Essay Online

(And How To Keep Them From Fouling Up Your YA Fiction)

In 10 years, will anybody understand you if you say “fo shizzle?” Will they stare blankly if you mention Britney Spears’ buzz cut or Paris Hilton’s jail time? They might, they might not, but the point is this: If you’re a writer of young adult fiction, you can’t afford to pepper your prose with slang and cultural references that reek like week-old sushi.

More than in any other genre of writing, writers of young adult material must be acutely aware of the fact that what’s hip today is ho-hum tomorrow. In a youth culture where information is instantaneous and trends seemingly change by the hour, a great piece of writing can easily be spoiled by out-of-date references.

“Any pop culture references to fashion or TV shows change so rapidly,” says Dr. Montana Miller, an assistant professor with the Popular Culture department of Bowling Green State University. (Yes, they have a whole department that studies nothing but popular culture.) “In a way the effort to be relevant to the young audience by putting in these references is futile because the references are so quickly outdated. Young readers have a high sensitivity to when these things are contrived. They like to have a lot of detail but pick up on when the detail is being put in their purposely to capture them.”

Since the actual publishing of a novel generally takes a year (not counting the time it takes to write the first draft), shout-outs to famous people, hot television shows, political scandals, or trends will more than likely ring false to young adult readers once the book is actually read. Realistically, pop music stars who today are the focus of intense devotion on myspace will probably be has-beens by the time your novel is published.

Are there exceptions to this? Are there people, things, or events that become so entrenched in the prevailing psyche that they will fly as pop culture references? “Barbie is always going to be a touchstone for everyone,” Miller notes. “But I think that very few things become that universal and as permanent as Barbie.”

Barbie, though, has consistently wormed her way into the unconscious dreams and desires of little girls (and probably little boys too) since she was created in 1959. That’s more than 50 years of birthday parties, Christmas presents, and unfettered envy plastered into every little girl’s subconscious. Barbie has earned the right to be used as a cultural reference anywhere, just by longevity. But what about other less hearty objects? Anybody remember Tickle Me Elmo? Only the parents who clubbed each other one Christmas to hijack the local Toys R Us to make their childrens’ dreams come true. The kids probably stuffed the thing in a closet somewhere, and don’t even remember they wanted it.

Media is a tough call also. Music, movies, television shows, these all are a huge part of the American experience. But what makes a piece of media reference-worthy? Classic films from the ’40s and ’50s might be a cultural touchstone for people of a certain age, but for young adults, the idea is mass consumption, not lasting memories. And people of the older generations had far fewer options for entertainment and media. Pretty much everyone saw Casablanca and knows what it is. Pretty much everyone watched Leave it to Beaver because there were only three channels on the old black-and-white Zenith, and two of them didn’t work if the weather was bad. These people shared many common references.

Today, though, an internet search of ‘popular culture’ will net you more than 2 million entries. It’s not possible that every young adult who reads will have the exact same cultural references today, let alone remember them in five years, or ten. So, generally, the rule of thumb should be to avoid hot pop culture references in your writing.

At least two exceptions to this rule exist, though. First, if you’re writing for a specific genre audience that will share the same background and cultural history, some pop references will ring true. The sci fi geeks who frequent Comic Con all know the Star Wars mythology, and more than likely share at least a passing knowledge of things like the Dungeons and Dragons role playing game and the old Star Trek series. Sub cultures have their own history and language, so using their own internal pop culture references might work if you’re familiar with that world, but again, you must be absolutely sure that you do know what you’re talking about. Sports, surfing, the goth culture, punk music, the gay teen scene, all these are sub groups under the young adult umbrella, and all have their specific common references.

The second exception, according to Miller, is the case where a teenager writes the account of his or her own experience. In that case, pop culture references that might go stale are acceptable because the pieces are more like documentaries or memoirs, and so the point of view is that of a real person who is recounting the details of his or her life. One example is a French bestseller, Kiffe Kiffe Tomorrow written by Faiza Guene, a college-aged student who writes of her experience as the child of Algerian immigrants raised in Paris. Although labeled as fiction, the novel draws heavily on Guene’s own experiences, and because of this and because of her age, cultural references in it automatically retain their credibility.

