Essay Online

You must be prepared to work always without applause. - Ernest Hemingway

Much of the wisdom available from established authors may be surprising in it’s honesty and straightforward nature. The reason this is likely true is the authors in question have had enough success that there is no need to candy coat the truths they have discovered in their experience. This is the final article in this series.

On Learning the Art of Writing

I learned to write by listening to people talk. I still feel that the best of my writing comes from having heard rather than having read. - Gayl Jones

You have to protect your writing time. You have to protect it to the death. - William Goldman

By writing much, one learns to write well. - Robert Southey

To produce a mighty work, you must choose a mighty theme. - Herman Melville

No tears in the writer, no tears in the reader. No surprise for the writer, no surprise for the reader. - Robert Frost

A writer’s job is to imagine everything so personally that the fiction is as vivid as memories. - John Irving

Plot springs from character…. I’ve always sort of believed that these people inside me — these characters — know who they are and what they’re about and what happens, and they need me to help get it down on paper because they don’t type. - Anne Lamott

In your writing, be strong, defiant, forbearing. Have a point to make and write to it. Dare to say what you want most to say, and say it as plainly as you can. Whether or not you write well, write bravely. - Bill Stout

Whenever you write, whatever you write, never make the mistake of assuming the audience is any less intelligent than you are. - Rod Serling

If the stories come to you, care for them. And learn to give them away where they are needed. - Barry Lopez

Write about it by day, and dream about it by night. - E. B. White

Any writer overwhelmingly honest about pleasing himself is almost sure to please others. - Marianne Moore

On Humor

When in doubt have a man come through a door with a gun in his hand. - Raymond Chandler

The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it. - Mark Twain

On Naming Your Work

A good title should be like a good metaphor. It should intrigue without being too baffling or too obvious. - Walker Percy

The title to a work of writing is like a house’s front porch…. It should invite you to come on in. - Angela Giles Klocke

I hope you catch the sense that successful authors draw from the real stuff of life, keep things simple and well told. If you look closely, these authors keep a sense of humor about them and remain personable. These are admirable lessons to consider in your writing journey.

After a three-month span that included the sudden and early deaths of both the canine companion he called “daughter” and his beloved father, indie lit penmaster Nelson Pahl deserved a break.

He finally got one&ndasheven if it pales in comparison to his heartbreaking winter.

Pahl’s Bee Balms & Burgundy, published on independent imprint Caf

The life of a freelance writer isn’t all glitz and glamour. Before you take the plunge into freelance writing at your work-at home career choice, there are a few things to consider. While you can work from home earning money in your pajamas, there are negatives to this career choice. Here’s a list of ten of the common drawbacks of freelance writing.

1. No sick days. Sometimes you have to work while you’re sick. If you don’t, you lose money and maybe a client. Clients aren’t very forgiving unless you have a solid relationship with them and even then, sometimes their deadline is more important to them than your health and well being.

2. No medical benefits, a 401K or even a guaranteed income. You have to pay your own taxes too. This can make budgeting tricky when you take the plunge into freelance writing for a living, especially if you’re the main breadwinner in your house.

3. Pay day is not guaranteed. You may go from famine to feast and then famine again regularly and payday doesn’t come every second Friday so it can be a tricky balancing act, especially in the early days.

4. Juggling deadlines and family responsibilities can be challenging at times. You may have to give certain parties and events a miss because you have a deadline. You may feel conflicted at times when you have to let the laundry or dirty dishes pile up so you can finish an assignment. You may have to learn write with a crying baby on your lap.

5. Chasing payments isn’t fun. There are customers who aren’t as eager to pay you as they are to take your hard work. Sometimes people don’t pay on time or try to short pay or not pay at all. You have to develop skills to protect yourself and may have to act as your own collections agent part-time.

6. Freelancers can have regular work, one-off gigs and can have a great paying regular deal that might suddenly disappear. The well can dry up regularly so you have to keep a constant lookout for work.

7. Reworking and multiple edits. You can slave over something for a client and they might hate it. You have to take criticism and might have to deliver work you don’t think is as well written after your client asks for changes. You need to develop a tough skin in this business.

8. Projects can be difficult to estimate. You can underestimate prep time and working time for a project and find that it has lost you money in the end. This can be difficult but until you’re very experienced, it will probably happen.

9. Sploggers, spammers and scrapers are rampant in online markets and want to steal your work and benefit from it! Be prepared to be plagiarized.

