997, WarriorForum.com.

For the rest of this article I want to reveal 5 things you can do with writing skills to make money online just to prove my point.

#1.

Write a review of a product, join the maker’s affiliate program in order to earn commissions, buy webspace and PHP redirect using your affiliate link, spin your review article, and submit the spun versions to various ezine directories on the net while using your link to your website in the resource boxes.

#2.

Buy private label rights material on a hot subject, edit it completely and create an ebook with it inserting an affiliate link within, create a website to promote your ebook, use some of your PLR to write articles then massively submit them to ezines.

#3.

Buy webhosting and a short punchy .com domain name, find a free template by searching Google, buy 25 PLR articles and rewrite them to make them unique, put the articles on your site, and sell the website along with its contents at Sedo.

#4.

Write content, put it in a zip file, and sell private label rights to your content at your website over and over using PayPal.

#5.

Write an ebook, create a squeeze page at your site, register your ebook at ClickBank, drive traffic to your sales page and squeeze page with articles and affiliates, market your ebook through a series of emails via an auto-responder.

Building an online community to create collaborative publications - essentially books written page by page by different people from around the world - may sound like an ambitious project but it’s happening today thanks to the power of the Internet, and more importantly, the power of people.

It may sound foolhardy and unlikely to work in practice, but the concept of scores of unconnected people, perhaps even hundreds or thousands, working together to create group produced publications is proving incredibly successful.

Some contributors see it as an opportunity to showcase their previously hidden creative talent to a wide audience of supportive and like minded potential authors. Others like the chance to influence a book’s storyline as it develops, and perhaps introduce new characters, scenes or even unexpected twists and turns. For many, collaborative writing is just about joining in and being part of something special which could actually result in published books which they have helped write.

Whatever the motivation people power is having an impact, and more and more people from every walk of life and from every region of the world are getting involved and ‘spreading the word’.

The concept will never mean the end of individual writers penning fantastic individual works (and so it shouldn’t as where would we be without our rich culture of great literature from around the world), but it may make the traditional publishing industry sit up and think. After all why would the aspiring author go through rejection after rejection only to learn that many book publishers are increasingly focused on just finding the next blockbuster, when they can publish freely on a collaborative writing site and gain instant exposure and feedback?

More fundamentally the concept of online collaborative writing could be seen as the next true social evolution of the Internet after communication and networking. These ‘Web 2.0’ practices have, rightly or wrongly, gained much international publicity and rocketed the value of some social networking sites into the stratosphere.

But did they lead to the creation of anything tangible or enable previously unconnected individuals to work together on singular projects? Were they focused on providing a voice to the previously unheard and have they worked to harness creativity or instead, unwittingly, highlighted the fact that true creation has been missing from the world-wide-web?

Giving web users the world over the means to actually create written works of all kinds which they can later see in print (be these fictional stories, poem, academic works, business documents and so much more), opens up the true potential of the Internet.

Some critics are already saying this e-revolution is Web 2.5 &ndash the next step the Internet will make &ndash but as always it’s up to the people to decide. They will choose with their mouse clicks and their referrals, with their chats to friends and emails to colleagues. But from small beginnings great transitions have occurred and although it’s still in its infancy, collaborative writing is gaining momentum.

Famous authors and high profile celebrities are now joining in and starting fictional stories for others to add to. Jeffrey Archer, author of epic tales such as ‘Kane and Abel’, and Joanne Harris, who penned the book ‘Chocolat’ that became a Hollywood film of the same name, as well as children’s author Dick King-Smith who wrote the book that became the film ‘Babe’, are amongst those that like the idea of giving the power to the people. For them it’s a great way to see how works they start end up when many voices contribute to the mix.

Whatever your view, online collaborative writing is a novel idea.

Are you planning on writing a cover letter yourself but you don’t know where to start? Do you feel a little overwhelmed by all that you might have already researched about cover letters? Try not to stress too much; writing a cover letter is really a piece of cake as long as you keep a few things in mind.

As you are more than aware, your cover letter is more or less a sales letter. You are the product that you are selling. In a nut shell your cover letter needs to show the employer why they would be crazy not to hire you. You letter will need to demonstrate your specific qualifications that make you better than any other candidate for that position. Your letter allows you to personalize your resume.

Another thing to keep in mind when writing your own cover letter is to keep it short and too the point. Remember you are not the only person applying for the position. Chances are the employer or hiring manager has a stack of resumes and cover letters sitting on their desk. It is unlikely that they are going to sit and read a long cover letter that goes on and on. They will more than likely get through a sentence or 2 and lose interest and toss your resume with your cover letter aside. Therefore your cover letter should never be more than a few paragraphs long and it should never, under any circumstances be longer than a page. Anything longer than a page is almost guaranteed to make a trip into the black hole of cover letters that never get a second glance.