Another issue in writing for the young adult audience is the use of slang, which Miller notes is still “awfully regional.” The term for something that’s cool in San Francisco, (”hella”) is different from the term for cool in New England (”wicked”). Although internet and text messaging slang might seem universal since most teenagers use it, the terms change and mutate so quickly that including them could be risky. One current favorite, “pwned” (it means “to be owned or dominated by an opponent in a situation”), actually is a corruption of the word “owned” and comes from a popular online game called World of Warcraft. In five years will anyone remember that? Hard to say, but it’s probably safer to leave it out.

All in all, the best bet for YA writers is to capture a reader’s attention with universal themes and characters rather than hot pop culture or slang. “If you’re an older writer writing for this audience,” Miller suggests, “the most important thing to capture the loyalty and love of young readers is to focus on themes of relationship, gossip, jealousy, betrayal, the things that keep readers attached and gripped. They respond better to plot and story lines and themes that are getting even more intense in this competitive world today. Kids want to see the kind of pressure they are really under now reflected in the stories they read.”

Fo’ shizzle.

Everyone might have a dream, but what would you do when you get up in the morning? I’m sure almost everyone forgot about as soon as they washed their face in a bathroom. What’s so important about your dream? The answer is easily made, because I’m sure that you sure had an great experience in your dream something like adventured in the deep jungle, chased by terrific monsters and anything else. And I know that not all of you could remembered all of your dreams. Yes, me too, but I have got some techniques to dig your dream out of your unconscious mind and it will give you a new nice idea for your new novel.

Writing a novel is really hard. It hard to find a new idea to write it in your book. So, I recommend to use your dreams. Why your dream is gonna work, because I believe that what inspired (or terrified) you can also inspired the others. But the difficult things is to remember your dream. Almost everyone forgot their dream right after they wake up. Someone can still remember what they had dream but not very exactly.

Let’s me tell you something about the “dream” that some of you may don’t know. When we sleep, our eyes will move very rapidly, this is called REM (Rapid Eyes Moving) period and when our eyes will not move, this is called no-REM period. Our body will change from REM to no-REM from time to time. I’m not sure about exact periods time but it’s about one hour and a half. When we are in REM mode, we will begin to dream. This theory can explain why our dream is not continuous and change very differently in one night. The other things about the dream is beyond the scope of this article and you can find more detail on the net.

Now, how can i write out my dream? you may ask. The answer is simple, grab a pen (or pencil) and write. It may be sound ridiculous but to write something at the moment you wake up is difficult. You have to practice to write after you wake up. Here are some tips:

1. Find some pen (or pencil) and some paper or notebook and put it right after your body before you go to sleep.

2. When you wake up, try to write down anything you can remember as much as possible. For example, when you dream of a monster that had chased you in the forest. Try to write down the very detail of that monster, does it has a horn?, does it has a crawl?, what color is it?, what detail of the forest you were running? Try to write down the detail of anything you can remember as the detail will help you recognize the other part of your dream.

3. After you finished you daily cleansing (or anything) sit down and revision what you wrote.

4. Repeat the process.It will take a bit time to practice until you can remember all of your dreams. Don’t give up !

Lastly, I want to say that don’t underestimate your dream. Dream can be a warn from the future, can be a new innovative creation, can be a new technology. And I’m sure it can be a new bestseller novel, too!.

Enjoy writing

Poom

I never considered myself a particularly spiritual, or for that matter, a religious person. But I’ve found that in writing The Osgoode Trilogy, particularly the third, A Trial of One, that compassion has become very strong theme which runs through all three novels.

I just found this quote from Thomas Aquinas &ndash “I would rather feel compassion than know the meaning of it.” Surely, this must be the difference between the understanding of the head and the heart.

In the first novel in the trilogy, Conduct in Question, we have a man dubbed by the media as the “The Florist” who is a serial killer &ndash so named because he tries to capture the easy flow of the line of the master painter, Matisse, in his carvings on his victims. He is a sadistic killer with an artistic bent.