10. You have to have a really good eye for scams. When trying to establish yourself, it’s a learning process and many new writers are scammed a few times before they become wise to all the tricks and signs of a scam.

Regardless of the negatives listed here, freelance writing can also be a great gig that can earn you money, offer a flexible home based business and can be personally fulfilling if you love to write. With time and experience, you’ll find you are able to better deal with the downsides of writing for a living.

Creating a printed book is a bit more complicated than creating a PDF eBook. More steps are involved, just by right of producing a tangible finished product that needs to be handled in the physical world (versus an electronic document that can be distributed by e-mail or online). The basic print publishing process for a print-on-demand publishing cycle for a book that will be sold online through the print-on-demand vendor’s website (and/or other online booksellers like Amazon) breaks down as follows:

1. Complete your manuscript

2. Develop your cover concept (and do a trial run of a cover)

3. Format your manuscript for printing (the final product is called a “galley”)

4. Complete your cover artwork (and proof it with trial runs of a cover)

5. Put your galley and artwork together

6. Create marketing collateral, press releases, etc.

7. Publish!

8. Receive hard copies of your book and send out review copies to press

9. Send out press releases and place advertising and line up interviews

10.Continue the marketing cycle to keep your book in the press

11. Track your sales and order more books for more publicity

I recommend printing out this list and using it as a project plan for your print publishing. And fill in the blanks in the process, where you know there are more steps involved in your own personal experience. Or follow the sample project plan immediately following this section. Having a checklist to follow can simplify what can be a complicated and sometimes confusing process.

Now, one thing you may notice, is that I have listed marketing after the actual publication of your book. I strongly recommend waiting till you have a finished, published book in hand, before you start sending out press releases and generating interest. I’ve had international press people contact me within 24 hours of sending out my press materials, but I had no hard copies in hand to send to them, so that pretty much derailed the opportunity I’d created for myself.

In the traditional publishing world, it’s customary to publicize a printed book at least three months in advance of publication. This gives the press time to review bound galleys and work your publicity into their own production schedules. Now, for traditional publishers who have full staffs and plenty of money and connections and the machinery for publishing, that’s fine. They can pretty much guarantee that a book will come out exactly the way they say it will, exactly when they way it will. But when you’re on your own, it’s a different story. Anything could happen along the way. You could experience delays with the printer. You could experience personal complications. You could find yourself stalled by artwork that didn’t come out the way you wanted… any number of things can go wrong, when you’re on your own.

So, it’s prudent to be a bit more conservative about marketing a book you’re working on. Even if you’re 100% absolutely positively unwaveringly convinced that your book will come out in three weeks, anything can happen in that time, that can hold you up or wreck your carefully laid plans. So, don’t make any promises you can’t keep to the press. It will only work against you.

All this might sound a little daunting, but if you’re reading this, you’re probably an independent type of person, so the inherent risks and dangers will trouble you a lot less than someone who’s never published before and is nervous entering uncharted waters. Certainly, going it alone as an independent print publisher can take a lot more preparation and organization, than operating solely in digital formats. But it’s also very satisfying, to have a book in hand that you can give to friends, families, reviewers, and others who say, “So, you’re a writer?”

And if you format your book well, your work can be indistinguishable from the work of other writers published by mainstream publishing houses. You can get your own ISBN, your own professional-looking cover, a great looking interior, and all the marketing collateral you could ask for… without spending a small fortune. All it takes is determination, the right information, some creative inventiveness, a keen eye for detail, and a willingness to keep going, no matter what.

With a little extra care, some advanced planning, and an eye for detail, you can turn your eBooks or white papers or other digital information products into printed books — and not drive yourself crazy in the process.

Before you should decide whether or not taking part in a writing workshop is right for you and your writing you should first understand just what a writing workshop is.

A workshop is an educational format where an expert shares information on a focused topic over a short period of time. Some workshops are intended to be simply informative while others involve more hands-on activities. Today there are many options for enjoying a workshop: you can attend workshops in person, view them on television or tape, or participate in an online workshop.

So now that you know what a workshop is you can see how this format can readily be adapted for writers. Writing workshops can cover the basics of writing, writing challenges, topics related to publication and careers in writing, or specific research subjects. Some of these programs are featured as part of larger events, such as conferences, while some groups or individuals offer them as one-time events. Some organizations, institutes and educational programs offer workshops to their students or members while others open those workshops to the community at large.