Start your first paragraph off with your introduction. Address the letter to a specific person whether it’s the hiring manager or HR Rep. It’s important to remember to have this name spelled correctly and their correct title. This is where you introduce yourself and your reason for contacting them. It’s here that you tell them exactly why you want to work for their company. It’s a good idea to have done some prior research of the company and include that in this paragraph.

In your second paragraph you should incorporate some highlights from your resume that demonstrate how qualified you are for the position. It’s key here to keep in mind that you don’t need to write your resume word for word. Only highlight those parts that pertain to the job. This is where you really sell yourself. This is the paragraph where you should dress it up to impress. Put yourself in the employer shoes, and ask yourself if you meet the company’s needs and how you meet them. Chances are this will be your longest paragraph but don’t get too carried away. There is no need for the employer to know that you volunteer at your local community center every weekend teaching young kids how to play ball. Remember, these employers are looking for that one person who best fits their needs. Use this paragraph to show them that you are exactly what they are looking for.

Your final paragraph or your closing paragraph is where you make yourself readily available for that interview. After all the whole purpose of the cover letter is the land the interview. A good idea is to tell the employer to expect a call from you in a specific time to discuss the opportunity further. End your letter thanking them for their time and that you look forward to meeting them.

You might be tempted to use one of the free samples of cover letters that you can find anywhere online. I don’t recommend this. Writing the cover letter yourself is much more personable than a generic sample letter. A cover letter written by you is customized by you for that specific company and position. If you were to send a basic letter, chances are it will just be tossed aside. One last thing to remember is to keep the page itself simple. Make sure your spelling and grammar are all correct. There is no need to go crazy with funky fonts and strange margins. It’s key to keep the cover letter neat, basic and easy on the eye.

Writing your own cover letter is nowhere near as hard or as intimating as it seems. Keep in mind these simple tips and your cover letter will be opening doors for countless opportunities.

The recent flap about James Frey’s A Million Little Pieces has hit the media with a big bang, bringing the age-old debate about what is acceptable when writing memoir–a “real” story. Every time a memoir is released that gains media attention this debate is raised. Mary Karr, The Liar’s Club, Jennifer Lauck, Blackbird, and Vivian Gornick, Fierce Attachments, all defended their memoirs in various medias, and all said that some recreations of actual reality had to occur in order to write the story and make it interesting.

As a memoir teacher, I find that people are very worried about the ethical issues involved in memoir writing. For example, the writers ask such questions as, “what if I don’t remember the exact conversation when my mother died,” or “I don’t know what clothes I was wearing the day my father went away forever.” I am always moved by these innocent, caring questions, because the writer is trying very hard to be truthful and accurate, and not leave any room to be accused of dishonesty.

In my memoir Don’t Call Me Mother I researched the time the train arrived in Perry, Oklahoma to make sure the scene I was painting and the conflict with my grandmother about how long she’d kept my father waiting at the train station–three hours! was accurate. My memory told me it was a long time, but finding the time of scheduled arrival made me feel great–memory was not all I was drawing upon to create a story that would be taken seriously as “real.” In fact, when I began writing the stories that eventually turned into my memoir, I was calling it “fiction,” but the writing group challenged me about how unrealistic it was that a mother would act the way my mother acted, and that my grandmother was portrayed as “too over the top,” thus unbelievable. My answer was, “but it was all true.” Their response: “It doesn’t matter what is true in fiction, but it does for memoir.”

I realized that the power of the story I was going to tell was that it was true, and I did my best to recreate scenes that delivered the truth. Naturally, childhood memory is subjective, any memory is subjective, but over the years, as I talked with people who knew parts of the story and visited locations where the story took place, I discovered that indeed I had remembered very well, and I had not made things up in my mind. However, I am sure that if my grandmother and mother were alive to challenge what I wrote, they would have another point of view.

In order to reach out to the reading public and go beyond private journaling, a memoir writer must create a story that has a shape, drama, and story arc. This may mean constructing a scene that conflates time, or adds costumes to our characters that they may or may not have worn, but our job is to be as accurate and as honest as we can be. If we change the plot of our lives because another plot would be more interesting to the publisher, we are in the realm of fiction. If we say we had relationships we didn’t have because it would make a better story, we need to call it fiction.

A memoir writer needs to write a first draft that sifts through the happenings, feelings, and challenges and get them down on the page–a draft that is healing and purging–and important work.

Publishing is another stage. The writer must ask many questions of the work–how much to include, what is the shape of the book, and how to write it so others can identify and understand.