You may feel [as I do] that the world has plenty of novels with serial killers and so, rather than detailing his rampages, I wanted to add some provocatively human touches to the character of the “Florist.” More than anything else, he wants to experience the emotion of compassion.

When he speaks to his mother, who is long since dead, he says in frustration &ndash “I know what the word compassion mean, mother, but what does it feel like?”

As the story nears its conclusion, the “Florist” gets his wish &ndasha fleeting sense of compassion. About to murder his next victim, John, who is a truly simple soul &ndash the church caretaker &ndash the “Florist” is overcome with a compassionate sense and decides to spare him.

When the Florist silently stepped into the room, a strange sensation passed over him. Was this what Mother spoke of? As if disoriented, he stopped and shook his head. Was this compassion?

“It’s you!” said John, his smile radiating a sweetness the Florist had never seen before. He saw the muscles of the huge man flex; John’s damp white shirt was matted to his skin. He saw the thinning but baby-fine hair, neatly combed in place. Suddenly he saw the simple man as more than an obstacle in his path. He thought that life could not have been easy for such an imbecile. He should be spared. Mother would be proud of his act of compassion.

In Final Paradox, our hero, Harry Jenkins learns that compassion means stepping into another’s shoes and understanding what it feels like. Easy to say &ndash hard to do! When Harry was eight, his father withdrew from almost all contact with his family after the death of Anna, his daughter &ndashHarry’s sister. Now, years later, while his father is in surgery for a brain aneurysm, Harry waits in the Quiet Room trying to understand how his father could have abandoned him as a child.

At the very moment of his asking, Harry gets his answer as he witnesses the following played out before him.

Harry caught his breath. An unearthly wailing came from the hallway. The door to the Quiet Room flew open. A tall, bony woman, wearing a mauve dress and yellow shawl, clung desperately to the arms of two men. One was old and hunched and the other muscular and attentive.

The florescent lighting illuminated the woman’s face raw with agony.

“No! No!” As if possessed, she shook violently and her voice slid up octaves. “By the blood of Christ, no!” Clasping her hands to her ears, she began to moan, her eyes ricocheting about the room.

She screamed at the ceiling. “Why have you cursed me? He cannot be taken so soon.”

Harry pressed his hands against his face. With all his heart, he wanted to pray. He had just witnessed the unholy wrenching of the spirit at the loss of a child, caused by blind hatred. As he touched the tears on his face, he began to understand. “God forgive me,” he whispered. “I have known nothing! My father died along with Anna. I did nothing to help.”

And that’s exactly where Harry begins to understand his father and compassion &ndash by actually experiencing his pain and loss. True, you may study compassion and quote clever sayings about it, but if you never feel another’s pain and suffering in your heart and your gut, as if it were your very own, you do not know what it is.

Do you think some people are naturally more compassionate?

In A Trial of One, Harry’s beloved, Natasha has her own struggles with compassion. She is forced to choose between two people she loves &ndash Harry and her friend Sheila. Natasha recollects a conversation, years back, between her mother, Renee, and her Aunt Mila. The boss has demanded that Renee sleep with him so she can advance in the business.

“Oh, Renee! You poor kid!”

After a long silence, her mother said softly, “Once we’d done it, his eyes looked so sad and ashamed, like being him just wore him down.”

Mila was aghast. “You felt sorry for him?”

“No, not really. But I can see how loneliness can make you crazy.” Afterwards, we talked a bit, sitting on the bed in the motel. He was living all alone there because his wife had run off with the kids.”

Natasha’s compassionate nature makes choosing between Harry and Sheila so difficult for her. Hurt and angry, Sheila has betrayed Natasha who now considers her next step as she wanders the beach.

Natasha turned and walked slowly past the riot of weeds and up to the cottage. Soon she would drive back to the city. She knew Harry was her passion, the one who had awakened her to herself. But she still heard Sheila’s cry &ndash one of all humanity &ndash because it hurts! Sheila’s pain, from fear of loss, was a pain shared by the whole world. She did not reach it by reason, but she knew there was only one thing she could do &ndash act with love, care, and compassion.