Why would a writer want to attend a workshop? What benefit could it be?

Join the writing community. One of the strongest benefits you can receive from attending such a gathering is getting to know other writers. Writing is a solitary profession and can be very lonely. Enjoying the company of other writers and talking about writing with people who really understand your joys and worries can be wonderfully energizing to you personally as well as your writing. You can also make contacts that may lead to support and growth of your writing or perhaps even professional advancement. You never know when the friend you make today might be in a position to recommend you to an editor or publisher down the road.

Learn something new. No matter what level your writing career there are always lessons to be learned from other writers. Sometimes there are research strategies and shortcuts or perhaps it is a method for dealing with writer’s block. You can learn market news and contacts as well as important information about reviewing contracts. Workshops are generally geared toward a specific genre or market niche and offer a wealth of specialized information depending on whether you write about crime or food.

Improve your craft. Generating new work or revising existing pieces is often a large part of attending a workshop. Sometimes you must bring something with you, create a project as part of the workshop or are inspired by the gathering itself. Sometimes talking with others or listening to the presenters causes you to suddenly rethink a stalled project or inspires a new one. Whatever the impetus there is definitely an increase in production after attending a workshop and that is the surest way to improve your word craft.

If you have not taken part in a writing workshop in the past then perhaps you might consider doing so in the near future so you can join the writing community, learn something new, and improve your craft.

Technical writing requires the ability to write clearly, plainly, and accurately about extremely complicated material. If you can do that&ndashand quickly&ndashthen becoming a successful technical writer is well within your grasp.

The most common clients for freelance technical writers are educational firms, training companies and manufacturing/electronics/software companies. All of these demand a high volume of documentation-style writing, and thus a high volume of technical writers to produce that writing. However, the nature of technical writing indicates there aren’t many opportunities outside these industries. Tech writing is only warranted when there’s something sufficiently complex to explain in a standardized way, and a mom n’ pop software company may not have the money or the need to hire even an entry-level tech writer. So if you want to freelance as a tech writer, you’ll almost certainly wind up working on contract for one of the bigger companies.

As with copy editing and journalism, a high degree of familiarity with as many style guides as possible is mandatory for any good freelance technical writer. Technical reports are frequently only a small part of a company’s wider technical literature. Writing all of a company’s documentation in the same style is a good way to ensure consistent quality and readability over a long company lifespan. The most commonly used style guides are AP (Associated Press), MLA (Modern Language Association), and Chicago. Strunck and White, although older, is still a classic, and commonly in use with certain firms. Pick up a copy of each and familiarize yourself with them. Knowing the popular style guides will improve your technical writing and you’ll become more marketable to a wide variety of clients as well.

Once you know which style guide your client works with (and once your own style is clear enough to write effectively), you’ll need to start thinking about how to approach your material. Contacting and interviewing SMEs (Subject Matter Experts) is often a huge part of effective technical writing. Without good technical information supporting your work, you won’t know what you’re writing about. Engineers, technicians and professionals who have to use the work you create won’t know what you’re writing about either. This leads to a severe loss of productivity and of money, and probably to the loss of your reputation at the company as well. So make sure you have enough data to write your report, and make sure you understand it as thoroughly as possible before you start planning your articles. No one expects you to know as much about, let’s say, a supercollider as a nuclear physicist (especially not on a deadline), but knowing the basic theory and how to use most of the technical vocabulary is beneficial.

The one principal rule of good writing in any field is “know your audience.” This statement is truer of technical writing than any other form of freelance writing. Your audience, in technical writing, is going to use the processes, machines, and equipment you write about. If your audience can’t understand what you’re saying or follow the flow of your argument, you’ve failed as a tech writer. Clients likely won’t hire you for future contracts.

Think carefully about whom you’re writing for. Do the users have a background in the theory behind the machine, or do they just need to know how to pull the levers and push the buttons in the right order? Will the users have ready access to troubleshooting facilities (i.e. assembly line workers with a machine shop on the factory premises); or will they have to go to some lengths to fix any mistakes they might make in operation (i.e. people who’ve bought a new operating system and have to drive an hour to whenever their computer needs service)?

Take some time to think about your end users, their likely qualifications, their questions, and their overall needs. Structure your articles to follow their probable concerns in the order they’ll come up. If you need to, talk to some of your prospective end users and ask them questions about what they find problematic in their jobs. It’ll help you think of their problems more when you’re structuring your work, and that’ll make your work that much better.