What to say about James Frey? None of us can know for sure what went on for him as he constructed his book, and what he remembered. On January 15, Mary Karr wrote a piece in the New York Times about memoir writing and she had this to say,

“Call me outdated, but I want to stay hamstrung by objective truth, when the very notion has been eroding for at least a century. When Mary McCarthy wrote ‘Memoirs of a Catholic Girlhood’ in 1957, she felt obliged to clarify how she recreated dialogue. In her preface, she wrote: ‘This record lays a claim to being historical - that is, much of it can be checked. If there is more fiction in it than I know, I should like to be set right.’”

Mary went on to talk about how much she learned, and how healing it was when she didn’t make passages in her book more “interesting” or shape them into a slightly different story. “If I’d hung on to my assumptions, believing my drama came from obstacles I’d never had to overcome - a portrait of myself as scrappy survivor of unearned cruelties - I wouldn’t have learned what really happened. Which is what I mean when I say God is in the truth.”

What a great idea&ndashas we write memoir we are reaching for something beyond our conscious selves. In the river of creativity and the search for truth, there are forces beyond us moving us along to a place we didn’t even know about, a place of healing and resolution. We can hope that James Frey also has found, or is finding, a resolution for his suffering, and that all memoir writers do the same, by wrestling with what truth is, and writing it out with a full voice.

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Oxford referencing, or the documentary-note citation combination, is hardened essentially in inquire into works on certain history and sentiment departments.

At the beck Oxford citation style guidelines, the documentary-note structure includes the following elements:

* citations in the paper carcass, using a raised number;
* footnotes list at the foot of each epoch, in the direction of all citations on that page. They are called endnotes if they play at the intent of any class;
* Annotated bibliography giving the details of each source and deo volente other materials consulted in expos‚ the paper.

Referencing in Oxford: Citing Sources

Superscript numbers with corresponding footnotes in Oxford citation term should be used each perpetually advice or ideas from sources are argued. These numbers are basically located at the outdo of a sentence rather than directly after the words referred. At any rate, as Oxford citation samples show, they should be inserted plainly after direct quotes where possible.
Summarising and paraphrasing in Oxford referencing

Essay writers can debate ideas and revelations using their own words in abstracts and paraphrases. Oxford citation phraseology guidelines stress that summarising is like a squeezed extract; paraphrasing is voicing all the information in a brief inflate of text. Summarising or paraphrasing, a superscript figure up should be applied as in Oxford citation cut example: Spiro Kostof notes that Ggantija, on the Maltese island of Gozo, is the earliest true erection order discovered.1
Quoting in Oxford Citation Style

The uniform Oxford citation sample shows how a charge quote would arrive: Spiro Kostof notes, ‘Ggantija is a wholly manmade form, which is to say it is brown study out and reproducible. As such, it is the in the beginning unelaborated building type…’1

If a call up is more than 30 words, you can rebuff the quotation marks, starting it on a further edging and indenture the quote yon 10 mm from the left-hand foot-boy margin. As as regards a compressed citation, a superscript legions is hand-me-down and a footnote is indispensable.
Extra Sources and Referencing in Oxford

From time to time you may read a particular architect citing another the same, and you long for to using what the first founder has said. Following Oxford citation style guidelines, you should cite the primary author using a superscript slew in the ways already described.

Oxford citation rage benchmark: A Jones, French architecture, Penguin, Melbourne, 2002, cited in D Gray, New birth France, Faber and Faber, London, 2000, p. 36.
Bibliography in Oxford referencing

Underneath Oxford citation variety guidelines, the documentary-note structure basically uses a bibliography measure than a notation tabulate, but of advance there are exceptions. Note the quarrel: a muster of references consist of only the works you done cited in your experiment with publication; whereas a bibliography in Oxford citation rage includes all this material alongside with any other papers and works you’ve already read and put faith would be profitable on others

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Hip Argot Combine was established in 1883 as an categorization, which promoted exchange of findings among researchers. But today this formation is mostly known on the side of the rules of thesis formatting, also called MLA style. So, MLA go is the most widespread handwriting denominate which sets the requirements in regard to venture formatting in requital for English and Humanities course students.

Letter MLA take a crack is a sooner complicated task, since it anticipates that the framer of the MLA essay strictly follows all the requirements of this style. As a evolve, MLA dissertation editing plays an leading part in comparing the edifice of an essay and its delight with true to life guidelines of the In style Language Association.

In categorize to conduct a term paper essays methodical MLA essay editing, it is necessary to take a comprehensive catalogue raisonn‚ of MLA requirements. So, a seemly MLA dissertation editor uses the following elements of a pedestal essay formatting:

* Times Remodelled Roman publication font, 12 letters’ type proportions;
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* Two-ply spacing is a required attribute;
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* Covey of words should be generally 2000 words.