Talking about love and compassion… having to decide between two people who love her, [Harry and Sheila] Natasha must find that balance between passion and compassion. Easy to say: hard to do!

It is no secret that a good way to gain publicity and visitors for your website is to submit articles on quality sites. At the same time I strongly believe that submitting your articles on sites which share the same niche (or category) as yours is a better way to indicate search engines about the category of your article. For example it does not make a lot of sense to publish an article of travel or tourism on a finance website or a technology blog. The visitors of a travel website are likely to be in a mindset of vacation ideas, hotels, airline deals, events and travel attractions. Now if a visitor comes across your article on a travel site, it not only provides a reference link back to your website but most important the person is actually interested in that niche.

We will briefly put together a few points which one should consider while submitting their articles. We have selected travel niche as an example for these article writing tips.

1. Basic strategy of writing articles:

Your article should be written in simple English and easily understandable my most users. It does not need to be too long but usually recommended no little than 300 words, preferably more around 500 words. Clearly state what the travel article is about, use short paragraphs and bullet points. Always provide true facts, good or bad. Consider using use numbers and figures in the text in your articles wherever applicable.

2. Title:

Always use good attention-grabbing titles which not only contain your main keywords, but also give the brief idea to the users that what your travel article is about.

3. Keyword density:

Well if your article is about New York tourism then we recommended that you should have it in your title and multiple times in the body of your article. There are several free tools available on the internet to evaluate your article’s keyword density.

4. Link to your site:

If you have a website, then you should certainly provide a link back to your site, if this article is about a section inside your site then consider giving the inner link over your homepage.

5. Bookmark your article with Sites: Once submit travel article and it is published you should consider it book marking using Delicious, Reddit, Digg and Stumble upon. Since these are social bookmark sites, this will also deliver significant traffic to your website. Similarly subscribing to the RSS feed using sites like bloglines and netvibes has similar advantages.

6. Write often: People and search engines are always looking for new articles. You will not only have more links pointing back to your site but also real organic traffic.

Imagery and Characterization, can the two ever meet outside of an English class?

Seething volcano or skittish bird, what image best fits your characters and why would anyone care? Last time I talked about giving a unified imagery set to your main characters. I outlined how choosing basic element properties to your characters creates adds texture and EASE to a character arc. We went with the basic earth, air, wind, and fire possibilities. But let’s say you want to go one step further. How would that work and why?

Make your imagery more specific. First off, add metal to your list of elements. Then while you’re at it, maybe add all the elements of the periodic table. What if your hero is a tinman in search of a heart? Give him metallic colors to wear and surround himself in. Make him bendable, but when he adjusts to the heroine it gives him a sharp edge to his words and actions.

Now start picking out words to use for your hero. Match it with all five senses, but make sure to pick words that reflect both the good and the bad. You want to be able to indicate your character’s changes from a problem through growth into happiness (and love). Confused? Try these examples. For sight&ndashmetallic and reflective. When people look at him they see themselves reflected back, not the man himself. When you describe him and his environment surround him in chrome and give him a tin car toy collection. Let the heroine see him as childlike but cold. Then as he grows around her, you can add color to his clothing and surroundings.

Sound&ndashtinny, brittle. You don’t have to make his voice sound tinny or thin. That’s not hero-like! But he can speak with a brittle edge or it can grate like metal on metal. He can hit something that clinks. When he’s depressed he can have a hollow echo to his tone, but as he warms to the heroine, his voice gets depth and color. Eventually&ndashat the end&ndashsomeone hears his heartbeat. Even the music he listens to changes from Metallica to country&ndashor maybe that’s too much of a stretch.

Touch&ndashsharp but malleable. Initially his touches are cold and angry words hit like shards. But as he changes, his rough edges smooth. His face is not chiseled but pressed or shaped. Then when he smiles he shows a kind of light (heroine’s reflected light). She warms him (because metal doesn’t carry his own warmth), but he protects her and brings out her child-like qualities (because he’s a tin toy).