Once you have your basic structure and some idea of the logical flow of your report, all that’s left is the description. Be as clear as possible while still keeping a readable style, and be as accurate as possible. Don’t be afraid of footnotes and additional information&ndashunless it’s specifically prohibited by your client’s style policy. As long as you’re thinking of your audience, and you’ve done the appropriate research and structuring work, this part should be straightforward.

If you can synthesize information from SMEs, keep your audience well in mind, and describe complicated processes clearly and simply, then you have the basic skills to be a successful freelance tech writer.

Watch the classifieds and make inquiries at engineering and training companies. You have a skill that’s in high demand. If you keep yourself in the marketplace (and are willing to accept a “trial period” with lower pay, in some cases), it’s only a matter of time before you establish yourself as a tech writer. Over time you can develop a reputation that’ll win you contract after contract and keep your technical writing career alive and thriving.

Before commencement of book review writing, you should distinguish between two terms: book report and book review. Many people use these terms in the same breath, however there are vital differences in the very essence of these notions.

Book Review and Book Report &ndash Is There a Difference?

A book report has a factual emphasize. It is a factual account of the subject matter of the book, which implies to be descriptive rather than persuasive and analytical. Its aim is to present the content and the structure of the book as objectively as possible. The book report includes a plot summary; it doesn’t look into deeper meanings of the book and doesn’t contain the identification of the symbolism.

Book report writing is a good way to structure and articulate the thoughts about the book you’ve just read. In a nutshell, it is simply a summary of the contents of the book.

A book review is a critical evaluation of the book that provides a thoughtful and in-depth analysis, and evaluation of the main idea, and purpose of the book. It is also a kind of reaction paper, which analyses the strengths and weaknesses of the book in terms of accepted historical and literary standards, supporting this evaluation with evidences from the text. In a word, it presents the assessment of the quality, meaning, and significance of the book.

What, in fact, sets book reviews apart from book reports is their personal character. Book reviews are highly personal and reflect the opinions of the reviewer on the given literary work. In the book review the reviewer clearly states his position and impressions regarding the book under consideration.

Structure of Book Review

The structure of book reviews resembles other types of academic writing. Book reviews usually comprise of a thesis statement, a supporting body paragraph, and a conclusion.

Typically, reviews are succinct, they rarely exceed 1000 words. Book reviews usually comprises of two elements: descriptive and evaluative. In the descriptive element you provide the essential information about the title, author, type of book, and general subject matters. While in the evaluative element you should present the assessment of the book, particularly of the perceived ideas and implied purposes, quoting exemplary passages from the text.

A good book review is well organized, and as well as the critical assessment and analysis it elucidates the essence of the literary work. Book reviews may vary in tone, style, and subject; however they share the common structure.

• Begin your Book Review with Introduction

Your introduction will bristle with factual and descriptive data, including the name of the author, some relevant details about his life and creative work, the title of the book, and the main theme of the given piece.

The second component of the introduction is the thesis of the book, which may be very perplexing to uncover since stories, novels, and plays don’t explicitly state the argument. Though, you should reveal this special angle and novelty of the piece that will actually become the ground for your further discussion and evaluation and allow you to make your book review original.

The introduction infers to be descriptive; however it should be catchy to seize the attention of the readers. So you should choose an interesting form of presenting your thoughts and ideas to make sure that the readers will keep on reading your book review up to the end. Many writers begin their book reviews with a quip or an anecdote that delivers their argument.

• Keep on Summarizing

Second, you should give your readers a concise summary of the literary work, where you state the author’s purpose of writing the book, provide its leading idea, compare and contrast main characters.

Here your aim is to plunge the readers into the atmosphere of the book, to make them interested in the ideas discussed in this literary piece, and to uncover them your understanding of the symbolism and implicit themes contained in the book. To reach this goal you should articulate your thoughts clearly, logically, and make your argument persuasive and sound.

In the course of making critical assessment of the literary work, you’ll have to back your arguments and assertions with concrete evidences from the text. Remember that critical assessment implies not only to analyze the literary piece under review, but also to tell your readers what struck you the most in this book, whether or not reading it was effective, persuasive, and exciting, and also your discussion on how it enhanced your understanding of the issue at hand.