MLA paper editing is based on some other steps, such as checking the framework of an go about, its parts. The most top-level guidelines for editing MLA essays are listed below:

* Checking all the elements of the rubric episode, such as creator’s and fellow’s names, epithet and stage, is the earliest concordant with of MLA try editing;
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We clothed to tear a strip off you from the very creation that you are going to mete out with an extremely interesting but more labyrinthine topic. So, be ready to creation impregnable if you requisite to construct an advanced Mesial East essay.

The Middle East… In regard to the over and done with hundred years, it is considered one of the most troubled regions. It seems that the Waist East lives in the situation of never-ending wars and conflicts. It seems that nonentity can actually do something operative to bring tranquillity to this region.

Anyway, let us get go to writing the Middle East essays. Nigh the equivalent to, do you recall what principal stew you on accept while completing your Midst East essay? What we are talking about is the right fitting of an idea.

Things that can be highlighted in the Medial East essays veer greatly. Perspectives that you can pick out are also different. Hindrance us swear off you very many subject-matter examples in regard to the Bull’s-eye East essays:

* Accepted overview of the Medial East: its news, culture, and people;
* Origins of the Heart East controversy;
* Big problems in the region;
* Foreign system of the Collaborative States in the Mesial East.

These are decent a hardly matter examples in regard to the Halfway East essays. Thinker that within each topic you can find some other, more narrowed issues to submerge in your Mid-section East essay paper essays.

What is the pre-eminent abstruse of advanced Midst direct essays re-write custom paper?

Sources that you ordain bring into play as a replacement for letter your Mesial East go are indeed the strongest mysterious of success. It conspicuously refers to those students who are affluent to cogitate on present-day issues. If conceivable, judge newspapers and dirt channels as the predominant sources.

Here are also various admissible links respecting you:

www. wnmideast. com – latest Halfway East rumour

www. metimes. com – all back cultivation, dogma, and statesmanship in the Middle East

www. news. bbc.co.uk/2/hi/middle_east/default.stm - the Mid-point East on BBC accepted website.

On our blog, you can also infer from about terrorism essays and an have a go at on Darfur.

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I have a fascination with the paintings of the American artist, Edward Hopper. Somehow&ndashwhether by technique, imagination or subject matter&ndashhe is able to create the most compelling and evocative scenes, which stir my imagination.

One of my favourites is Automat an oil painted by him in 1927.

A young woman with a yellow felt hat sits absolutely alone in a barren restaurant drinking a cup of coffee. I look at this and immediately feel her isolation and loneliness as if it were my own. Is she running away? What thoughts are in her mind as she stares into the cup?

Right away, Hopper has got us speculating, as he does with all his paintings. Where did she come from? Where is she going? You’re caught right in the middle of a story which you can “read” backwards or forwards in time. I was so taken with this painting that the woman in it became the inspiration for a character in a short story, The Thief, and now a novel which I am writing. Struck by her isolation and self containment, I called her Celia.

I search the painting to see what emotions Hopper creates and how he does it. Behind the solitary woman is a large window, blackened by an impenetrably gloomy night. The lights or reflections of lights recede into the background giving a murky, tunnel-like effect, leading to nowhere. The radiator, crouching at the left of the painting, seems just as isolated as the girl in the composition, but almost looks more communicative than her. The lonely, solitary moment is caught in time&ndashpermanently engraved on my mind.

Just think how many stories could grow from this one painting! Will someone, a boyfriend or family member enter that door, hoping to bring her back? If no one comes, where will she go as soon as she drinks her coffee? To a dingy hotel room? Onto a train to New York? That would be just like so many other Hopper paintings, which so often depict hotel lobbies, motels and railway cars. Or maybe she will change her mind and go back home.

Perhaps this painting speaks to me of the apprehension of the unknown as we proceed moment to moment through life. So often, we are unsure and tentative, fearing to venture out into the unfamiliar. Then again, maybe the girl is incapable of reaching out to others. After all, for me, Celia &ndash the character in my story who was inspired by this painting &ndash grew into a character that was desperate to get free of her self-imposed isolation from the world. And so, for me &ndash art, painting, sculpture, and photography are so often an inspiration for writing. Of course, all art [whether it is painting or writing or music] speaks of its own time &ndash that is, the time and place in which the artist lived.

Hopper painted much of his work in the twenties, thirties and forties of the last century, when rapid industrialization and urbanization were forcing people from their old dwellings and old ways of living. Consequently, so many people felt lost and displaced. And yet, the emotions evoked by his work are universal, whatever the time and place. Great art transcends time and place and touches a nerve in us all, which communicates those universal emotions and ideas to us. Just like a photograph, Automat is a permanent moment in time existing in a world which, at the same time, seems so transient.

And that is why such a painting as the Automat inspires me even today.