Now you add taste and scent. Truthfully, with a tin toy image, I stick with cold feel, metallic taste, and sterile scent. None of that is erotic or hero-like. So if you mention these things, keep them at the beginning of the book, letting the negative words drop away as he changes for the better. He is, after all, gaining a heart and growing into a real boy. But remember, he can be a geologist or a metal worker. He can work in a sterile room or be comfortable in clinical settings.

So now you get the idea, but don’t just stop there. Make your images very specific. My hero in Tempted Tigress is a Chinese ink and brush set. He’s a scholar and when he feels drained, I say that his words were like ink mixed too thin. His body is thin and pointed, and during the love scene, his touch paints words on her.

My heroine in Cornered Tigress is a cat. Every time she enters a room, she experiences it first through taste and scent. When she’s afraid she tends to go into tiny enclosed spaces. You can use anything that sparks your imagination, so…go wild!

Almost every week I see brochures, websites, advertisements and newsletters that have been poorly written. Either the spelling is weak, or the sentences are badly constructed, or the key message is buried somewhere in the middle. Sometimes the message isn’t even clear. What these pieces lack is good copywriting.

Most of what I see has been written by highly competent professionals who are expert in their field. But not in writing. They imagine that because they are smart chief executives, or clever IT specialists or skilful consultants that they can also turn their hand to copywriting. Often they cannot. The net result is that what they write diminishes their message and damages their reputation.

Whereas poor writing will sabotage a good reputation, excellent copywriting will enhance it. Indeed really good copywriting can sometimes create a reputation where none existed before. So for example, a well turned-out brochure, crisply written and beautifully designed can help an organisation craft a completely new image. Similarly, a radically new website which has an eye-catching design, a clear structure and copy that is easy to read and convincing, can make a dramatic difference to an organisation. Good copywriting gets noticed and that’s good news for the business that the copywriting is supporting.

Good copywriting not only gains the attention of the reader, it convinces as well. That is so important. The writing needs to be attractive, friendly and jargon-free, but it will fail if its underlying message is not made strongly enough. An interesting example is the writing of a case study for a company magazine or sales brochure. Unless the case study contains clear and objective arguments to show why a product or service was a success, it won’t convince the reader.

Copywriting a case study sounds easy, given what I’ve just said. But it is not. You have to strike a balance between giving too much information to the reader and too little, and between inflating the reasons for success and under-selling them. Most important of all you have to remember all the time who your audience will be.

Understanding your audience is absolutely key to good copywriting. That’s where the value of good copywriting lies. A skilled copywriter will start by thinking about who they are writing for, what they want to say and the best way of putting that message across. It should be lucid, inviting and interesting. To me that’s good copywriting.

their services.

The makers of the world’s most recognized pencil continue to change the shape of writing. It’s a triangular shaped pencil that eases writing stress by allowing maximum surface contact between the pencil and the fingers.

Ergonomic experts say the new three-sided pencil, called the Tri-Conderoga, is the world’s most comfortable pencil. Larger than a normal No. 2 pencil, the triangular shape is more comfortable and easier for consumers to grip and use than traditional round or hexagonal-shaped pencils.

And with the wave of Sudoku raging the nation, the Tri-Conderoga is a natural choice for puzzle lovers everywhere.

Here are some facts that will sharpen your knowledge about pencils:

• More than two billion pencils are used in the United States every year.

• A pencil will write in zero gravity.

• The average pencil can be sharpened 17 times and can write 45,000 words or draw a line 35 miles long.

• Seventy-five percent of the pencils sold in the United States are yellow.

• The Ticonderoga No. 2 is the world’s best-selling pencil.

• Famous novelists Ernest Hemingway and John Steinbeck used pencils to write their books; Steinbeck used as many as 25 cedar pencils every day.

• One million pencils are used each year on the floor of the New York Stock Exchange.

• Pencils did not have erasers on them until 100 years ago, because teachers felt they would encourage children to make mistakes.

• Francis Scott Key wrote “The Star-Spangled Banner” in pencil.