Your analysis and evaluation should be organized into separate paragraphs that deal with particular aspects of your argument. You don’t necessarily should work chronologically through the book, though, you should make the structure of your summary logical and comprehensive for the readers.

• Draw a logic conclusion

Sum up and restate your thesis or make the final judgment regarding the book in the conclusion. Don’t introduce any new ideas and evidence for your argument, make up your conclusion copious with the ideas that extend the logic of your thesis statement.

Harnessing these simple and winning strategies of book review writing, you’ll surely turn your work into a writing marvel.

1. Be Emotionally Compelling

Your words must have power so people take action and buy. Don’t be dry, stuffy or boring. Rock their world. What you think is a little “over the top” is probably just right. Show them empathy, caring and concern that makes them feel connected and helps them quickly suspend their rational disbelief.

2. Learn to Write Great Headlines

This valuable skill is not to be taken lightly. You need to use numerous headlines in a sales letter. They need to grab your customer’s attention. Look at advertising headline in major magazines. Experts say a good headline can result in 8-10 times more sales than a so-so headline.

3. Use Magic Words not Tragic Words

Use words like “amazing, discover, breakthrough, free, happy, money, you, yes, incredible and others. Magic words positively pre-dispose people to your message. Don’t overuse but don’t underestimate how far a little hype can go. Also, use vocabulary at an eighth grade level or less.

4. Ask Questions

Questions draw readers in and make them get involved. The smart money is on asking only questions you know will get a “yes” answer. Get potential customers in the habit of saying “yes” so when you ask them to buy they are positively prone to say “yes” again.

5. Write to One Individual Reader

Address your copy to one person. “You” not “the public” or the mythical “they.” You’ll create a more personal relationship. People buy more from people they feel they have a relationship with.

6. Brevity the Soul of Wit?

Your copy must take reader through the natural buying steps of attention, interest, desire and action. So brief may not be best. Answer every question in your marketing message so they can naturally take action

7. Share Your Triumph over Tragedy Story

People are drawn in by stories of others who have triumphed over adversity. We tend to root for the underdog. Most entrepreneurs have a story of how their product or service helped them. Don’t hide that story from view. Take it out, dust it off and watch the magic that happens.

8. Build Urgency and Scarcity

We’re bombarded with thousands of marketing messages daily. Build a marketing message that includes a sense of urgency and scarcity so people have a reason to say “yes” now. Say “limited quantities” and offer an early bird special for early sign up. Give customers a reason to say “yes” now.

9. Use Strong Testimonials

You can say great things about you, but a satisfied customer can really brag. To get testimonials just ask. Testimonial should be 4-6 sentences in length and tell a quick story. Each testimonial should answer a different objection.

10. Offer a Powerful Guarantee that Reverses Risk

Many new entrepreneurs worry if they offer a guarantee people will rip them off. In fact you’ll gain far more business with a strong guarantee than you’ll lose from returns. Make your guarantee simple. Amazingly, the longer the guarantee time, the less likely a person will ask for money back.

Articles are those that are available in plenty these days in the internet. The articles are written by everybody these days and those articles are found to have different types these days. There are scholarly articles that are very informative down to the last number while there are just popular articles that give you information but are not as exhaustive as the scholarly ones. The popular articles can be identified in many ways.

The popular articles are pretty much based on the current topics and are more likely to find place in the magazines and newspapers. They are based on news stories and also magazines. It is important to differentiate between the scholarly articles and the popular press articles. The problem with that while the scholarly articles are very informative, they present only information to the people with the least of interest in the subject, or sometimes have no idea on the subject and the methodology discussed. They are made for by the popular articles that give in information that is only required by the reader. Even in the internet the website owners have recognized this trend and have started to supply only intended information in the form of popular articles.

In general, articles obtained from the scholarly press are viewed as the ones with more authority on the subject. They are a result of a more painstaking research and documentation. The popular articles on the other hand are written by anyone to fulfill the needs of the target audience. They are published more quickly as they are seldom verified.

And offer a less authoritative point of view. There are however points to be noted that both types of articles are visual and content-oriented. It is also important in the context of the articles viewed over the internet that the distinction is made to understand the difference in point of view.

The difference in the types of articles is that popular articles do not have any reference and certainly do not follow any specific structure. They are prone to mistakes in the statistics presented and also sometimes in the facts listed. The popular articles are not verified by academics or the experts in the field. Popular articles are based on the searches made by the users and also on the keywords searched. The keywords have an important bearing on the popular articles as they present the key in catering those articles to the users searching for it. The popular articles are generally to be found on the news websites and also sites that cater to specific issues like sports, environment and the others.