The triangular-shaped Tri-Conderoga is like the familiar No. 2 pencil with style. It is made entirely of premium California incense cedar, has a “soft-touch” finish and sports a latex-free black eraser that ensures smudge-proof corrections.

The Tri-Conderoga is non-toxic and certified by the Pencil Manufacturers Association, making it safe for everyone. This new pencil is available at Staples stores throughout the country.

I was browsing online the other day and discovered the news about a first time novelist who had recently published a book telling the story of an African tribe suffering the loss of land and identity. Her story is based on her true-life experiences and research. She’s even donating a portion of the book’s profits to a charity that helps the displaced people. Her whole story sounded intriguing. However, when I looked for her web site–I couldn’t find it.

What a shame, I thought.

While her book is featured on Amazon.com and other online bookseller sites, and there’s a couple of press releases announcing her book signings, there is no obvious web presence for this wonderful book and its author. My immediate thought was that she was leaving book awareness and sales on the table.

Maybe she feels she doesn’t need a web site because she has the charity and her publisher assisting with publicity, or because there is some expressed interest in movie rights. Even so, I feel that a simple web site featuring her telling her story of how she researched and wrote her book, with photos of her on location, would do wonders for her novel.

In today’s fast-paced world, where attention spans can last a nanosecond, an author can’t afford NOT to have a web site. Even if people aren’t lining up to buy your book today, they can visit your web site and browse. If they like your site, there’s a good chance they’ll be back in the future, or tell friends about it. I think this point is especially true for us first-time novelists. In my opinion, a fiction novel is the hardest type of book to promote and sell online or offline. There are literally thousands of fiction novels published each year, due to how easy it is to get a POD published book on the market.

Authors have tons of competition to get noticed. While the amount of readers are declining, the amount of books being published is going up. New authors have to compete with each other, as well as, established authors, movies, TV, blogs, video games, and other entertainment offerings. From a reader’s perspective, why should they read your book over someone else’s?

Your web site gives you a fighting chance to capture someone’s attention and introduce them to you and your brand of storytelling. Plus, you have the creative freedom to make your site look however you wish. It’s all about colors, graphics and words&ndashespecially words.

HELLO WORLD, I’M HERE!

CHECK OUT THIS GREAT BOOK!

HERE’S A SAMPLE OF MY STORYTELLING!

Because most authors have to do their own promotion, your web site is your own personal promotion booth sitting amidst a vast sea of similar booths inside a virtual flea market. Remember, people are online 24-7 looking up information on all sorts of things.

While you’re sleeping, someone could be visiting your web site.

While you’re out shopping, someone could be visiting your web site.

While you’re busy at work, someone could be visiting your web site.

Of course, if you don’t have a web site promoting your book, then potential readers will just have to wait until they stumble across your book while reading about your book signing somewhere, or maybe browsing the online bookstores, or maybe hearing about your book from a friend of a friend . . . you get the idea.

Why leave it up to chance?

Web sites are easy to get up and running these days, so there’s no excuse not to have at least a page featuring your book. Believe me, people will be looking for it, and if you don’t have a web presence, they’ll move on to the next author that does.

There are more articles than you can count on the internet that all you need to know these days is a mode to search for the right kind of information. That being said, there is a scramble among the different website owners to check for the data being searched by the users so that they can direct these gullible users into visiting their websites and thereby generating revenue for them. The scholarly articles are the ones published by academic publishers or professional organizations.

The targeted audience for these kinds of scholarly articles is usually consistent of specialists in professions and academic disciplines. These scholarly articles are usually subscribed by the individual scholars or university libraries. These articles are taken to be the ones with validation by the academics. Scholarly articles in publications receive what is called in the academic world as peer review and they are authentic.

Before the scholarly articles are in for publication, it is reviewed and accepted by the scholars in the respective field to judge for the scholarly merit, the research value and accuracy. Scholarly articles are normally indicative of the credentials of the particular author and also explain in detail the methodology of research and list the respective footnotes or references used to write the article.

There is the difficulty in order to get to the articles. This is because people write their own articles these days and there have been changes all along the way. There are not a lot of people who have the talent for placing the keywords carefully in the text. There are however more than just writing articles but also placing them on the internet so that they require optimization to get the right keywords in the right places to cater to the search results in the searches initiated by the users.