In January, 2005, six months before Kensington bought Passion, I took a writing course. A friend introduced me to a writing technique called Freefall.

Rather than my trying to explain what she told me, I will quote directly from the Freefall website:

FREEFALL is the technique of writing from the larger Self, beyond reach of the ego and its censors. . . .FREEFALL invokes the courage to fall without a parachute, into the words as they come, into the thoughts before they have fully formed in the mind, into the unplanned structures that take shape, without prompting, to contain them. . . . The moment when someone shifts into that deeper level is unmistakable. Everyone can hear it. As a result, in Coleridge’s phrase, “the wheels catch fire from their own motion.”

At the time, I had the push to do more than I had before, but I didn’t know what. I bought the domain name pfkozak.com in November, 2004, without a clue about what I would do with it. Being the trusting, and intuitive, soul that I am, I pay attention to these nudges as they come. The nudge to do Freefall actually felt more like a knock upside the head.

Group participation has never been my favorite thing. In fact, I avoid it whenever possible. I’m a loner, always have been. My imagination is much better company than I’ve found most people to be. The Freefall workshop required I spend three days in a very big, very old house with about a dozen other people (I don’t remember the exact head count!). I balked. But between the persistence of my friend, who happened to be one of the workshop sponsors, and my own inner head knocking from the universe at large, I caved. I said I would do it.

As luck, and the ever present synchronicity in my life, would have it, on January 22nd, 2005, New York had a blizzard. When the storm hit, we were already at the house. Effectively, the universe conspired to keep me there all weekend. We were snowed in! It’s probably a good thing. Otherwise, I may well have jumped ship.

The schedule seemed simple enough, get up, get dressed, have breakfast and write. We were not supposed to talk during that time. Staying silent sustained an inward focus, which facilitated the Freefall writing process. When we wrote, we were not to correct errors or go back and reread what we’d done. We were supposed to Freefall and not look back.

We wrote for several hours before breaking for lunch. Part of Freefall is the group dynamic critiquing the work. Our teacher and workshop leader, Barbara Turner-Vesselago, read selected pieces aloud during the afternoon. She never revealed who wrote each story. Then the group would comment on the work.

The point of the Freefall process is to break through internal barriers to get to what is hidden beyond the conscious mind. For me, this meant facing inhibitions about putting myself out there I didn’t know I had. The protective walls are torn down. If, in fact, the point of the exercise required I reveal who I am, then I had my work cut out for me.

Now, what happens when someone says, “Don’t think about a blue cow?” The first thing that pops into your head is a blue cow, right? Well, when we were instructed to step aside and let the inner voice speak, my blue cow popped into my head. I had hidden my intuition and psychic experiences from everyone except my closest friends. As I sat with my laptop in a house full of strangers, what started to come up and out were those experiences.

I panicked! There is no question that had we not been snowed in, I would have taken the first train home. But I couldn’t get to the train station. We were hip deep in snow! I took a deep breath and tried to calm down. I literally had to talk myself off of a psychological ledge. What’s the worst thing that could happen? They could think I’m crazy, or even worse, laugh at me!

Somewhere, from a place so deep I can’t define what it is, I started to type. I told my story. I wrote things no one except my husband knew. I typed until I had to stop.

When Barbara read my piece, I waited for the inevitable judgment from the group. Much to my utter astonishment, no one laughed, no one thought me crazy and no one ridiculed me. The comments were positive, and even complimentary. I couldn’t believe it! I had just revealed my deepest hidden secret to a group of strangers, and nothing bad had happened. In that moment, my fear burst like a soap bubble.

I don’t think I’ve ever spent a more utterly miserable weekend in my life! I know I’ve never spent a more important one! At the time, I had no way of knowing that six months later, I would sell my first book.

I frequently use the Freefall technique I learned that weekend in my writing. Allowing what’s hidden underneath to bubble to the surface has proven invaluable to me. I expect that’s how I will finish Take Me There. I will Freefall the end of the book.

The fear I broke through on that snowbound weekend has had deeper implications in my life. I am less fearful overall. I certainly wouldn’t be doing this blog if not for Freefall. I would be too inhibited and afraid to talk about myself this openly. Freefall isn’t for everybody, but it sure worked for me.