To find scholarly articles can be quite daunting if you are not aware of what to look for. There are a few for starters as given here. They are written with more scholarly jargon that is understood mostly by the academic fraternity. The scholarly articles are more structured which are likely to include sections like abstract, literature review and conclusion. This is one of the ways to weed out the normal articles that do not follow any specific structure. These articles are also supported by graphs, statistics and photographs. The articles also provide a bibliography that documents the research and possibility for further research.

On any given day, how many people, events, problems, projects, family issues, things to remember and appointments are running through your mind? A LOT, right? If you’re writing a book, you have to add on top of that a whole other world of characters, events, settings, plots, (if you’re writing fiction) or stories, bullet points, theories and rhetoric (if you’re writing non-fiction). How do you keep track of it all?

Keeping a journal for your book can be a great tool. In it you can keep your outline, character details, plotting charts and anything else that serves as a guide for helping you stay on track. The following is a simple outline of headings for setting up your daily journal pages to help you with the day-to-day writing of your book.

Word Goal

At the top of your page start out with the date of the writing session and set a goal for how many words you will write for the day. Make the number big enough to challenge you, but not too big that you feel overwhelmed if you consistently miss it. You can also keep the word goal in line with what you’re working on that day. If you are re-writing a chapter instead of creating a new one, then your word count for the day will be significantly smaller. (And that’s okay!)

Today’s Work Will Focus On…

Under this heading you will plan out what you want to handle in the session. Are you writing a dialogue where your main character learns someone’s innermost secrets? Are you doing a scene setter that places the reader in the heart of your book? Are you writing a how-to chapter to explain how the reader can put to use the new strategies you’ve given them on how to be a better networker? Doing this also makes the word goal less intimidating because you immediately see what you’re going to do with all those words!

What Problems Might I Encounter?

There WILL be problems–no big deal. Note what they may be so you won’t get tangled up in the problem as you’re sitting in front of the computer screen. Write down each one. Some examples: “How do I get my character to go from living at home to a place nearer to where all the action is happening?” “How do I introduce the character to the guy who will ruin her life?” “How do I shrink my program down to 5 simple steps that people can remember?” Acknowledging problems really helps to lessen their power over your writing. You aren’t scared away from a problem so easily when you know you can come up with a solution.

Possible Solutions Include…

This is where you’ll do a quick brainstorming of how you can solve the problem. You can try out one of the solutions in your writing session. If that doesn’t work, you’ll have a list of things you can try the next day. What’s great about this is that you’re starting to train your mind to look for answers. You’ll find that when you’re writing consistently, you’ll be thinking about ideas and solutions all the time–in your car, in the shower, while you’re taking a walk. This is really where the magic happens. I truly believe that the bulk of books can be worked out in your head–then you have to sit down and get it onto some paper!

Today’s Result and Where It Will Take Me Tomorrow…

At the end of your writing for the day you’ll want to take note of what you accomplished. Maybe the dialogue you wrote today has opened up another avenue you’d like to explore with your character. Or perhaps you’ve noticed a big hole in the research you’ve done for the biography you’re writing and you realize you need to make a few more calls. I like to print out the pages I’ve written so I can really see and feel what I’ve done for the day. It makes me excited to do more. The idea here is to reward yourself for your work and also see that you have more to do. You’re less likely to get writer’s block if you see that you still have plenty more to say for your next session. But if you do happen to get stuck anyway, go to…

Your Fun Page

This is the page where you just dawdle and dream when the writing isn’t quite happening. I had a page with “Acknowledgments” written at the top. Whenever I didn’t feel like writing, I would go to this page and think about who I wanted to thank when the book was finished! It was fun to add names or cross them out depending on my mood! Having such a page helped me stay connected to my vision of being a published author. Your page could have the list of cities for your book tour, or notes on the introduction you would give before your readings. Keep it light, keep it fun. This way, getting to the end of your book will be a pleasure, not a struggle. Isn’t that the way you want it to be?